Apr 25, 2024  
2017-2018 University Catalog 
    
2017-2018 University Catalog [Archived Catalogue]

Courses


Overview     Course Renumbering     Course Search     Course Prefix Key     

 

Overview

The course catalogue contains information on all active courses offered by the University including: title, course number, credits, contact hours, prerequisites, offering college, priority enrollment, repeatability, and restrictions.  Courses listed in the catalogue are not offered every semester.  To access a listing of course sections being offered during a particular term refer to the Course Section Offerings page on the Office of the Registrar website.

Course Renumbering

A complete list of all courses renumbered during the last academic year can be found below.

Courses Renumbered 2016-2017  

Course Search 

 
  
  • VPAS 542 Visual Arts for the Classroom: Drawing /Painting, Introductory

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Drawing and painting are foundational skills for visual literacy and for developing an understanding of form, composition, light and color. Working from direct observation, including some figure models, participants improve perception and technical skills working both in drawing media and in paint. Create a range of timed pieces in basic drawing media such as charcoal, pencil, ink and conte crayon, then move on to more advanced work using acrylic paints. This course considers color theory,composition, painting technique, and the overall process.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 543 Visual Arts for the Classroom: Drawing +Painting, Advanced

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Expand drawing and painting skills at a more advanced level. Working from direct observation, including some figure models, participants improve perception and technical skills, working both in drawing media and in paint. Create a range of times pieces in basic drawing media such as charcoal, pencil, ink and conte crayon, then move on to more advanced work using acrylic paints. This course considers color theory, composition, painting technique, and the overall process and includes in-depth critiques.

    Prerequisites VPAS*542

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 544 Visual Arts for the Classroom: Painting, Introductory

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Focus on basic painting skills, color mixing and composition through exercises from direct observation. This course focuses on painting techniques in acrylics and oils using projects that can be replicated with students within art classrooms. Designed for those new to the media as well as those who seek to refine and develop existing skills, participants engage in critique and discussions.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 545 Visual Arts for the Classroom: Painting, Advanced

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Explore more refined techniques and critiques of painting and color theory with an emphasis on advanced aspects of the medium to convey an artistic message through a series of works. Participants use acrylics and oils, working from direct observation on projects that can be replicated with students within art classrooms.

    Prerequisites VPAS*544

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 546 Visual Arts for the Classroom: Landscape Painting, Introductory

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Emphasis will be on an ‘in the field’ approach to landscape as subject matter. In addition to producing finished paintings, participants will discuss this genre and the themes often illustrated in it, including the concept of place, scale, the nature of light, and the balance of man and nature. As weather permits, participants will work outdoors to address the process of working with the immediacy of changing conditions. Participants will work from direct observation and cover concepts in landscape composition that will help them achieve their desired results. Choice of media may be oil, acrylic or pastel. Topics include: proper grounds (surfaces) for oil paint, materials, mediums, and techniques for the efficient use of the time, how to use a loose drawing to form a strong composition; and making color studies. Participants will also discuss choosing a location, reading the weather, reading the light, and color mixing for landscape. This course is intended for educators with previous experience in basic drawing and painting. All course content will be directly applicable to classroom instruction and curriculum for art educators.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 547 Visual Arts for the Classroom: Landscape Painting, Advanced

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Explore landscape painting at a more advanced level. Working in the field, participants discuss themes inherent in this subject matter, evaluate the effects of light and color, and refine specific techniques. As weather permits, work outdoors in the Bucks County landscape with expansive vistas to consider. This course takes into account the immediacy of changing conditions while working en plein air. Participants work from direct observation and consider techniques that achieve desired results. Choice of media may be oil, acrylic or pastel. Topics include mediums and techniques for the efficient use of time, analyzing composition, color studies, reading weather and light conditions, and basic color mixing. Course content and critiques applicable to art classroom instruction.

    Prerequisites VPAS*546

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 548 Visual Arts for the Classroon: Digital Photography, Introductory

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Master the art of digital photography in one week. This course is designed for K-12 educators looking to increase expertise at all levels of photographic technique to maximize digital output for the classroom. Join us for an immersive hands-on experience with camera equipment and software as we explore composition, lighting, and subject. Manage and edit imagery to build a range of basic to advanced classroom projects, including skillful incorporation of Adobe Creative Cloud, Lightroom, and other digital media into your curriculum to enhance student learning and engagement with the material. Participants are required bring an external hard drive, 2GB minimum. Participants are encouraged but not required to bring 10 images for classroom tutorials.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 549 Visual Arts Process + Materials for the Classroom: Digital Photography, Advanced

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Refine and improve techniques relating to digital photography, expanding overall photographic competency and aesthetic sensibility. Composition, lighting and subject are discussed and critiqued as participants create a cohesive body of work with the final goal a series of project-based photographs. Some basic post-production techniques using Photoshop are introduced. Participants must bring a digital SLR camera and a portable storage device.

    Prerequisites VPAS*548

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 550 Integrating Design Fundamentals - Projects for the Classroom

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    This course presents a step-by-step approach to understanding what causes one to look at a painting, photograph, or any two-dimensional media and what is needed to maintain visual interest. This method applies aspects of line, shape, value, and color directly to moving the viewer’s eye to and through a composition. With studio projects and hands-on exercises reinforcing concepts, vocabulary and visual organization, participants strengthen their own design thinking skills and develop new methods to convey and explain design to students. In addition, critiques and discussions regarding interpretation are included. Applicable to the fine arts, applied arts, and digital media, this course provides a simple and comprehensive methodology through which artists can create dynamic art.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 551 Visual Storytelling Techniques for Educators

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Consider narrative concepts as conveyed or enhanced through visual images. Using primarily museum and art history resources, as well as selected children’s books, participants consider how images convey meaning themselves or are used in conjunction with text to tell stories. Look at the works of illustrators such as Maurice Sendak, Eric Carle, Faith Ringgold and Beatrix Potter to discuss the relationship of image with text. Study works by artists Henri Matisse, Edward Hopper, Henri Rousseau, Romare Bearden and Jacob Lawrence, whose work contains strong narrative elements to explore how images alone can convey a story. Discover studio projects, presentations and hands-on exercises that can be replicated directly to help students increase their visual literacy skills and enhance learning. Use museum resources as a primary teaching tool with visits to the Rosenbach Museum and Library and the Philadelphia Museum of Art. Designed primarily for K-8 classroom teachers, as well as those teaching art, English or language arts; open to all with an interest in visual storytelling.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 552 3-D Projects for the Classroom: Expanded Techniques for Glass Fusing + Slumping: Pattern Bars

    Division of Continuing Studies

    3 credits 45.0 hours
    500 level graduate course

    Expand your glass techniques by learning how to incorporate ‘pattern bars’ into projects. Participants use advanced methods to create projects with simple bars showing flow dynamics and viscosity; the grafting of precise geometry and placement; and randomization based on color theory and three-dimensional concepts. Various techniques are considered to create a single wall piece. Pieces will be cold-worked and polished. Slumping/draping possibilities are also discussed. Content applicable to K-12 classrooms, particularly to expand knowledge of three-dimensional concepts.

  
  • VPAS 553 Murall Project Development and Design

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    What does it take to make your mural really happen? This class empowers teachers with the necessary skills required for the designing, planning, budgeting, and executing a mural in their school or community. Through investigation and development of individual projects, the class will begin by learning about the narratives, content and design process. Each class session will take students a step further in the realization of their mural concept. By the end of the class students will have their design, their budget, a site, and a curriculum to create this project with a class. This course provides students with the tools, skills, and opportunity to develop, design, and plan an execution for a mural project. Students bring in their project ideas and through the class they will develop the tools and skills they require to execute the idea. They will go through the steps of creating a plan for community engagement, develop a timeline, create a budget (and financial plan) and facilitate workshops around the mural project. The class will critique and support the student’s choice of site, project, and plan. Established guest muralists will be invited to join the class as an established ‘design panel’ that will review each design as focus will be given to the actual design, and the plan to work with a community/classroom and site. In addition, project managers from the Mural Arts Program of Philadelphia will review the community engagement aspect of their mural project and provide feedback. Students will also spend one day working on an actual mural site.

    Prerequisites VPAS*503 and VPAS*504

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • VPAS 590 3-D Projects for the Classroom: Jewelry: Enamel

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Create colorful pieces of jewelry using the ancient art of enameling. Enameling is the art
    of fusing powdered glass to metal under high heat conditions. This course will introduce you to
    basic kiln firing methods, from preparing the enamels to experimenting with opaque and
    transparent colors to achieving rich vibrant patterned surfaces. You will learn basic
    techniques such as Sgraffito (drawing in the enamel), stenciling, and adding elements from
    beads to glass threads. You will also be introduced to the advanced techniques of
    cloisonné and champlevé. Basic metal techniques to set your pieces in jewelry will be discussed,
    along with the design of multiple activities appropriate for the middle and high school
    classroom.

    Open to graduate students from the Division of Continuing Studies.
    his course is not repeatable for credit.
  
  • VPAS 591 Visual Arts for the Classroom: Fashion Design Illustration

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Fashion design is an expressive art that originated to broadly advertise current fashion
    trends. This course introduces 7-12 educators to professional figure- and clothing-illustration
    techniques. Educators will: 1) create fashion figures with attention to proportion and
    detailing, according to fashion industry standards; 2) illustrate garments, fabrics, and
    technical flats; 3) develop a personal sketching style using a variety of artistic media,
    including colored pencils, watercolor, markers and technical pens; and 4) explore the fashion
    history and culture of select ‘eras.’ The final project is the creation of a fashion collection,
    complete with fashion figures, garment, color story, and target market.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
  
  • VPAS 592 3-D Projects for the Classroom: Wood Studio

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    Educators will focus on shaping wood by hand while refining form and finish. You will design
    and complete a utilitarian object or create a 3D sculpture, characterized by “continuous” curves
    and surfaces free of high/low spots and devoid of tool marks. You will learn safe machine operation
    for the band saw, for 2D patterns using thin plywood and roughing-out an object’s curved
    profiles from hardwoods. You will also learn proper handling techniques of hand tools
    essential for shaping wood into curvilinear forms: spoke shave, pattern makers, wood files,
    scrapers and abrasives. Throughout the course, you will explore wood properties. Appropriate
    for educators of all grade levels. No prior experience necessary.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
  
  • VPAS 593 2-D Projects for the Classroom: Screenprinting + Monoprinting

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    This course addresses image-making through methods in screen printing and monoprinting that
    can be used for every day classroom use, without specialized equipment or presses. Demonstrations
    in printing techniques are followed by hands-on work in stencil preparation, mixing of pigments,
    registration processes, pulling a print and presentation, including development and
    application of various hand-cut, drawn and photo stencils. Emphasis is on the acquisition of
    personal expression and technical skills and use of water-based inks. Open to all K-12 teachers,
    across content.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
  
  • VPAS 594 Non-Fiction Film Production for the High School Classroom

    Division of Continuing Studies

    3 credits 42.0 hours
    500 level graduate course

    With the advent of affordable, high-quality video cameras and highly accessible computer-based
    editing systems, documentary filmmaking has become an increasingly popular storytelling
    medium for high school students. The camera opens up new worlds to high school students in
    profound and revolutionary ways. Explore the documentary form, experiment with a wide range of
    affordable production and post-production tools, and come away with interview strategies, lighting
    and sound basics, proficiency using technical gear, and the foundation for developing rubrics
    for film-based projects to use in your classroom. Recommended for high school teachers. No
    previous filmmaking experience necessary.

    Open to graduate students from the Division of Continuing Studies.
    This course is not repeatable for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • WFTV 111 Introduction to Screenwriting I

    Division of Liberal Arts

    3 credits 45.0 hours
    100 level undergraduate course

    The first semester of this year-long course introduces the major principles of writing stories for the screen: three-act structure, the plotting of dramatic sequences, character development, dramatic conflict, and story setting. Through focused weekly writing assignments and small-group workshops, students will complete two original five-sequence film narratives that could be developed into short screenplays.

    Only open to WFTV and CW majors only.
    This course is not repeatable for credit.
  
  • WFTV 112 Introduction to Screenwriting II

    Division of Liberal Arts

    3 credits 45.0 hours
    100 level undergraduate course

    Students apply the fundamentals of screenwriting learned in the first semester to the creation of a ten-sequence original film narrative. Weekly study-film screenings, readings and workshops will deepen their understanding of how classic three-act screenplay structure supports a film protagonist’s transformational character arc.

    Prerequisites WFTV*111

    Only open to WFTV and CW majors only.
    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 141 Storytelling

    Division of Liberal Arts

    3 credits 45.0 hours
    100 level undergraduate course

    An exploration of the nature, use, and practice of storytelling. The course encourages students to consider how various forms of narrative–from advertising, greeting cards, and political campaigns to films and rap music–convey stories and ideas; how oral, pictorial, and written narratives differ; and how medium affects narrative. Creative exercises in a range of media help students reflect on the many ways that a narrative can be manipulated and exploited, to powerful effect.

    This course is not repeatable for credit.
    This course can fulfill an art history elective, liberal arts elective, or free elective requirement.

    This course is equated with the following courses: LITT*141, CMMC*141, WRIT*141, WRIT*141
  
  • WFTV 211 Screenwriting I

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    An applied writing workshop that introduces all the fundamentals of screenwriting: scene structure, dramatic beats, dialogue, story structure, character, plot, and dramatic conflict. The course begins with a series of focused scene-writing exercises. Then students develop and hour-long script idea, prepare character profiles, organize plot points, write and revise and outline, and complete a first script draft that focuses on the main story line.

    Prerequisites COMP*102, COMP*102E, COMP*112, or COMP*112H

    Only open to WFTV, ANIM, Film/Video, FIlm/An and CW majors.
    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 212 Screenwriting II

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    Second semester of an intensive introduction to the fundamentals of screenwriting. In this course, students outline a subplot to complement the main story line from the script writing the previous semester, write a new script draft that incorporates both the A and B stories, workshop their scripts, and then embark on a major revision that begins with a new outline and concludes with an extensively rewritten second draft.

    Prerequisites CRWT*183 or WFTV*211

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 221 Screenplay Adaptation

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    The vast number of theatrical and television films adapted from fictional and nonfiction sources make it essential that emerging screenwriters understand the art of adaptation. Following an introduction to the basics of adaptation, this course analyzes three movies adapted from fictional sources (novels, short stories, etc.) and three from nonfiction sources (e.g. books and magazine journalism). Creative written work from both is integrated into the course.

    Prerequisites COMP*102, COMP*102E, COMP*112, or COMP*112H

    Priority enrollment for Creative Writing majors.
    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 227 Writing for Television I

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    Introduces students to the craft of writing dramatic scripts for episodic television. Through a mixture of lectures and practical experience, students learn the various television formats, the differences between TV scripting and feature-film writing, the process of writing in teams, and the steps involved in working toward a finished teleplay.

    Prerequisites CRWT*183 or WFTV*211

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 232 Creating Reality TV

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    Through lectures, screenings, and readings, this course examines the reality television genre from historical, economic, and creative perspectives. Students will create two reality series proposals, one with an accompanying promotional and marketing campaign.

    Prerequisites COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 241 Screenplay Analysis

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    Introduces the student to the fundamental principles of script development through analysis of the full-length screenplay. The unique structure of the single-protagonist, buddy, ensemble, and non-linear 3-act formats will be examined in several film genres. Students can apply techniques of screenplay analysis to the development of their own scripted projects.

    Prerequisites COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 242 Film Story Analysis

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    The course examines various narrative film genres, identifying the unique and distinctive qualities of the screenwriting conventions utilized. Screenings and analyses highlight the devices employed by screenwriters to tell a good story. Each weekly screening is followed by a critical paper.

    Prerequisites COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 261 Cinema Arts

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    Introduction to the various production values that directly influence the character of the dramatic product. Subjects of study include music, cinematography, art and production design, editing, sound, costume design, special effects, and computer-generated imagery as they relate to the writer’s intention and the quality of the final product.

    This course is not repeatable for credit.
  
  • WFTV 283 Screenwriting Workshop for Non-Majors

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    This course focuses on the fundamental elements and process of screenwriting in a workshop setting. Though students will complete a short film script as their final project, the tools and knowledge necessary to complete a feature-length script will be the focus of study.

    Prerequisites COMP*102, COMP*102E, COMP*112, or COMP*112H

    Animation, Creative Writing, Film/Video, and Writing for Film+Television majors are not permitted to register this course.
    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 290 Special Topics: Writing for Film & Television

    Division of Liberal Arts

    1 - 3 credits undefined hours
    200 level undergraduate course

    Topics and studies of current interest in any aspect of screenwriting, television and related
    media. Students will analyze already-produced works to identify the dramatic elements necessary
    to generate ideas and content appropriate to the specific course. Topics will be designed
    according to the expertise of the faculty, and visiting artists.

    This course may be repeated for credit.
  
  • WFTV 311 Advanced Screenwriting I

    Division of Liberal Arts

    3 credits 45.0 hours
    300 level undergraduate course

    An intensive writing workshop that engages students in all of the professional stages involved in the planning and writing of a feature-length movie script. Students develop a concept, pitch the project, write character profiles, lay out the plot points, and write a long outline of treatment for a full-length work that will be scripted in the following semester.

    Prerequisites WFTV*212

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 312 Advanced Screenwriting II

    Division of Liberal Arts

    3 credits 45.0 hours
    300 level undergraduate course

    An intensive writing workshop that engages students in all of the professional stages involved in the planning and writing of a feature-length movie script. Working from a revised outline composed the previous semester, students write the first draft of a feature-length screenplay, participate in workshops with their peers, and then embark on a revision that results in an extensively rewritten second draft.

    Prerequisites WFTV*311

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 328 Writing for Television II

    Division of Liberal Arts

    3 credits 45.0 hours
    200 level undergraduate course

    Advanced studio writing course in which students can create an original comedy or drama pilot, or outline and draft two episodes of an already existing episodic TV series.

    Prerequisites WFTV*227

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 329 Film & TV Production Management

    Division of Liberal Arts

    3 credits 45.0 hours
    300 level undergraduate course

    This course provides practical information and hands-on experience in the planning and management of dramatic film and television shoots. Emerging screenwriters will gain an understanding of how film professionals turn their scripts into movies and TV episodes, and filmmakers will learn about the complex apparatus of producing filmed drama, which they will find useful in either an independent setting or as part of a large-scale industry production.

    Prerequisites COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 333 Writing the Short Film

    Division of Liberal Arts

    3 credits 45.0 hours
    300 level undergraduate course

    The course, building upon the fundamentals of structuring and formatting introduced in Screenwriting I, explores the qualities that are unique to and inherent in the conception of short form film projects. Emphasis is placed on a wide variety of narrative approaches that films employ when they are substantially shorter than a conventional feature length piece.

    Prerequisites CRWT*183 or WFTV*211

    This course is not repeatable for credit.
    This course can fulfill a liberal arts elective or free elective requirement.

  
  • WFTV 408 Senior Teleplay I

    Division of Liberal Arts

    3 credits 45.0 hours
    400 level undergraduate course

    This advanced writing workshop offers students direct and intensive experience in the planning and writing of dramatic-television scripts in multiple formats. Students review the elements of story structure, character, and dramatic conflict as they apply specifically to episodic television, collaborate on the creation and development of their story ideas, and then plan, write, and revise an individual spec script for an existing television series.

    Prerequisites WFTV*328

    This course is not repeatable for credit.
  
  • WFTV 409 Senior Teleplay II

    Division of Liberal Arts

    3 credits 45.0 hours
    400 level undergraduate course

    In this advanced writing workshop, students develop their own dramatic television series and write multiple drafts of one episode. Building on skills learned in Senior Teleplay I, writers pitch their series, write series bibles containing character biographies and outlining a short season’s worth of episodes, outline one complete episode, and then write and revise that episode’s teleplay, leaving the class with a professional quality pilot-episode teleplay.

    Prerequisites WFTV*408

    This course is not repeatable for credit.
  
  • WFTV 411 Senior Script I

    Division of Liberal Arts

    3 credits 45.0 hours
    400 level undergraduate course

    This course is the first in a two-semester sequenced capstone course for all Writing for Film and Television majors. The focus is on producing new work as well as reconsidering and revising work from the first 3 years of study, with the goal of producing a professional-quality portfolio of finished pieces. Students may choose to write a feature-length screenplay or a dramatic series television pilot.

    Prerequisites WFTV*312

    This course is not repeatable for credit.
  
  • WFTV 412 Senior Script II

    Division of Liberal Arts

    3 credits 45.0 hours
    400 level undergraduate course

    This second course in a two-semester sequence is the capstone course for all Writing for Film and Television majors. The focus is on producing new work as well as reconsidering and revising work from the first three years of study, with the goal of producing a professional-quality portfolio of finished pieces. Students may choose to write a feature-length screenplay or a dramatic series television pilot.

    Prerequisites WFTV*411

    This course is not repeatable for credit.
  
  • WFTV 490 Independent Study

    Division of Liberal Arts

    1.5 - 6 credits undefined hours
    400 level undergraduate course

    Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum. Enrollment is limited, please see the Independent Study policy in the catalogue for more information.

    Restricted to Undergraduate students.
    This course may be repeated for credit.
    This course requires permission by the offering program office.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • WFTV 499 Internship

    Division of Liberal Arts

    3 credits 45.0 hours
    400 level undergraduate course

    Seniors can intern with regional or national companies to experience a real work environment
    in the field of media. Internships can include local network-affiliated television stations,
    public broadcasting stations, TV or film production companies/studios, or other media
    platform businesses. A paper or journal chronicling the experience is required upon
    completion of the internship.

    This course may be repeated for credit.
    This course requires permission by the offering program office.
    This course cannot be taken pass/fail.
    This course is equated with the following courses: WFTV*499, WRIT*499
  
  • WFTV 690 Graduate Independent Study

    Division of Liberal Arts

    1 - 6 credits undefined hours
    600 level graduate course

    Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum. Enrollment is limited; please see the Independent Study policy in the catalogue for more information.

    This course may be repeated for credit.
    This course requires permission by the offering program office.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • WFTV 699 Topics: Writing for Film and Television

    Division of Liberal Arts

    1.5 - 6 credits undefined hours
    600 level graduate course

    Graduate students may register for upper-level undergraduate liberal arts courses and studio electives for graduate credit. Graduate students are expected to contribute at a higher level in the classroom and have additional assignments (readings, papers, etc.) in order to be granted graduate credit. Students are advised to select an area of study that broadens or intensifies their background in the arts, education, and related disciplines. Often this work contributes directly to the preparation of the graduate project proposal. In order to register for an upper-level undergraduate course and receive credit, the student must submit a completed special topics/independent study form to the Office of the Registrar.

    This course may be repeated for credit.
    This course requires permission by the offering program office.
  
  • WOOD 101 Introduction to Furniture and Wood

    College of Art, Media & Design

    1.5 credits 45.0 hours
    100 level undergraduate course

    The introduction of wood as a material, basic joinery theory, and the ability to manipulate safely with both hand and power tools. Lecture on and demonstration of the properties of wood and the proper use of the band saw and shaping tools, including rasps, chisels, small hand planes, and gouges.

    Requires completion of 15 credits
    This course is not repeatable for credit.
  
  • WOOD 211 Woodworking Exploration Projects

    College of Art, Media & Design

    3 credits 90.0 hours
    200 level undergraduate course

    Introduction to basic woodworking skills and processes, including sharpening and setting up hand tools and machinery, theory of solid wood joinery, and construction. In addition to building technical skills, emphasis is on contemporary and historical furniture design issues.

    Prerequisites Complete 12 credits from subjects IMAG, TIME, OBJT, ENVI, or COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course is not repeatable for credit.
  
  • WOOD 212 Woodworking Exploration Studio

    College of Art, Media & Design

    3 credits 90.0 hours
    200 level undergraduate course

    A continued exploration of furniture and the wooden object as vehicles for personal expression. This freestanding course also serves as a companion to CRWD 211. Materials addressed will be at a beginning level-more experienced students taking the class will explore the topics in more depth.

    Prerequisites Complete 12 credits from subjects IMAG, TIME, OBJT, ENVI, or COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course is not repeatable for credit.
  
  • WOOD 221 Furniture Design

    College of Art, Media & Design

    3 credits 90.0 hours
    200 level undergraduate course

    This course presents a series of design problems emphasizing exploration of ideas through drawing and model making. Historic and contemporary examples are studied. Fundamental joinery techniques are covered, but the emphasis is on design exploration, imagination, and inventiveness. Students provide their own materials and some hand tools.

    Prerequisites Complete 12 credits from subjects IMAG, TIME, OBJT, ENVI or COMP*102 or COMP*112

    This course may be completed 3 times for credit.
  
  • WOOD 223 Wood Carving

    College of Art, Media & Design

    1.5 credits 45.0 hours
    200 level undergraduate course

    An introductory course focused on the development of technical skills. A survey of historical and contemporary precedents exposes the student to the potential wood carving has as a vehicle for artistic expression. The class covers the selection, use, and sharpening of tools, materials and choice of woods, lamination and joinery used for carving, finishing techniques, and letter carving. Students provide their own carving tools.

    Prerequisites Complete 12 credits from subjects IMAG, TIME, OBJT, ENVI, or COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course may be completed 2 times for credit.
  
  • WOOD 224 Low-Tech Furniture

    College of Art, Media & Design

    3 credits 90.0 hours
    200 level undergraduate course

    Using materials gathered from both nature and the urban environment, students make chairs, tables and other functional objects. Inspired by the design inherent in natural materials, branches and twigs, artifacts, and found objects, the class conceives and executes a series of projects. Basic, non-technical construction methods and simple hand tools are stressed.

    Prerequisites Complete 12 credits from subjects IMAG, TIME, OBJT, ENVI, or COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course may be completed 2 times for credit.
  
  • WOOD 225 Making and Playing: Improvisational Musical Instruments

    College of Art, Media & Design

    3 credits 90.0 hours
    200 level undergraduate course

    The course will serve as an introduction to essential principals of sound mechanics and simple musical instrument design and building. Using essential materials and basic woodworking processes, these principals will be investigated in a manner that encourages spontaneity, critical awareness, and collaboration in design, making, and use. The goal is an integration of personal studio practice with the social environment of music and sound. The teaching method will combine lectures covering historical, cultural, and technical information with demonstrations of tool and material use. The importance of temporal and haptic experience in developing an appropriate level of workmanship will be stressed. Much student/faculty contact will be one on one and students will be expected to actively share critical input with each other. Students will learn to make simple musical instruments/sound objects that demonstrate the several basics means of sound production. A series of didactic demonstrations of mechanics, material possibilities, and techniques will be accompanied by presentations of ethnographic instruments, music, and social environments. Three projects of increasing complexity will ask for responses to this introductory material. Students will research and develop concept proposals for each assignment, working initially “solo” and later within the context of “duets” and “ensembles.” Within these varied contexts designs will be tested and implemented refining structure, material use, acoustic response, function relative to the body, and aesthetic content.

    Prerequisites Complete 12 credits from subjects IMAG, TIME, OBJT, ENVI, or COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course may be completed 2 times for credit.
  
  • WOOD 299 Selected Topics in Wood

    College of Art, Media & Design

    1.5 - 3 credits undefined hours
    200 level undergraduate course

    This course allows for the presentation of one-time, unique studio experiences involving either specialized themes, media, classroom structures, or teaching and learning formats, for the development of projects relevant to contemporary Wood issues.

    Prerequisites Complete 12 credits from subjects IMAG, TIME, OBJT, ENVI, or COMP*102, COMP*102E, COMP*112, or COMP*112H

    This course may be completed 4 times for credit.
  
  • WOOD 311 Wood/Furniture Junior Studio I

    College of Art, Media & Design

    3 credits 90.0 hours
    300 level undergraduate course

    Covers tools, joinery, methods, and materials. Content progresses with increasing complexity, involving machining, hand tools, finishing, and surface treatments. Senior Crafts majors taking this course may choose to spend all or part of their time producing thesis work to supplement the thesis component of Crafts Projects III.

    Prerequisites WOOD*211 and WOOD*212

    This course is not repeatable for credit.
  
  • WOOD 312 Wood/Furniture Junior Studio II

    College of Art, Media & Design

    3 credits 90.0 hours
    300 level undergraduate course

    A continuation of CRWD 311. In preparation for the senior thesis, students take on increased responsibility for the form and content of their work.

    Prerequisites Complete 6 credits from WOOD*211 and WOOD*212

    Corequisite Course(s): SOAC*300 and SOAC*301

    This course is not repeatable for credit.
  
  • WOOD 313 Wood/Furniture Junior Projects

    College of Art, Media & Design

    3 credits 90.0 hours
    300 level undergraduate course

    A continuation of CRWD 311. In preparation for the senior thesis, students take on increased responsibility for the form and content of their work.

    Prerequisites Complete 6 credits from WOOD*211 and WOOD*212

    Corequisite Course(s): SOAC*300 and SOAC*301

    This course is not repeatable for credit.
  
  • WOOD 411 Wood/Furniture Senior Thesis I

    College of Art, Media & Design

    3 credits 90.0 hours
    400 level undergraduate course

    In consultation with faculty, students question and refine their interests and begin production of a cohesive body of work for their thesis exhibition. Faculty presentations are complemented by student research and investigation.

    Prerequisites WOOD*211 and WOOD*212

    This course is not repeatable for credit.
  
  • WOOD 412 Wood/Furniture Senior Thesis II

    College of Art, Media & Design

    3 credits 90.0 hours
    400 level undergraduate course

    Production of work for the thesis exhibition continues. In preparation for leaving the academic environment, students complete work for their portfolio. Though development of technical skills continues, the emphasis is on having students articulate their ideas and understand the content of their work.

    Prerequisites WOOD*211 and WOOD*212

    This course is not repeatable for credit.
  
  • WOOD 413 Wood/Furniture Senior Studio

    College of Art, Media & Design

    3 credits 90.0 hours
    400 level undergraduate course

    A continuation of CRWD 313. Problems become more complex as students acquire a level of technical mastery appropriate to their ideas. Emphasis is placed on the student’s conceptual development.

    Prerequisites SOAC*301

    Corequisite Course(s): CRFT*401 or CRFT*402

    This course is not repeatable for credit.
  
  • WOOD 611 Advanced Wood

    College of Art, Media & Design

    3 credits 90.0 hours
    600 level graduate course

    Covers tools, joinery, methods, and materials. Content progresses with increasing complexity, involving machining, hand tools, finishing, and surface treatments. Senior Crafts majors taking this course may choose to spend all or part of their time producing thesis work to supplement the thesis component of Crafts Projects III.

    This course may be completed 4 times for credit.
 

Page: 1 <- Back 109 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19