Apr 19, 2024  
2008-2009 University Catalog 
    
2008-2009 University Catalog [Archived Catalogue]

Courses


 
  
  • IDES 202 - Studio 1: Projects Studio


    A conceptual and practical understanding of design and three-dimensional problem-solving processes. This studio is taught in a collaborative manner, with two instructors conducting projects individually or as a team in order to provide focused instruction and integrated experiences covering a wide range of subjects including the tools, processes, and languages of design and model making. Emphasis is on the development of three-dimensional model making skills, problem solving and creative thinking and their application to problems of design. Formerly ID 200B

    Prerequisites & Notes
    Prerequisite: IDES 201

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 221 - Studio 2: Techniques


    This studio assists the student to acquire essential two-dimensional representational skills to support the process of design, including production and presentation. It is taught in a collaborative manner, with the instructors conducting projects individually or as a team in order to provide focused instruction and integrated experiences over a wide range of subjects, including the tools, processes, and languages of conceptual drawing, rendering, and detailing using both the computer and traditional media as means to assist design and control production. Principles of technical specification and machine control are introduced as are concepts such as rapid photocopying, computer-integrated manufacturing, parts reduction through integration, and other techniques for efficient production. Students learn to apply these techniques to design problems addressed in IDES 201: Projects Studio. Formerly ID 220A

    Prerequisites & Notes
    Prerequisite: Completion of Foundation. Corequisite: IDES 201

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 222 - Studio 2: Techniques


    This studio assists the student to acquire essential two-dimensional representational skills to support the process of design, including production and presentation. It is taught in a collaborative manner, with the instructors conducting projects individually or as a team in order to provide focused instruction and integrated experiences over a wide range of subjects, including the tools, processes, and languages of conceptual drawing, rendering, and detailing using both the computer and traditional media as means to assist design and control production. Principles of technical specification and machine control are introduced as are concepts such as rapid photocopying, computer-integrated manufacturing, parts reduction through integration, and other techniques for efficient production. Students learn to apply these techniques to design problems addressed in IDES 201: Projects Studio.  Formerly ID 220B

    Prerequisites & Notes
    Prerequisite: IDES 221 Corequisite: IDES 202

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 231 - Design Issues Seminar


    This course is designed to assist the student to develop an understanding of the major issues for design in modern society. Discussions range from issues such as the ecological responsibility of designers to the contributions of individual designers and design organizations throughout the history of the discipline. Assignments include research and demonstration projects that explore ideas and illuminate ethical, practical, and moral issues with which designers should be concerned. Students prepare information and present their views on issues through written, oral, and visual means. Formerly ID 290

    Prerequisites & Notes
    Prerequisite: Completion of Foundation

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 232 - Materials & Processes Seminar


    A writing-intensive course introducing the student to the nature of materials used in industrial products and the various processes by which they are formed. Films, lectures, and field trips familiarize students with wood, metal, and plastic materials as well as processes such as injection molding, laser cutting, and stereolithography. Emphasis is placed on the study of material characteristics and the appropriate use of forming methods. Introduction to technical information, specification writing, and professional communications. Graduate students may register for this course under GRID 614. Formerly ID 214

    Prerequisites & Notes
    Prerequisite: Completion of Foundation

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 301 - Studio 3: Projects Studio


    Following a year of basic design process, methods, and vocabulary introduction, the Junior Studio sequence focuses on solving more advanced design process and project opportunities through applied integration with Human Factors, Design Semantics, and Design Communication skills. The first semester offers more advanced design projects exploring user-centered design and creative exploration of industrial materials usage. The second semester continues with a focus on collaboration with various community groups and/or industry-sponsored projects. Formerly ID 300A

    Prerequisites & Notes
    Prerequisites: IDES 202, IDES 222, IDES 231 Corequisites: IDES 321, IDES 331, IDES 332

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 302 - Studio 3: Projects Studio


    Following a year of basic design process, methods, and vocabulary introduction, the Junior Studio sequence focuses on solving more advanced design process and project opportunities through applied integration with Human Factors, Design Semantics, and Design Communication skills. The first semester offers more advanced design projects exploring user-centered design and creative exploration of industrial materials usage. The second semester continues with a focus on collaboration with various community groups and/or industry-sponsored projects. Formerly ID 300B

    Prerequisites & Notes
    Prerequisites: IDES 301 

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 321 - Studio 4: Techniques


    Assists the student in developing graphic communication skills using computational media and applying these skills to both two- and three-dimensional images and presentations. The student is taught to conceptualize, develop, detail, present, and communicate design ideas through graphic design, computer imaging, three-dimensional computer modeling, basic animation, and interactive design presentation. The first semester focuses on integrating graphic software and the development of printed presentations. The second semester focuses on the development of interactive digital presentations. Formerly ID 320A

    Prerequisites & Notes
    Prerequisites: IDES 202, IDES 222, IDES 231 Corequisite: IDES 301

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 322 - Studio 4: Techniques


    Assists the student in developing graphic communication skills using computational media and applying these skills to both two- and three-dimensional images and presentations. The student is taught to conceptualize, develop, detail, present, and communicate design ideas through graphic design, computer imaging, three-dimensional computer modeling, basic animation, and interactive design presentation. The first semester focuses on integrating graphic software and the development of printed presentations. The second semester focuses on the development of interactive digital presentations. Formerly ID 320B

    Prerequisites & Notes
    Prerequisites: IDES 321 Corequisite: IDES 302

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 331 - Human Factors Seminar


    The object of this research-intensive course is to develop an ability to apply technology effectively to meet human needs through the study of human engineering principles for the design of products and equipment. Human anatomy, anthropometrics and motion, and strength of body components are considered as are sensory systems, human perception, and sensitivities. Lectures are complemented by laboratory experiments designed to teach students methods of testing and evaluating their own product design concepts in human terms. Concepts of scientific writing and reporting are demonstrated through the documentation of coursework. Formerly ID 326

    Prerequisites & Notes
    Prerequisites: IDES 301, IDES 232, IDES 321, IDES 332

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 332 - Design Semantics Seminar


    This seminar addresses design as a languaging process of social interaction. Semantic principles and design vocabulary are introduced through lectures, weekly readings, discussions, and exercises. Students work on individual as well as team-based projects to increase their competence in translating these ideas, concepts, and principles into design practices, applying replicable design methods towards proposing particular products whose meanings matter and whose use is dominated by facets of human understanding. Formerly ID 327

    Prerequisites & Notes
    Prerequisites: IDES 202 IDES 222 IDES 231

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 371 - Architectonics


    An elective course intended as a multidisciplinary forum for the investigation, appreciation, and design of architectural space, structures, and systems. Using in-class exercises as a laboratory for creative and collaborative exchange, students learn alternative design processes, design vocabulary, user-centered experience and design. This course develops concepts and analytical studies of objects/spaces through various 2D and 3D drawing/modeling techniques and culminates in an actual built/altered environment. Graduate students may register for this course under GRID 624. Formerly ID 312

    Credits: 3 cr, 6 hrs
  
  • IDES 401 - Studio 5: Projects Studio


    These studio courses focus on decisive and responsible positions in formulating new design directions. Building upon past learning, projects sharpen fundamental skills of sketching (2D & 3D), design drawing, computer modeling, prototyping and conceptual diagramming. Students are encouraged through critical discourse and research on historical and contemporary material of cultural shifts to formulate their own ideology. Project proposals forward questions such as social context, ergonomics, and ecological consequences. Students are expected to identify local stakeholders (industry, users, designers, etc.) and ask them to be topic advisors as appropriate. First semester projects are dedicated to three fast-paced, highly theoretical, predefined topics. The next semester is devoted to further development of one of these projects. This final semester-long project works toward project closure and pragmatic articulation, ready to be shown both inside and outside an academic context. Formerly ID 400A

    Prerequisites & Notes
    Prerequisites: IDES 302, IDES 322, IDES 331, IDES 332

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 402 - Studio 5: Projects Studio


    These studio courses focus on decisive and responsible positions in formulating new design directions. Building upon past learning, projects sharpen fundamental skills of sketching (2D & 3D), design drawing, computer modeling, prototyping and conceptual diagramming. Students are encouraged through critical discourse and research on historical and contemporary material of cultural shifts to formulate their own ideology. Project proposals forward questions such as social context, ergonomics, and ecological consequences. Students are expected to identify local stakeholders (industry, users, designers, etc.) and ask them to be topic advisors as appropriate. First semester projects are dedicated to three fast-paced, highly theoretical, predefined topics. The next semester is devoted to further development of one of these projects. This final semester-long project works toward project closure and pragmatic articulation, ready to be shown both inside and outside an academic context. Formerly ID 400B

    Prerequisites & Notes
    Prerequisites: IDES 401 Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs
  
  • IDES 421 - Studio 6: Professional Communication


    Refines the students’ written, verbal, and visual presentation skills and assists them in developing communication materials for their senior theses and industry-sponsored projects. Intensive group critique of individual presentations prepared outside of class. Students develop self-promotion, presentation, and correspondence materials utilizing service bureaus and contemporary technologies such as digital files, fax, and the World Wide Web to prepare and transmit this information. Formerly ID 420A

    Prerequisites & Notes
    Prerequisites: IDES 302, IDES 322, IDES 331, IDES 332 Corequisite: IDES 401

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 422 - Studio 6: Professional Communication


    Refines the students’ written, verbal, and visual presentation skills and assists them in developing communication materials for their senior theses and industry-sponsored projects. Intensive group critique of individual presentations prepared outside of class. Students develop self-promotion, presentation, and correspondence materials utilizing service bureaus and contemporary technologies such as digital files, fax, and the World Wide Web to prepare and transmit this information. Formerly ID 420B

    Prerequisites & Notes
    Prerequisites: IDES 421 Corequisite: IDES 402

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 431 - Design Theory Seminar


    In this industrial design seminar, students investigate design philosophies, issues, and pedagogy, from a historic as well as contemporary international design context. Students study various definitions of design, explore design theories and issues, and consider theoretical relationships with other applied arts. Formerly ID 490A

    Prerequisites & Notes
    Prerequisites: IDES 302, IDES 322, IDES 331, IDES 332 Corequisites: IDES 401, IDES 421, IDES 432

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 432 - Design Practice Seminar


    Exposes the student to industrial design professional practice through discussion, lectures, and research. The following subjects are addressed: 1. Running a practice 2. Legalities and contracts 3. Publications/exhibitions 4. Client interaction 5. Job search, recruiters and directories 6. Networking (etiquette and strategy) 7. Work structure (internship, freelance, in-house etc.). Visitors and field trips represent a broad spectrum of the design community including design shop owners, design curators from galleries or museums, industrial design entrepreneurs, and copyright lawyers. Formerly ID 490B

    Prerequisites & Notes
    Prerequisite: IDES 431

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • ILUS 101 - Foundation Illustration


    Within the context of illustration assignments, students are introduced to a variety of media, methods, styles, and techniques used to create both black-and-white and color illustrations. The course includes conceptual, perceptual, and technical problems. The development of narrative skills, logical steps to problem solving, research, and creative thinking is also covered. Numerous presentations are made by guest illustrators. Formerly IL 100

    Prerequisites & Notes
    Priority enrollment to Foundation majors.

    Credits: 1.5 cr, 3 hrs
  
  • ILUS 201 - Pictorial Foundation


    Introduction to drawing and painting skills as they relate to illustration. Objective visual perception, clarity in drawing, and technical facility are stressed. Students are exposed to visual communications, strategies, and design concepts through exposure to art history and the field of contemporary illustration. Formerly IL 200A

    Prerequisites & Notes
    Prerequisites: FNDP 111, FNDP 121

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 202 - Pictorial Foundation


    Introduction to drawing and painting skills as they relate to illustration. Objective visual perception, clarity in drawing, and technical facility are stressed. Students are exposed to visual communications, strategies, and design concepts through exposure to art history and the field of contemporary illustration. Formerly IL 200B

    Prerequisites & Notes
    Prerequisites: ILUS 201

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 211 - Figure Anatomy


    Focus on the investigation and application of line, plane, mass, light and shade, shadow, perspective, anatomy, and proportion as they relate to figure drawing. Weekly sessions include a lecture, demonstrations from the skeleton, and drawing from life. Formerly IL 202A

    Prerequisites & Notes
    Prerequisite: FNDP 111

    Priority enrollment to Illustration majors and Figurative Illustration minors. May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 212 - Figure Anatomy


    Focus on the investigation and application of line, plane, mass, light and shade, shadow, perspective, anatomy, and proportion as they relate to figure drawing. Weekly sessions include a lecture, demonstrations from the skeleton, and drawing from life. Formerly IL 202B

    Prerequisites & Notes
    Prerequisite: ILUS 211

    Priority enrollment to Illustration majors and Figurative Illustration minors. May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 220 - Typography


    Beginning studies in the form, use, nomenclature, and history of typography. Individual letters, word formations, text arrangements, and the application of type to simple communication exercises. Use of Macintosh computer for generating type and industry-accepted software is used. Formerly IL 204

    Prerequisites & Notes
    Prerequisites: FNDP 111, FNDP 121

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 280 - Anatomy Elective


    Focus on the investigation and application of line, plane, mass, light and shade, shadow, perspective, anatomy, and proportion as they relate to figure drawing. Weekly sessions include a lecture, demonstrations from the skeleton, and drawing from life. Formerly IL 208

    Prerequisites & Notes
    Prerequisite: FNDP 111

    Priority enrollment to Illustration majors. May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 285 - Drawing for Animators


    Focuses on introducing and developing the skills and disciplines needed for good figurative animation drawing. The primary issues of anatomical figure drawing with a strong emphasis on the structure and solidity of the figure, good proportions, and specific movement and gesture as they relate to the model. Topics also covered: two-dimensional versus three-dimensional ways of translating form; how perspective and viewpoint are used with the figure and their effect on scale; exaggerated foreshortening techniques; diagrammatic and expressive line quality; facial expressions; hand and foot studies; capturing movement through gesture; and introduction to animal drawing for animation. Formerly IL 205

    Prerequisites & Notes
    Prerequisite: FNDP 111

    Priority enrollment to Animation and Film/Animation majors.  May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 301 - Illustration Methods


    The development of narrative imagery, pictorial illusion, and space, and their combined potential for communication. Procedures focus on developing visual awareness, personal imagery, and conceptual directions. Direct drawing situations and photographic reference (existing or student-produced) also serve as source material for pictorial development. Various media and technical procedures are explored. Assignments and lectures focus on the requirements of applied illustration. Formerly IL 300A

    Prerequisites & Notes
    Prerequisite: ILUS 202 Corequisite: ILUS 321

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 302 - Illustration Methods


    The development of narrative imagery, pictorial illusion, and space, and their combined potential for communication. Procedures focus on developing visual awareness, personal imagery, and conceptual directions. Direct drawing situations and photographic reference (existing or student-produced) also serve as source material for pictorial development. Various media and technical procedures are explored. Assignments and lectures focus on the requirements of applied illustration. Formerly IL 300B

    Prerequisites & Notes
    Prerequisite: ILUS 301 Corequisite: ILUS 321

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 312 - Figure Utilization


    Studies of the figure in narrative contexts are explored, as is work from single and grouped models, nude and costumed. Concentration is on developing compositions and concepts from different and often combined resources. Drawing and painting techniques are utilized. Formerly IL 303

    Prerequisites & Notes
    Prerequisite: ILUS 321

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 320 - Design Methods


    Within the context of design/illustration projects, a basic understanding of how artwork is reproduced in commercial print media. Emphasis is on the relationship between electronic media and production techniques. Specific programs utilized include: Adobe InDesign, Adobe Illustrator and Adobe Photoshop. Formerly IL 301

    Prerequisites & Notes
    Prerequisite: ILUS 220

    Priority enrollment to Illustration majors. Junior/Senior preferred.

    Credits: 3 cr, 6 hrs

  
  • ILUS 321 - Figurative Communication


    Emphasis on working from life. The course focuses on the use of the figure and or still life objects to communicate concepts in the figurative context. Drawing and painting media are explored. Formerly IL 302

    Prerequisites & Notes
    Prerequisite: ILUS 212 Corequisite: ILUS 301

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 322 - Sequential Format


    Course focuses on sequential formats as they relate to illustration and graphic design. Potential areas of inquiry: brochures, storyboards, simple animations, slide presentations, websites, multipage spreads, and identity programs. Formerly IL 304

    Prerequisites & Notes
    Prerequisite: ILUS 320

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 380 - Children’s Book Illustration


    The design and illustration of children’s books. Emphasis on the stages of development of a book from manuscript through dummy design to finished art. Professional practice and working with editors and art directors are discussed. Students become familiar with the work of past and present book illustration and design. Formerly IL 310

    Prerequisites & Notes
    Prerequisite: FNDP 112 

    Priority enrollment to Illustration majors. May be taken twice for credit. Junior/Senior preferred.

    Credits: 3 cr, 6 hrs

  
  • ILUS 401 - Illustration


    Assignments revolve around specific areas of illustration–advertising, book, documentary, editorial, and institutional. Emphasis is on communication, personal viewpoint, and focused technique that are practical and relevant, to professional needs and demands. A senior thesis project, the William H. Ely Illustration Exhibition, is incorporated into the late fall and early spring semesters. Formerly IL 400A

    Prerequisites & Notes
    Prerequisite: ILUS 302 Corequisite: ILUS 441

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 402 - Illustration


    Assignments revolve around specific areas of illustration–advertising, book, documentary, editorial, and institutional. Emphasis is on communication, personal viewpoint, and focused technique that are practical and relevant, to professional needs and demands. A senior thesis project, the William H. Ely Illustration Exhibition, is incorporated into the late fall and early spring semesters. Formerly IL 400B

    Prerequisites & Notes
    Prerequisite: ILUS 401 Corequisite: ILUS 441

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 441 - Senior Portfolio


    Development of a portfolio based on the student’s personal interests, abilities and target markets. Students focus on a traditional, digital or design illustration orientation and develop, over the year, a working portfolio for presentation at the end of the spring term. In addition, the course offers instruction in marketing and promotion, business practices and procedures, resume writing, taxes, and small business requirements as they relate to artists. The course culminates in The University of the Arts’ Portfolio Day in New York City at the end of the semester. Formerly IL 403A

    Prerequisites & Notes
    Prerequisite: ILUS 302 Corequisite: ILUS 401

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 442 - Senior Portfolio


    Development of a portfolio based on the student’s personal interests, abilities and target markets. Students focus on a traditional, digital or design illustration orientation and develop, over the year, a working portfolio for presentation at the end of the spring term. In addition, the course offers instruction in marketing and promotion, business practices and procedures, resume writing, taxes, and small business requirements as they relate to artists. The course culminates in The University of the Arts’ Portfolio Day in New York  City at the end of the semester. Formerly IL 403B

    Prerequisites & Notes
    Prerequisite: ILUS 441 Corequisite: ILUS 402

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 480 - Communication Workshop


    Structured as a design studio, the workshop brings Graphic Design and Illustration majors and their respective faculty together to produce posters for the School of Theater Arts productions. Students are challenged with real-life, professional design studio experiences: working with a client on deadline from concept, illustration, and design through publication in the University’s Borowsky Center for Publication Arts. Junior and Senior Graphic Design and Illustration majors only, approved by faculty advisors. Formerly IL 402

    Prerequisites & Notes
    Prerequisite: GDES 202 or ILUS 202

    Student must have completed the first semester of their Sophomore year (45 credits). May be taken twice for credit.

    Credits: 1.5 cr, 3 hrs

  
  • ILUS 482 - Illustration Workshop: Personal Viewpoint


    A special elective course for qualified Junior and Senior Illustration majors. The Department invites three of America’s most accomplished illustrators to share their talent, insights, and expertise by finding and emphasizing the personal conceptual viewpoint of each student. The goal is to meld that identity with each student’s developing technique to create the greater vision of the artist through illustration as a self-expressive art form. Each of the three faculty presents their work and answers questions in an open forum and then teaches an intensive four-week long segment of the course. The artists give lectures, technical demonstrations, and studio assignments, and students work through a demanding process to produce finished illustrations. This flexible curriculum also allows for timely illustration issues to be covered as they develop in the field. Formerly IL 404

    Prerequisites & Notes
    Instructor permission required. Prerequisite: ILUS 301

    May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 690 - Independent Study


    Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum, with limited supervision. Independent Study is available to Junior and Senior undergraduate students who have a minimum 2.5 GPA and to graduate students in good standing. Each Independent Study may be taken for one to three credits in Liberal Arts, 1.5 to six credits in CAD, and one to six credits in CPA and CMAC. Independent Study cannot fulfill major requirements. Independent Study may serve as free, studio, and liberal arts electives, depending on the topic of investigation. Students cannot apply more than 12 total credits of independent study towards their degree requirements. 

    Credits: 1.5 - 6 cr
  
  • LAAH 111 - Art History Survey I


    A survey of Western visual arts and architecture from the earliest extant examples, cave painting and sculpture from Austrian and southern Europe, to the arts of the Renaissance in Europe in the fourteenth-fifteenth centuries. Students will be asked to visit and do research on the art in local museums and galleries in order to gain a foundation for the work from their textbook, and asked to place, evaluate, and comprehend the history of the world in which many of them make their art. Formerly HU 140A

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LAAH 112 - Art History Survey II


    Following the first half of the Survey of Western Art, this course will consider Western visual arts and architecture from the Renaissance in Europe in the fourteenth-fifteenth centuries to the present. As in the first semester, students will be asked to visit and do research on the art in local museums and galleries, and consider this more modern world as it relates to their own art and thought. They will be tested regularly and expected to write short essays about the work they have studied firsthand. Formerly HU 140B

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LAAH 811 - Ancient Art


    A consideration of art and myth in Western Civilization as they are represented in their earliest forms beginning in ca. 3000 BCE in the cultures of the Ancient Middle East, Egypt, and the Aegean. It concludes with the arts of Classical Greece in the fifth-fourth centuries BCE in recognition of their seminal influence on the arts of the West.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 813 - Medieval Art


    This course examines the sculpture, architecture, painting and decorative arts of Europe from the early Christian period in the third century C.E. to the proto-Renaissance in Italy in the fourteenth century. The course focuses on the emergence and flowering of a European mystical Christian vision as distinct from the earlier monumental classical vision Greece and Rome.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 815 - Art in Renaissance Europe


    The painting, sculpture, architecture, and decorative arts of the fourteenth and fifteenth centuries in the major artistic centers of Northern Europe and in Italy are studied. The course compares and contrasts the works of painters such as Jan Van Eyck and Masaccio; and sculptors such as Claus Sluter and Donatello, who enriched both the habitations and churches of their secular and religious patrons and the proud and expanding mercantile cities in which they lived. Formerly HU 242

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 817 - Baroque Art


    This course studies the work of the major European painters and sculptors of the seventeenth century; Bernini, Rubens, Velasquez, Rembrandt, Poussin and Vermeer. More specialized artists - painters of landscape, still life genre, and the portrait - will also be considered.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 819 - 19th Century Art


    An investigation of change and diversity as represented by the major painters, sculptors and architects of Europe and America in this emerging Modernist century. Style categories under consideration include Neo-classicism, Romanticism, Realism, Impressionism and Post-Impressionism.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 821 - American Art to 1945


    A survey of American art, architecture, and design, emphasizing the nineteenth and early twentieth centuries. The material covered is divided into a series of sections or themes and is considered in relation to tradition. Each section or theme is studied through the work of the major artists who best represent it. Formerly HU 348

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 830 - Modern Art


    At the beginning of the twentieth century, artists responded to new technological forces and the pressures of mass culture in styles such as cubism, constructivism, and surrealism – styles that are still being explored by our contemporaries. The course surveys the period 1880-1980, emphasizing the continuity of the modern artist’s situation and role. Formerly HU 357

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 831 - American Art Since 1945


    In 1945, World War II ended and the focus of modern art shifted from Paris to New York City. The course begins with Abstract Expressionism; studies other major American styles, such as pop art and minimalism; and concludes with post-modernist development such as performance and decoration by artists. Graduate students may register for this course under GRLA 631. Formerly HU 448A

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 832 - European Art Since 1945


    Art since World War II has been dominated by the New York market and by the issue of abstraction; in Europe, however, artists continued to use the human figure as a vehicle for social and ethical concerns, and, more recently, their engagement has become a model for younger artists in both Europe and America. The course will look at crafts and book arts as well as fine arts; it will also make use of plays and films. Formerly HU 448B

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 851 - History of Industrial Design


    A survey of industrial design in the West, paying particular attention to developments in the twentieth century. Formerly HU 251

    Prerequisites & Notes
    Prerequisite: LACR 102 Priority enrollment to Industrial Design majors.

    Credits: 3 cr, 3 hrs
  
  • LAAH 853 - History of Crafts


    A survey of the principal movements and tendencies in Western crafts since the middle of the  nineteenth century. Main topics include the arts and crafts movement, art nouveau, the Bauhaus, the interrelationships among fine arts, crafts, and design, and postmodernism. Formerly HU 253

    Prerequisites & Notes
    Prerequisite: LACR 102

    Priority enrollment to Crafts majors.

    Credits: 3 cr, 3 hrs

  
  • LAAH 854 - History of Communication Design


    A survey of two-dimensional design in the West, with particular attention to developments in the twentieth century. Formerly HU 254

    Prerequisites & Notes
    Prerequisite: LACR 102 Priority enrollment to Graphic Design majors.

    Credits: 3 cr, 3 hrs
  
  • LAAH 855 - History of Photography


    An introduction to the significant photographers and their work in the history of the medium, including technical developments and their impact, the major visual and aesthetic trends in the development of photography and their relationship to art in general, and the larger social context in which photography has developed. Formerly HU 255

    Prerequisites & Notes
    Prerequisite: LACR 102 Priority enrollment to Photography majors.

    Credits: 3 cr, 3 hrs
  
  • LAAH 861 - Arts of China


    This course covers ceramics, sculpture, painting, and other arts of China from the Neolithic through the last Chinese dynasty, that is from roughly 10,000 BCE to 1911. (If time permits some comments may be made about twentieth century Chinese art.) A brief introduction to the historical and social background of each period will be presented as the outstanding arts and art styles of each period are examined. Particular attention will be paid to what, if any, uniquely Chinese characteristics are evident in the arts of China. Art recovered from major archaeological discoveries in China including the “terra cotta” warriors found near the tomb of China’s first emperor will be introduced and reviewed. Important masterworks of Chinese art in all media will also be analyzed and discussed. The influence of religion on Chinese art, particularly Buddhism, will be addressed, and we will also look at Chinese painting in some detail, especially at how figure painting came to be eclipsed by landscape painting. One quiz, mid-term and final examinations and one short paper. Formerly HU 342

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 862 - Arts of Africa


    Artistic, religious, sociological, and geographic aspects of societies in sub-Saharan Africa are studied in order to establish continuity as well as distinction between their art forms. Black American folk art, an extension and transformation of African art, is analyzed. Formerly HU 347

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 863 - Arts of India


    Painting, sculpture, and architecture from the Indus Valley civilization of the second millennium B.C.E. through the different periods of the Buddhist, Hindu, and Islamic dominance to the Raiput painting of the eighteenth century C.E. The different art styles are related to their historical, religious, and social background. Formerly HU 450

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 864 - Art of Islam


    The course covers architecture, architectural decoration, calligraphy, book illustration, textile and ceramic art of the Middle Eastern countries from the beginning of the Islamic era (seventh century C.E.-eighteenth century C.E.). It studies the impact of Islamic religion on the character of Islamic art and architecture. It also studies the various regional styles within this unified visual mode of expression. From time to time Islamic and Christian cultures will be compared so as to understand better the similarities and differences of the two. Formerly HU 451

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 865 - Arts of Japan


    This course covers the architecture, ceramics, painting, and sculpture of Japan from 11,000 BCE to the nineteenth century CE, and if time permits into the twentieth, and twenty-first centuries. It considers and examines the special characteristics of Japanese art, and analyzes the influence of Chinese art and culture on Japanese art and culture. Particular attention will be paid Buddhist art, especially that influenced by Zen Buddhism. In addition, Japan’s unique achievements in illustrated narrative hand-scrolls of the twelfth and thirteenth centuries and decorative screens of the sixteenth-eighteenth centuries will be highlighted. One quiz, one paper, a mid-term, and final examination.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 931 - History and Aesthetics of 20th Century Performance Art


    This course traces the evolution of Performance Art including its roots in Futurism, Constructivism, the Bauhaus, Dada, Surrealism, Fluxus movement, parallel movements in Japanese Butoh dance, European Figuren theater, developments of media in performance, autobiographical performance, and spectacle. Video slides are shown to portray the visual impact of the genre. Formerly HU 256

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 933 - Modern Architecture


    The course investigates modern architecture, its theoretical premises, and the social context that generated it. Students will also inquire into modern architecture’s legacy: postmodern architecture. Formerly HU 345

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 935 - Dada and Surrealism


    The history of the post-World War I antirational movements Dada and Surrealism. Since these were literary and political as well as artistic movements, attention is given to texts by such authors as Artaud, Breton, Freud, Jarry, Rimbaud, and Tzara, as well as to works of art. Formerly HU 355

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 937 - Abstract Expressionism


    Abstract Expressionism was the most important movement in post-WWII American art. This course surveys its origins, accomplishments, and decline. Formerly HU 442

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 970 - Major Artists


    The course concentrates on a single artist or a group of related artists. Among the artists who have come under this intense investigation have been Donatello, Michelangelo, Rembrandt, and Picasso. The course has been designed to give students an in-depth knowledge of one artist’s life and art or the artists of a single school. Formerly HU 456

    Prerequisites & Notes
    Prerequisite: LACR 102 Repeatable for credit.

    Credits: 3 cr, 3 hrs
  
  • LAAH 973 - Women Artists


    A chronological survey of professional female painters and sculptors active in Western Europe and the United States, from the sixteenth century to the present. The role played by women artists in earlier ages, other nations, and different media is also examined. Three written assignments. Formerly HU 354

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 974 - Topics in Design


    A seminar in the history of design. Each semester the course is taught, a different aspect of design history is studied. Individual designers under consideration have been Wright, Le Corbusier, and Aalto; other topics have been particular design histories: crafts history, graphic design history, industrial design history; and particular styles of design: The Arts and Crafts movement, Art Nouveau, Bauhaus, de Stijl and Constructivism, Art Deco, and Post-Modernism. Formerly HU 452

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 975 - “Dirty Pictures” A History of Art Censorship


    There has been some form of art censorship, virtually everywhere in the world, as long as there has been art.  For centuries visual artworks deemed offensive have been altered or destroyed, their audiences restricted and their creators fined, imprisoned, harassed, and/or physically harmed.  The purpose of this course is to examine important cases of art censorship, to try and understand why this phenomenon has been so widespread and long-lasting and to consider its implications within, and beyond, the art community today and for the future. 

    After briefly surveying the history of art censorship in the Western world from antiquity through the mid-20th century, this course will focus on five recent case studies - [particularly notorious instances of art censorship that occurred in the U.S. between 1982 and 2004.  We will examine the basic facts of each case, then review and discuss the principal responses it has generated and its subsequent implications, from several points of view.  Some of the complex questions to be explored will include: Exactly what constitutes “censorship”?  Under what circumstances might censorship be justified?  Should different criteria be applied to potentially controversial public art, vs. the art displayed in art galleries and museums?

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs

  
  • LACR 007 - English as a Second Language I


    Prepares students for whom English is a  second language to produce the kinds of  writing and presentations expected of them on the college level,  and to improve their reading and critical  thinking skills. This is a two-semester requirement. LACR 007 provides review of English grammar, sentence structure, and paragraph development. It focuses primarily on the development of fluency in writing, speaking, listening and reading. The second semester, LACR 008, focuses on the different kinds of prose techniques and on responding in writing to readings and to the work of other students. A workshop format engages students in collaborative learning activities. Credits for LACR 007 or LACR 008 do not count toward graduation. On rare occasions, students may be exempted from LACR 008 by the instructor. LACR 007, 008 are graded on a pass/fail basis. A student who successfully completes the sequence enters LACR 101.

    Prerequisites & Notes
    Credits for  LACR 007 or LACR 008 do not count toward graduation.

    Credits: 3 cr, 6 hrs
  
  • LACR 008 - English as a Second Language II


    Prepares students for whom English is a  second language to produce the kinds of  writing and presentations expected of them on the college level,  and to improve their reading and critical  thinking skills. This is a two-semester requirement. LACR 007 provides review of English grammar, sentence structure, and paragraph development. It focuses primarily on the development of fluency in writing, speaking, listening and reading. The second semester, LACR 008, focuses on the different kinds of prose techniques and on responding in writing to readings and to the work of other students. A workshop format engages students in collaborative learning activities. Credits for LACR 007 or LACR 008 do not count toward graduation. On rare occasions, students may be exempted from LACR 008 by the instructor. LACR 007, 008 are graded on a pass/fail basis. A student who successfully completes the sequence enters LACR 101.

    Prerequisites & Notes
    Credits for  LACR 007 or LACR 008 do not count toward graduation.

    Credits: 3 cr, 6 hrs
  
  • LACR 009 - Fundamentals of Composition I


    This course is designed to help students improve reading, writing, and study skills. The emphasis is on the technical aspects of technical aspects of writing, specifically grammar, punctuation, spelling, and paragraph construction, along with reading comprehension, vocabulary, sentence structure, logical relationships, and usage. Students may work on particular problem areas in the Learning Resource Center. This course does not count for credit toward graduation. LACR 009 is graded on a pass/no grade basis. Students who pass LACR 009 enter LACR 100. On rare occasions, a student may pass, with the instructor’s recommendation, from 009 to LACR 102. Such a student must take an additional LA elective to fulfill the 42 credit requirement in Liberal Arts. Enrollment in LACR 009 is based on performance on a placement test. Formerly HU 009

    Credits: 3 cr, 6 hrs
  
  • LACR 22X - Scientific Inquiry Foundation Track (SIFT)


    The Scientific Inquiry Foundation Track (SIFT) serves as a foundation for future studies in the natural and social sciences, in mathematics, and for life-long learning. Scholarship in these scientific disciplines has influenced our culture in significant ways — both directly as a result of ongoing research and indirectly as new scientific ideas and theories are developed and applied within the context of important issues and concerns in the larger society.

    Prerequisites & Notes
    For all SIFT courses, student must have first matriculated at UArts after Fall 2005. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam. Enrollment in BS, BFA, or BM degree program required.

    This is a description of the SIFT course category. Any course numbered LACR 22- will meet this requirement.  For example:

    • LACR 221 SIFT: Problem Solving

     

    Credits: 3 cr, 3 hrs

  
  • LACR 100 - Fundamentals of Composition II


    Continuation of LACR 009. Successful completion of this course counts for credit toward graduation and permits the student to enter LACR 102 in the following semester. Formerly HU 109B

    Prerequisites & Notes
    Prerequisite: LACR 009

    Credits: 3 cr, 6 hrs
  
  • LACR 101 - First-Year Writing I


    First part of a year-long writing, reading and research course that teaches the fundamental skills of the responsible student-scholar. Students practice the kinds of academic writing, textual analysis, and library and Internet research required of university students and curious learners of any age. The first term explores writing from literature, philosophy, and art.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LACR 102 - First-Year Writing II


    Continuation of LACR 101. During this term an inquiry-based research paper is the focus. A similar curriculum is examined in the context of history, literature, theory, philosophy, and art from a chosen period.

    Prerequisites & Notes
    Prerequisite: LACR 101 or LACR 009

    Credits: 3 cr, 3 hrs
  
  • LACR 210 - Texts & Contexts: Perspectives on the Humanities


    Perspectives on the Humanities addresses significant works from the ancient world, the Renaissance, the Enlightenment and Romantic periods, and the present day. The course serves five functions: to help students develop their skills in critical reading and writing; to introduce study of traditionally defined periods in the history of culture; to introduce a thematic approach to Humanities topics; to examine key primary texts from various periods and consider them alongside comparable art works; to explore the possibility that conventional ideas of period studies are open to challenge and reinterpretation.

    Prerequisites & Notes
    Prerequisite: LACR 102 Enrollment in BS, BFA, or BM degree program required.

    Credits: 3 cr, 3 hrs
  
  • LACR 221 - SIFT: Problem Solving


    This course is one of the options in the Scientific Inquiry Foundation Track (SIFT). It serves as a foundation for future studies in the natural and social sciences, mathematics and life-long learning. Students will explore the basics of scientific method and research. They will learn how to frame questions that can be investigated empirically. The results of these “pilot studies” will be written up as papers and discussed in class presentations. The idea of intimate engagement will be introduced to enhanced the student’s ability to problem solve more effectively.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam. 
     

    Credits: 3 cr, 3 hrs
  
  • LACR 222 - SIFT: Human Adaptability


    A examination of the relationships between environmental resources, technology and power in production systems ranging from hunter-gatherer to industrial. Jared Diamond’s GUNS, GERMS and STEEL forms the core of the course with his discussion of the geographical context of domestication of plants and animals and how they might have ultimately affected the world distribution of power. Various ecosystems (deserts, grasslands, arctic, tropical and temperate forest and high altitude) are considered along with their advantages and disadvantages for domestication and human adaptation. The scientific questions underlying these geographic and ecological investigations are considered throughout the term.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

     

    Credits: 3 cr, 3 hrs

  
  • LACR 223 - SIFT: Life Science Concepts


    This course introduces learners to issues of critical and contemporary significance in the life sciences. In this context, students will learn about the scientific method, experimental design, data analysis, ethical considerations and critical thinking, particularly in the framework of environment and human health. In addition, the course encourages research and dialogue regarding the role of society in these issues. Several key environmental issues are highlighted in the course, and students are encouraged to research additional topics in more detail through their assignments. Students will keep a journal of relevant articles in recent news as well as learn about aspects of biological sciences that impact their lives. The final two weeks of the course will be dedicated to student led presentations on these topics. Topics covered in the course include: a) historical and ethical perspectives of the environment, b) ecological principles, c) biodiversity and endangered species d) renewable and nonrenewable environment resources, e) resource management and quality, f) environmental law, g) human health and toxicology, h) waste management, i) air and water pollution, and j) environmental sustainability.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam. 
     

    Credits: 3 cr, 3 hrs
  
  • LACR 224 - SIFT: Death and Ritual


    This course examines death with the tools of physical and cultural anthropology. Students will learn the scientific process of forensics and the utilization of evidence. They will also engage in analytical methods of examining cultural and social practices. The course will be project-based: In the realm of physical anthropology, projects will include analyses of mummified and other human remains, as well as funerary structures; in the cultural anthropological field, projects will focus on critical looks at beliefs about death, burial, reincarnation, eternal recurrence, and other socio-cultural phenomena.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LACR 225 - SIFT: Observing Humans


    This course presents several different social science frameworks and seeks to uncover what can be learned about human behavior by people watching. Students choose places for brief weekly observation and use their own art skills to document what they see.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LACR 226 - SIFT: Fundamentals of Mathematics


    An introduction to the fundamental mathematical principles and operations used in undergraduate courses in the physical and social sciences. Topics include sets, logic, probability, statistics, number theory, algebra and geometry. The course includes a module on scientific method which is common to all SIFT courses.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.  Open to all students.  LACR 102

    Credits: 3 cr, 3 hrs
  
  • LACR 227 - SIFT: Discovering America


    Are most Americans middle class? Are college students elite? Do most Americans believe in God? Are Democrats a majority? Are UArts students strange? The knowledge we have about society typically comes from generalized personal experience and/or media accounts, both of which often suffer from idiosyncrasy, ideological bias, or some other distortion. This course introduces the student to the scientific approach to knowledge by investigating society on several dimensions selected from the following: income, class, education, religion, occupation, political orientation, family structure, sexuality, crime and deviance, and social attitudes and beliefs on a variety of issues. The first half of the course focuses on the nature of science, social science, and sociology and its methods. The second half examines specific examples of sociological research and findings about American society to understand both what the facts are and how they are discovered and validated.




    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam. 
     

    Credits: 3 cr, 3 hrs

  
  • LACR 229 - SIFT: Science and Contemporary Society


    An introduction to the scientific approach to knowledge by exploring sociology and some of its findings about contemporary society.  Students begin by considering the distinctive nature of science as a way of discovering verifiable knowledge about the empirical world. Historical and contemporary examples of scientific discoveries as well as examples of pseudo-science supplement the theoretical discussion. Students then focus on the science of sociology. Case studies from sociological research illustrate the perspective and methods of sociology as an example of the scientific approach. Students also examine different aspects of contemporary American society like inequality and social class, sexuality and conceptions of  the family, racial and ethnic diversity, changing levels of educational attainment, varieties of religious participation and belief, rates of deviance and crime, and political identification. In the last part of the course the context in which science develops and operates, both social and cultural is considered. Social values, political  ideologies, and religious beliefs are examined for the ways in which they can affect science as  well as the ways in which science can affect them.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LALL 801 - French I


    Students study the basic elements of French grammar through conversation and drills derived from readings of easy modern prose and from a cultural reader. Formerly HU 130A

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 802 - French I


    Students study the basic elements of French grammar through conversation and drills derived from readings of easy modern prose and from a cultural reader. Formerly HU 130B

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 803 - German I


    One-year course of basic grammar. The aim of the course is to develop reading, writing, and conversing skills of the first-year German student. Formerly HU 131A

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 804 - German I


    One-year course of basic grammar. The aim of the course is to develop reading, writing, and conversing skills of the first-year German student. Formerly HU 131B

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 805 - Italian I


    This course covers conversation about everyday Italian life and culture and basic grammar through reading of Italian prose. Formerly HU 132A

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 806 - Italian I


    This course covers conversation about everyday Italian life and culture and basic grammar through reading of Italian prose. Formerly HU 132B

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 807 - Spanish I


    This introduction to Spanish is open to students who have had little to no previous Spanish language experience. In this course, the fundamentals of Spanish grammar, pronunciation and Spanish culture are introduced. Students will develop listening comprehension, speaking and writing skills. Emphasis on conversational Spanish.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 808 - Spanish II


    Spanish II is the continuation of Spanish I. It is open to students who have had Spanish I or equivalent high school experience.  In this course, the fundamentals of Spanish grammar, pronunciation and Spanish culture are further developed. Students will improve listening comprehension, speaking and writing skills. Emphasis on conversational Spanish.

    Prerequisites & Notes
    Prerequisite: LACR102, LALL 807 or permission from the department.

    Credits: 3 cr, 3 hrs
  
  • LALL 811 - Western Literary Masterpieces I Ancient to Medieval


    Works from antiquity through the Middle Ages that form the foundation of Western literature. Focuses on the creation of character, the structure and form of the works and the perspectives and values they reveal. Examines the questions asked by different cultures and how human potential, fate, and reality are defined. Formerly HU 320A

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 812 - Western Literary Masterpieces II Renaissance to Neoclassical


    Works from the Renaissance through the Neoclassical period that form the foundation of Western Literature. Focuses on the creation of character, on structure and form, but also on tone (humor, parody, satire, and irony) and the perspectives and the values that the works reveal. Formerly HU 320B

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 821 - Lyric Poetry


    A survey of lyric poetry, with particular emphasis on a single period or a group of poets, e.g., Walt Whitman, Emily Dickinson, Wallace Stevens, Allen Ginsberg, Sylvia Plath, and the English Romantics. Formerly HU 201

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 822 - Haiku: Classical to Contemporary


    A survey of Haiku poetry from its development in Japan to its influence on American and world poets of the twentieth century. This short, enigmatic poetic form is approached from three perspectives. First, we will focus on understanding the craft of haiku and the use of that knowledge to interpret the individual poems. Second, the foundations of haiku’s aesthetic principles as they developed over the centuries in Japan.  And third, the influence of Japanese haiku on such twentieth century poets such as Ezra Pound, William Carlos Williams, Wallace Stevens and the Beat poets. Throughout the course, English language haiku of contemporary North American poets is read, and students write their own haiku verses.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 823 - Women Writers


    This course explores and perhaps reclaims the provocative treasures of women writers, ancient and contemporary and their potential capacity to transform us as human beings. The various woks studied, from the ancient poetic fragments of Sappho to the solitary lyrics of Emily Dickinson from the fictional classic of Bronte, Austen, Wharton and Virginia Woolf to the twentieth century voices of Adrienne Rich, Toni Morrison, and Julia Alvarez, all give us the spectrum of authenticity in the female voice. In our reading, the questions will emerge: Do women think/write differently from men? What is the role of gender in artistic imagination? As a counter example, students will also look at Louisa May Alcott’s Little Women with its classic work in feminine psychology and Gilbert and Gubar’s groundbreaking textual analysis on women writers.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 825 - The Short Story


    A study of the short story from Poe to the present. Samplings from the British, the American, and the European, with particular attention to the major authors who reinvented the genre. At the end of the semester, students look at developments in contemporary fiction, the anti-story, the new wave, the surreal, the minimal, the mythic. Formerly HU 216

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 831 - 19th Century American Writers


    From the Gothic darkness of Edgar Allan Poe to Stephen Crane’s Red Badge, from Irving’s mystic Sleepy Hollow to Hawthorne’s Scarlet Letter, from Thoreau’s idyll on Walden Pond to Melville’s terror rounding Cape Horn, from Whitman’s barbaric shout to Emily Dickinson’s lyric whisper, from Emerson’s “Self Reliance” to Mark Twain’s despairing loss of innocence, the trajectory of American Literature in the nineteenth century traces a movement from the past to the future. This course looks at the major writers of nineteenth century America, a fascinating and revolutionary period in American art, where an American past becomes an American Voice and our Original Sins form our future.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LALL 832 - 20th Century American Writers


    An introduction to twentieth century American literature and its roots. What can be traced in that literature is a movement from idealism to cynicism or, perhaps, from idealism to realism. As America from an agrarian, small town culture to an increasingly urban and industrialized society, the American Dream of infinite potential and freedom for each citizen was re-mapped, just as the Western movement changed the geographical landscape of America. How the individual - the “little guy” marginalized from self and society - reacted to this aloneness, this powerlessness is the focus of the course. We ask, as a new American century begins, what does it mean now to dream Dreams, to endure Nightmares? What truths do Americans continue to hold as self-evident in the wake of international terrorist violence and the uncharted seas of a new future? Of what use is literature in this?

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
 

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