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2010-2011 University Catalog [Archived Catalogue]
Courses
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Course Renumbering
Commencing with the 2013-14 academic year the University began a multi-year course renumbering. For additional information visit the Course Renumbering page on the Office of the Registrar website.
Renumbered Course List
- Division of Liberal Arts
Many courses within the Division of Liberal Arts commencing with the Summer and Fall 2014 terms will be offered under new course numbers. Students registering for Summer 2014 coursework and beyond will do so using the new course numbers.
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FAPR 143 - Freshman Etching This printmaking course introduces the hands-on process used on metal plates to create images with line, tone, and texture. Color and monochromatic idea development is encouraged in this print medium that is a favorite of historic and contemporary artists. A class portfolio of prints are exchanged by the participants. Formerly PR 103
Prerequisites & Notes Priority enrollment to Foundation majors.
Credits: 1.5 cr, 3 hrs |
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FAPR 206 - Screenprinting Studio The graphic qualities of expression in screenprinting are presented through historic and contemporary examples and demonstration of the methods. Various stencil processes from direct-drawn to photographic and computer-generated are explored in water-based opaque and transparent inks. Emphasis is placed on the understanding of the qualities of these methods and the development of personal ideas.
Credits: 3 cr, 6 hrs |
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FAPR 211 - Relief Printing This course offers an introduction to the basic relief printing methods of linoleum cut and woodcut. Black and white and color are explored. Both printing by hand and printing on an etching press is introduced. Special emphasis is placed on personal expression. Formerly PR 200
Credits: 1.5 cr, 3 hrs |
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FAPR 212 - Screenprinting Introduction and investigation of stencil methods in screenprinting with water-based inks. Idea development and acquisition of visual skills in expression in color, line, and form through drawn, photographic, or computer-generated stencil processes. Formerly PR 202
Credits: 1.5 cr, 3 hrs |
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FAPR 213 - Etching/Monotype Individual expression with the graphic qualities of etched and directly drawn ideas created on the metal plate by hand or acid etching in color and monochrome. Processes also include printing from drawing and painting directly on Plexiglas and metal plate with oil and water based materials. Formerly PR 211
Credits: 1.5 cr, 3 hrs |
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FAPR 214 - Nonsilver Printmaking Process Students are introduced to the basic techniques of nonsilver by building images in color with layers of brushed-on light-sensitive emulsion. Light-resists can range from photogram objects to drawings and paintings to film or paper negatives. Processes covered are Vandyke brown, cyanotype and gum bichromate. Formerly PR 222
Prerequisites & Notes Priority enrollment to Printmaking majors. Student must have completed the first semester of their Freshman year (15 credits).
Credits: 1.5 - 3 cr |
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FAPR 221 - Lithography This course offers students an introduction to lithographic drawing and printing methods using stone and metal plates. Students are encouraged to develop their own ideas through the medium and explore it with regard to their major field. Formerly PR 212
Credits: 1.5 cr, 3 hrs |
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FAPR 231 - Papermaking Through slide lectures and demonstrations, this studio course introduces students to all aspects of traditional Western and Japanese papermaking techniques including pulp preparation, sheet formation, pressing, and drying sheets. Students learn refined, professional methods as well as explore the creative versatility of pulp. Classes include: casting three-dimensional objects and bowls, building subtle relief images in colored pulp, and painting with pulp. Various fibers explored throughout the semester include garden vegetables and indigenous plants. Formerly PR 207
Credits: 1.5 cr, 3 hrs |
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FAPR 233 - Bookbinding Methods A workshop class familiarizing the student with the characteristics and handling qualities of materials used in various book structures. Structures covered include pamphlet binding, multi-signature books, clamshell boxes, portfolios, accordion structures, and oriental binding. Emphasis is placed upon both the use of conservationally sound materials and the use of these structures as vehicles for the student’s creative expression. Formerly PR 223
Prerequisites & Notes Priority enrollment to Printmaking majors and minors.
Credits: 1.5 cr, 3 hrs |
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FAPR 241 - Etching Studio The graphic qualities of expression in etching/intaglio are presented through historic and contemporary examples and demonstration of the methods. Handwork on metal plate includes drawn drypoint, etching, and tonal processes. Emphasis is placed on the understanding of the qualities of these methods and the development of personal ideas.
Credits: 3 cr, 6 hrs |
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FAPR 301 - Printmaking Workshop This course concentrates on contemporary printmaking practices. Focus will be on the exploration of a variety of printmaking applications. Students should take at least one area of printmaking and challenge the potential for art making with that medium. Drawings are expected as a way of generating and developing ideas.
Prerequisites & Notes Open to Printmaking majors only.
Credits: 3 cr, 6 hrs |
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FAPR 303 - Print Study Seminar I Students meet at the Philadelphia Museum of Art in the Print Study room to discuss and study original prints and rare books from the museum collection. Masters of the 15th through the 18th centuries are introduced and researched. Various print processes that parallel the material covered in the course will be researched in the printmaking studios. Formerly PR 306A
Prerequisites & Notes Open to Printmaking majors only. Student must have completed the first semester of their Sophomore year (45 credits).
Credits: 1.5 cr, 3 hrs |
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FAPR 304 - Book Arts: Concept and Structure An opportunity to explore the integration of type and relief image in unique and editioned book structures. Hands-on experience in dealing with composition (metal) type and computer typesetting is on an intermediate level. Relief printing, photopolymer plates, color reduction printing, and related traditional and contemporary methods of multiple image making are pursued. Special emphasis on development of a personal visual language. Formerly PR 307
Prerequisites & Notes Students must have completed the first semester of their Freshman year (15 credits). Priority enrollment to Printmaking majors and minors; and Multidisciplinary Fine Arts majors. May be taken twice for credit.
Credits: 3 cr, 6 hrs |
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FAPR 321 - Advanced Lithography Students will further investigate and develop image-making, through lithography. In this course students will be encouraged to use lithography in dynamic and unexpected ways. Students at this advanced level in fine arts should expect to focus attention on concept, content and formal concerns and to research historic and contemporary litho prints and practices. The skills learned will include, large format stone printing, muticolor separation and registration, and offset litho techniques. They will have the opportunity to perfect their technical skills thereby producing printed works of greater scope and complexity consistent with their interests and experience.
Prerequisites & Notes Prerequisite: FAPR 305
Credits: 1.5 cr, 3 hrs |
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FAPR 323 - Intro to Offset Lithography Students are offered a hands-on course that develops skills in image preparation and printing techniques using offset lithography. An emphasis is placed on personal imagery where both hand-drawn and photographic methods of image making are investigated. Formerly PR 326
Prerequisites & Notes Priority enrollment to Printmaking majors and minors. Student must have completed the first semester of their Freshman year (15 credits).
Credits: 1.5 - 3 cr |
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FAPR 325 - Book Arts: Structures Historical book forms serve as models and as a departure point for innovative new work. Among the new structures presented are accordion bindings and variations, pop-ups, carousel books, tunnel books, and box structures. Students are encouraged to explore new applications and to experiment by combining images and text with book structures. Prior bookbinding experience is suggested. May serve as a follow-up course for FAPR 233. Priority enrollment to Printmaking majors and Book Arts minors. Formerly PR 224, FAPR 234
Credits: 1.5 cr, 3 hrs |
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FAPR 327 - Advanced Etching Students will further investigate and develop image-making, through intaglio printmaking. In this course students will be encouraged to use intaglio in dynamic ways. Students at this advanced level in fine arts should expect to focus attention on concept, content and formal concerns and to research historic and contemporary intaglio prints and practices. The skills learned will include, relief etching, multicolor separation and registration, stencil techniques, a la poupee and chine colle. They will have the opportunity to perfect their technical skills thereby producing printed works of greater scope and complexity consistent with their interests and experience.
Prerequisites & Notes Prerequisite: FAPR 241
Credits: 1.5 cr, 3 hrs |
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FAPR 328 - Advanced Relief Students will further investigate and develop image-making, through relief printmaking. In this course students will be encouraged to use relief in dynamic and unexpected ways. Students at this advanced level in fine arts should expect to focus attention on concept, content and formal concerns and to research historic and contemporary relief prints and practices. The skills learned will include, large format carving and printing, multicolor separation and registration, and photographic relief techniques. They will have the opportunity to perfect their technical skills thereby producing printed works of greater scope and complexity consistent with their interests and experience.
Prerequisites & Notes Prerequisite: FAPR 211
Credits: 1.5 cr, 3 hrs |
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FAPR 336 - Advanced Book Arts: Concepts and Structures Because Artists’ Books function as an “alternative space”, one can examine contemporary, historical and independent approaches to the printed page and how it represents itself in ways different to painting, sculpture or film. Students will continue to explore the potential of letterpress and other printmaking processes while considering the books structure as an integral part of the process. Emphasis will be on edition work, one of a kind and collaborative book works. Consideration is placed on pace and development of information, in relation to the viewers’ hand. Manipulating word and image in unconventional ways as inventive departures from existing means of describing reality.
Prerequisites & Notes Prerequisite: FAPR 304
Credits: 1.5 cr, 3 hrs |
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FAPR 403 - Print Study Seminar II The historical and conceptual context of prints, portfolios and book arts of the 19th and 20th centuries are studied at the Philadelphia Museum of Art. Written and printed expression of the ideas and processes involved are integrated into this course of study. Formerly PR 406
Prerequisites & Notes Open to Printmaking majors only. Students must have completed the first semester of their Sophomore year (45 credits).
Credits: 1.5 cr, 3 hrs |
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FAPR 411 - Digital Printmaking This course offers the students an opportunity for continued investigation within the various printmaking processes. Photoshop is introduced with an emphasis on using the computer as an imagemaking tool within the context of printmaking. The emphasis is on the integration of idea and process. Graduate students may register for this course under GRPR 633. Formerly PR 412
Prerequisites & Notes Priority enrollment to Printmaking majors; Book Arts and Digital Fine Arts minors. Computer literacy required. May be taken twice for credit.
Credits: 3 cr, 6 hrs |
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FAPR 434 - Book Production This advanced course focuses on the development and production of a printed book or portfolio of works: design and formatting of a publication including the investigation of sequence, page design, and binding possibilities; hands-on experience in the preparation of images for press production, pre-press techniques; and assisting the Master Printer in the printing. All work is produced in the Borowsky Center for Publication Arts, the University’s offset lithography facility. Students may choose to collaborate on projects or work independently. Formerly PR 425
Prerequisites & Notes Open to majors in the College of Art and Design only. Student must have completed the first semester of their Sophomore year (45 credits). May be taken twice for credit.
Credits: 1.5-3 cr |
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FAPR 481 - Collaborative Printmaking Students will be involved in the business, technology, and experience of printing limited editions for faculty, other students, or professional artists. During this process they will work with the artist in preparing the idea, then proofing and printing the edition. Advanced students only; they must demonstrate mark-making and editioning abilities. Formerly PR 421
Prerequisites & Notes Instructor permission required.
Credits: 1.5 - 3 cr |
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FAPT 101 - Freshman Painting An introduction to the decisions, general methods, and problems pertaining to the act of painting. Students are introduced to oil painting with both still life and figure subject matter. Technical instruction is given to allow the student to focus on the broad imagery possibilities in painting. This class introduces and encourages the student in the use of oil and acrylic. We work from setups and models and, when weather permits, landscapes. Formerly PT 101
Prerequisites & Notes Priority enrollment to Foundation majors.
Credits: 1.5 cr, 3 hrs |
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FAPT 102 - Freshman Drawing This course is designed to increase the beginning student’s awareness of and capacity for drawing expressively. It is meant to enrich not duplicate, the Foundation Drawing experience. Students are made aware of the options and issues in responding imaginatively to the visual world. Studio practices include observation and representation of objects and scenes, as well as mark-making, composition and style as conveyers of feelings, sensations, and ideas. Emphasis is on awareness of options for expressive approaches. Formerly PT 124
Prerequisites & Notes Priority enrollment to Foundation majors.
Credits: 1.5 cr, 3 hrs |
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FAPT 203 - Media/Techniques A studio course of instruction and demonstration in the variety of traditional technical approaches to the handling of paint media, including the preparations of grounds and supports. Media options could include oil, acrylic, encaustic, casein, gouache, gold-leafing, fresco, and egg tempera. This course is unique in its focus solely on physical processes not concept or image development. Formerly FA 235
Prerequisites & Notes Prerequisite: FNDP 151, FNDP 161
Credits: 1.5 cr, 3 hrs |
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FAPT 212 - Drawing Studies A studio course advancing the objectives of Drawing: Form/Space. Emphasis is on two essential concerns: process and purpose. Students are expected to carry out sustained involvement in specific projects focused on method and content. Studio practices include both open-ended invention and closed-system approaches. This kind of sustained focus on a variety of techniques and themes culminates in a final term project. Formerly FA 234
Prerequisites & Notes Prerequisite: FNDP 151, FNDP 161
Credits: 1.5 cr, 3 hrs |
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FAPT 235 - Earthspace This course explores the dynamic forces of nature and their impact on the Earth, including weather activity such as wind, rain, lightning, formation of clouds, tornados, hurricanes, tidal waves, and other dramatic events such as earthquakes, volcanic eruptions, mudslides, blizzards, dust storms, drought, erosion. Projects are undertaken through imagination, experimentation, as well as through use of both anecdotal and scientific resources and are developed by means of both drawing and painting tools and media. Formerly PT 235
Prerequisites & Notes Prerequisite: Completion of Foundation or equivalent.
Credits: 1.5 or 3 cr, 3 or 6 hrs |
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FAPT 238 - Abstract Painting The genesis of abstraction can be nature, an idea, or an emotion. An abstract painting is one in which the pictorial form is primarily a product of invention and imagination. It may or may not reflect a reality outside itself. Assignments investigate a range of concepts, sources, and procedures. Formerly PT 238
Prerequisites & Notes Prerequisite: FNDP 111
Credits: 3 cr, 6 hrs |
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FAPT 243 - Collage: The Constructed Image Studio projects are assigned that promote the development of images through the aggregation of fragments. Collage as a principle of construction examines compositional notions of unity and harmony and can involve the interaction of diverse and incongruous materials, methods, styles, and/or images. Formerly PT 269
Prerequisites & Notes May be taken twice for credit.
Credits: 3 cr, 6 hrs |
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FAPT 306 - Junior Seminar A discussion format aimed at investigating and understanding the content of, the motivations for, and the influences on contemporary painting. Emphasis is on exploring the theories, questions, and issues that create the intellectual content for contemporary artists. Students are given reading assignments as preparation for the seminar dialogue. Selected texts include artists’ documents, critical writings, and classic essays covering such areas as aesthetic principles, political and cultural realities, and psychological perspectives. Class sessions emphasize group discussions based on viewing slides, PowerPoint presentations and other appropriate visual material, reading assignments, and various written and oral forms of student presentations. Formerly PT 360
Prerequisites & Notes Prerequisite: FAPT 202 Open to Painting/Drawing majors only.
Credits: 1.5 cr, 3 hrs |
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FAPT 403 - Drawing References Advanced drawing projects focus on the relation between a given work and its references and resources. Emphasis is on understanding the nature of references or resource material and the manner in which references or resources influence the outcome of a work. This studio/critique course aims at enhancing students’ ability to connect their personal and subjective interests to the larger context of nature, history, and culture. Formerly FA 425
Prerequisites & Notes Prerequisites: FAPT 304 or FAPR 301 or FASC 302
Credits: 1.5 cr, 3 hrs |
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FAPT 404 - Drawing References Continuation of FAPT 403. Formerly FA 426
Prerequisites & Notes Prerequisites: FAPT 304 or FAPR 301or FASC 302
Credits: 1.5 cr, 3 hrs |
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FAPT 405 - Senior Seminar This seminar focuses on pictorial art and its role in culture, both in historic and contemporary contexts. Issues surrounding the various purposes of art and how the culture deals with artists will be explored. Emphasis is placed on student participation. Formerly PT 490
Prerequisites & Notes Corequisite: FAPT 401
Credits: 1.5 cr, 3 hrs |
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FASC 101 - Freshman Sculpture An introduction to sculptural thinking and methods using a variety of materials and processes, including modeling and fabrication. Form-making options are undertaken that are especially suited to acquaint beginning students with the diversity of sculptural activity. Formerly SC 101
Prerequisites & Notes Priority enrollment to Foundation majors. Restricted to Undergraduate students only. Student must NOT have completed the second semester of their Sophomore year (45 credits).
Credits: 1.5 cr, 3 hrs |
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FASC 201 - Sculpture I Emphasizes the fundamental and formal aspects of sculpture. Projects are assigned to help the student experience and understand the unique expressive values of mass, space, plane, line, balance, rhythm, scale, movement, and time transformation. This course also serves to introduce the student to a variety of materials and techniques. Assigned projects, group critiques and slide lectures. Formerly SC 201
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Fine Arts majors.
Credits: 3 cr, 6 hrs |
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FASC 202 - Sculpture I Emphasizes the fundamental and formal aspects of sculpture. Projects are assigned to help the student experience and understand the unique expressive values of mass, space, plane, line, balance, rhythm, scale, movement, and time transformation. This course also serves to introduce the student to a variety of materials and techniques. Assigned projects, group critiques, and slide lectures. Formerly SC 202
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Fine Arts majors.
Credits: 3 cr, 6 hrs |
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FASC 203 - Introduction to Figure Modeling Modeling from life for the beginner, stressing direct observation, eye-hand coordination, and depth discrimination. Both perceptual and conceptual skills are developed and fundamental studio practices are taught, such as armature construction, clay utilization, and modeling techniques. Works are fired in clay or cast in plaster. Formerly FA 223
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Fine Arts majors. May be taken three times for credit.
Credits: 3 cr, 6 hrs |
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FASC 221 - Introduction to Sculpture Projects An open studio oriented toward helping the development of individual initiative. Stress on how ideas are transformed into sculptural statements through aesthetic reasoning and the internal logic of a sculpture’s color, material, and physical construction. Formerly SC 241
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Fine Arts majors.
Credits: 3 cr, 6 hrs |
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FASC 222 - Introduction to Sculpture Projects An open studio oriented toward helping the development of individual initiative. Stress on how ideas are transformed into sculptural statements through aesthetic reasoning and the internal logic of a sculpture’s color, material, and physical construction. Formerly SC 242
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Fine Arts majors.
Credits: 3 cr, 6 hrs |
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FASC 300 - Junior Sculpture I This course is designed to help each student begin to understand his own aesthetic proclivities and to place these within an art historical context. The emotional, intellectual, philosophical, and historical implications of various movements in art history are explored in order to begin to understand their relationship to the personal artistic development of each student within the history of Sculpture. An emphasis is placed on the development of ideas and content in the individual student’s work, which is supported by a series of individual and group critiques by faculty and visiting artists. Weekly class meetings will include slide talks related to current assignments, films, discussions, and field trips to exhibitions around the Philadelphia area. This will be followed by personal conferences with the instructor.
Prerequisites & Notes Priority enrollment to Sculpture and Multidisciplinary Fine Arts Majors.
Credits: 3 cr, 6 hrs |
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FASC 331 - Carving Introduces the student to carving, one of the basic methods of forming sculpture. Students learn to prepare, maintain, and use the tools of the carver. They are introduced to the characteristics of suitable carving materials. Emphasis is placed on the exploration of the formal and expressive potentials of carved sculpture. Formerly SC 321
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Sculpture and Multidisciplinary Fine Arts majors. May be taken three times for credit.
Credits: 1.5 cr, 3 hrs |
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FASC 363 - Medallic Sculpture The Medallic Arts have a long history beginning with monetary coins in the ancient world, developing through Renaissance medals into a vital and international art form that now includes small free-standing sculpture. The link between all of these is not only size, but the need for the work to have a specific communicative function, while at the same time exploring the contemporary sculptural issues. This is a studio course with a lecture component to give the student a history of the discipline. Projects are designed to challenge the student conceptually and to introduce forms and techniques such as bas relief, carving, mold making casting and fabricating, all on a small scale. There will be annual opportunities to exhibit the finished sculpture internationally.
Prerequisites & Notes Prerequisite: Completion of Foundation. May be taken twice for credit.
Credits: 1.5 cr, 3 hrs |
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FASC 433 - Metals Forming metal sculpture has contributed much to the history of sculpture, particularly in the present, where the idiom has become as familiar as carving and modeling. Concurrently offering both basic and advanced technical instruction in welding and forging, using both ferrous and non-ferrous metals, this course is concerned with both the technical and aesthetic aspects of metal sculpture. Formerly SC 421
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Sculpture and Multidisciplinary Fine Arts majors. May be taken three times for credit.
Credits: 1.5 cr, 3 hrs |
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FASC 440 - Sculpture Since 1945 Lectures, discussions, projects concerning various artists, movements, concepts, philosophies, and critical theories influencing contemporary art with an emphasis on sculpture. Focus on the currents since 1945. Formerly SC 251
Prerequisites & Notes Prerequisite: Completion of Foundation. Priority enrollment to Fine Arts majors.
Credits: 1.5 cr, 1.5 hrs |
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FNDP 101 - Sketching and Drawing This course provides individuals who are not majoring in visual arts with basic skills required to represent the form of simple objects and the presence of space on a two-dimensional surface. No prior drawing experience or portfolio of work is required to enroll in this course. In-class projects focus on fundamental principles, while homework assignments support the students as they develop the ability to sketch and draw, and think and plan, using manual drawing tools and materials. Formerly FP 101
Prerequisites & Notes Priority enrollment to Theater Design and Technology students. Not open to students in the College of Art and Design.
Credits: 1.5 cr, 3 hrs |
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FNDP 102 - Sketching the Human Figure This course provides individuals who are not majoring in visual arts with an introduction to some of the materials, strategies, and methods useful when drawing the human figure. No prior experience or portfolio of work is required. The course uses the figure as subject. Analytical and responsive approaches are compared and a range of materials are used. The figure, its volume and structure, and immediate spatial environment are studied, and the ability to capture the gesture, appropriate scale, proportion, and mass of the figure are stressed. Homework assignments apply principles learned in class. Formerly FP 102
Prerequisites & Notes Priority enrollment to Theater Design and Technology majors. Not open to students in the College of Art and Design.
Credits: 1.5 cr, 3 hrs |
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FNDP 103 - Color Basics This course provides individuals who are not majoring in the visual arts with basic skills required to work with color. No prior experience or portfolio of work is required. The course introduces the basic color vocabulary and begins training the eye to perceive and apply the distinctions of hue, value, tone, and temperature. Methods of color classification set the stage for a sequence of projects designed to help students develop the ability to begin working with color formally and descriptively. Homework assignments apply principles learned in class. Formerly FP 103
Prerequisites & Notes Not open to majors in the College of Art and Design. Priority enrollment to Theater Design and Technology majors.
Credits: 1.5 cr, 3 hrs |
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FNDP 104 - Materials, Tools and Form This course instructs students in those basic manual skills that help them build three-dimensional objects and spatial works. No prior experience with manual media or a portfolio of work is required. Paper and wood are the primary materials used and all assignments include instruction on how to best use these materials. Assignments that focus on the design of spaces and environments are included. Instruction is conducted in the Foundation studio and wood shop, and all students are given an orientation to the safe use of that facility and all its power tools. Formerly FP 104
Prerequisites & Notes Not open to students in the College of Art and Design. Priority enrollment for Theater Design and Technology majors.
Credits: 1.5 cr, 3 hrs |
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FNDP 111 - Drawing Drawing is approached as a process by which the student examines and investigates the visual world. Line, mark, and shape are among the drawing elements emphasized in the first semester. Students observe the form and structure of various subjects while they improve their skills, strengthen their vision, and begin to define their drawing vocabulary. Graphite pencils and a range of appropriate papers are the most frequently used materials. Focus is on the challenges and rewards of developing perceptual skills. Formerly FP 110
Prerequisites & Notes Instructor permission required. Open to Foundation majors only.
Credits: 3 cr, 6 hrs |
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FNDP 151 - Two-dimensional Design This course introduces the fundamental language of the visual arts within the two-dimensional plane, The first semester defines and investigates the visual elements of point, line, shape, pattern, and value. These fundamental elements are analyzed as independent units and brought together supporting and animating one another in a variety of formats. The investigation of compositional forces, interactions of shape with format, historic origins, mathematical structures, and time-based and sequential concepts are explored. Perceptual skills are developed using a variety of traditional and digital media. Examination of principles of movement in two-dimensional space using animated imagery and digital animation software is incorporated. The discovery of the power of the underlying fundamentals and their application defines the more complex subject of this class. Formerly FNDP 121
Prerequisites & Notes Instructor permission required. Open to Foundation majors only.
Credits: 3 cr, 6 hrs |
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FNDP 161 - Three-dimensional Design/Time Motion An introduction to the fundamental principles of three-dimensional and time-based work. Concepts of space, movement, mass, volume, and the qualities and properties of materials as well as kinetic works are explored using traditional and digital processes. As the semester progresses the construction of three-dimensional objects emphasizing serial and sequential concepts combines with the use of video for motion capture and other means of exploring fundamental time-based works. The course emphasis is on processes of thinking and planning, thoughtful articulation of form, principles of perception and an appreciation and refinement of acuity in regards to static and kinetic forms. Formerly FNDP 131.
Prerequisites & Notes Instructor permission required. Open to Foundation majors only.
Credits: 3 cr, 6 hrs |
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