Jun 16, 2024  
2010-2011 University Catalog 
    
2010-2011 University Catalog [Archived Catalogue]

Courses


Course Renumbering

Commencing with the 2013-14 academic year the University began a multi-year course renumbering.  For additional information visit the Course Renumbering page on the Office of the Registrar website.

Renumbered Course List 

  • Division of Liberal Arts
    Many courses within the Division of Liberal Arts commencing with the Summer and Fall 2014 terms will be offered under new course numbers. Students registering for Summer 2014 coursework and beyond will do so using the new course numbers.
 
  
  • GRPR 785 - Thesis Studio I


    In conjunction with the faculty advisor, the MFA candidate develops an individual course of study and defines the projects, in preparation for the required Thesis Exhibition during the final semester.

    Prerequisites & Notes
    Prerequisites: GRPR 617 Open to graduate Book Arts majors only.

    Credits: 6 cr, 12 hrs
  
  • GRPR 786 - Thesis Studio II


    The planning and execution of a mature body of work to be prepared for thesis exhibition at the end of the semester.

    Prerequisites & Notes
    Prerequisites: GRPR 785 Open to graduate Book Arts majors only.

    Credits: 6 cr, 12 hrs
  
  • GRPT 611 - Major Studio I/Painting


    Evaluation of the student’s artistic involvement, projecting and testing options for the direction of the student’s graduate work. Formerly PT 610

    Prerequisites & Notes
    Open to graduate Painting majors only. May be taken twice for credit.

    Credits: 6 cr, 10 hrs
  
  • GRPT 612 - Major Studio II/Painting


    Further exploration of the options, with increased awareness of theoretical issues and personal vision. Greater focus on the student’s work, with a view to refining the repertoire of skills and expression in the medium needed to undertake a thesis project. Formerly PT 611

    Prerequisites & Notes
    Prerequisite: GRPT 611 Open to graduate Painting majors only. May be taken twice for credit.

    Credits: 6 cr, 10 hrs
  
  • GRPT 690 - Independent Study


    Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum, with limited supervision. Independent Study is available to Junior and Senior undergraduate students who have a minimum 2.5 GPA and to graduate students in good standing. Each Independent Study may be taken for one to three credits in Liberal Arts, 1.5 to six credits in CAD, and one to six credits in CPA and CMAC. Independent Study cannot fulfill major requirements. Independent Study may serve as free, studio, and liberal arts electives, depending on the topic of investigation. Students cannot apply more than 12 total credits of independent study towards their degree requirements. 

    Credits: 1.5 - 6 cr
  
  • GRPT 711 - Major Studio III/Painting


    Planning and initiation of a sustained body of mature work to be presented in a thesis exhibition following the thesis exhibition semester. Formerly PT 710

    Prerequisites & Notes
    Prerequisite: GRPT 612 Open to graduate Painting majors only. May be taken twice for credit.

    Credits: 6 cr, 10 hrs
  
  • GRSC 611 - Major Studio I/Sculpture


    Evaluation of the student’s artistic involvement, projecting and testing options for the direction of the student’s graduate work. Formerly SC 610

    Prerequisites & Notes
    Open to graduate Sculpture students only. May be taken twice for credit.

    Credits: 6 cr, 10 hrs
  
  • GRSC 612 - Major Studio II/Sculpture


    Further exploration of the options, with increased awareness of theoretical issues and personal vision. Greater focus in the student’s work, with a view to completing the repertoire of skills and expression in the medium needed to undertake a thesis project. Formerly SC 611

    Prerequisites & Notes
    Prerequisite: GRSC 611 Open to graduate Sculpture students only. May be taken twice for credit.

    Credits: 6 cr, 10 hrs
  
  • GRSC 621 - Advanced Projects


    Provides a studio context where maturing self initiated areas of concentration in sculpture can be developed to fruition on an advanced level. Whatever the direction, a critical emphasis is placed through both open and devised assignments on how materials and forms compatible to personal statements are found. Meets with FASC 421. In order to receive graduate credit, graduate students are expected to exceed undergraduate course expectations by applying the skills and competencies outlined in the syllabus to graduate-level concepts that typically relate to their major program of study. In this regard, graduate students taking this graduate elective are required to meet with the instructor prior to the start of class to determine and outline the nature of the requirements to be met. Formerly SC 641

    Prerequisites & Notes
    Restricted to students enrolled in graduate programs. May be taken twice for credit.

    Credits: 3 cr, 6 hrs
  
  • GRSC 631 - Molding and Casting


    Covers processes and techniques utilizing plaster, rubber, plastics, clays, and wax for making hard and flexible molds and for casting sculpture in durable materials. Provides a thorough foundation in foundry practices, including wax preparation, investing, pouring bronze or aluminum, chasing, finishing, and patinating finished metal casts. Meets with FASC 321. In order to receive graduate credit, graduate students are expected to exceed undergraduate course expectations by applying the skills and competencies outlined in the syllabus to graduate-level concepts that typically relate to their major program of study. In this regard, graduate students taking this graduate elective are required to meet with the instructor prior to the start of class to determine and outline the nature of the requirements to be met. Formerly SC 620

    Prerequisites & Notes
    Restricted to students enrolled in graduate programs. May be taken twice for credit.

    Credits: 1.5 cr, 3 hrs
  
  • GRSC 690 - Independent Study


    Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum, with limited supervision. Independent Study is available to Junior and Senior undergraduate students who have a minimum 2.5 GPA and to graduate students in good standing. Each Independent Study may be taken for one to three credits in Liberal Arts, 1.5 to six credits in CAD, and one to six credits in CPA and CMAC. Independent Study cannot fulfill major requirements. Independent Study may serve as free, studio, and liberal arts electives, depending on the topic of investigation. Students cannot apply more than 12 total credits of independent study towards their degree requirements. 

    Credits: 1.5 - 6 cr
  
  • GRSC 711 - Major Studio III/Sculpture


    Planning and initiation of a sustained body of mature work to be presented in a thesis exhibition following the thesis exhibition semester. Formerly SC 710

    Prerequisites & Notes
    Prerequisite: GRSC 612 Open to graduate Sculpture students only. May be taken twice for credit.

    Credits: 6 cr, 2 hrs
  
  • GRTH 699 - Topics


    Graduate students may register for upper-level undergraduate liberal arts courses and studio electives for graduate credit. Graduate students are expected to contribute at a higher level in the classroom and have additional assignments (readings, papers, etc.) in order to be granted graduate credit. Students are advised to select an area of study that broadens or intensifies their background in the arts, education, and related disciplines. Often this work contributes directly to the preparation of the graduate project proposal. In order to register for an upper-level undergraduate course and receive credit, the student must submit a completed special topics/independent study form to the Office of the Registrar.

    Prerequisites & Notes
    Instructor permission required. Repeatable for credit.

    Credits: 1.5-6 cr
  
  • GRWM 699 - Topics


    Graduate students may register for upper-level undergraduate liberal arts courses and studio electives for graduate credit. Graduate students are expected to contribute at a higher level in the classroom and have additional assignments (readings, papers, etc.) in order to be granted graduate credit. Students are advised to select an area of study that broadens or intensifies their background in the arts, education, and related disciplines. Often this work contributes directly to the preparation of the graduate project proposal. In order to register for an upper-level undergraduate course and receive credit, the student must submit a completed special topics/independent study form to the Office of the Registrar.

    Prerequisites & Notes
    Instructor permission required. Repeatable for credit.

    Credits: 1.5-6 cr
  
  • GRXX 699 - Special Topics


    Graduate students may register for upper-level undergraduate liberal arts courses and studio electives for graduate credit. Graduate students are expected to contribute at a higher level in the classroom and have additional assignments (readings, papers, etc.) in order to be granted graduate credit. Students are advised to select an area of study that broadens or intensifies their background in the arts, education, and related disciplines. Often this work contributes directly to the preparation of the graduate project proposal. In order to register for an upper-level undergraduate course and receive credit, the student must submit a completed special topics/independent study form to the Office of the Registrar.

    Prerequisites & Notes
    Instructor permission required. Repeatable for credit.

    Credits: 1.5-6 cr
  
  • IDES 101 - Freshman I.D.


    This course introduces first year students to the issues surrounding the profession and highlights its importance in informing culture and shaping the way we live. Students are exposed to the fundamental skills required to support the process of concept ideation, design development, and presentation of products and furniture. These fundamentals are introduced through in-class exercises, lectures by visiting professionals, and direct involvement in relevant activities within the Industrial Design Department itself. Formerly ID 113

    Prerequisites & Notes
    Priority enrollment to Foundation majors. Student must NOT have completed the second semester of their Sophomore year (45 credits).

    Credits: 1.5 cr, 3 hrs
  
  • IDES 201 - Studio 1: Projects Studio


    A conceptual and practical understanding of design and three-dimensional problem-solving processes. This studio is taught in a collaborative manner, with two instructors conducting projects individually or as a team in order to provide focused instruction and integrated experiences covering a wide range of subjects including the tools, processes, and languages of design and model making. Emphasis is on the development of three-dimensional, model-making skills, problem solving and creative thinking and their application to problems of design. Formerly ID 200A

    Prerequisites & Notes
    Prerequisite: Completion of Foundation

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 202 - Studio 1: Projects Studio


    A conceptual and practical understanding of design and three-dimensional, problem-solving processes. This studio is taught in a collaborative manner, with two instructors conducting projects individually or as a team in order to provide focused instruction and integrated experiences covering a wide range of subjects including the tools, processes, and languages of design and model making. Emphasis is on the development of three-dimensional, model-making skills, problem solving and creative thinking and their application to problems of design. Formerly ID 200B

    Prerequisites & Notes
    Prerequisite: IDES 201

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 221 - Studio 2: Techniques


    This studio assists the student to acquire essential two-dimensional representational skills to support the process of design, including production and presentation. It is taught in a collaborative manner, with the instructors conducting projects individually or as a team in order to provide focused instruction and integrated experiences over a wide range of subjects, including the tools, processes, and languages of conceptual drawing, rendering, and detailing using both the computer and traditional media as means to assist design and control production. Principles of technical specification and machine control are introduced as are concepts such as rapid photocopying, computer-integrated manufacturing, parts reduction through integration, and other techniques for efficient production. Students learn to apply these techniques to design problems addressed in IDES 201: Projects Studio. Formerly ID 220A

    Prerequisites & Notes
    Prerequisite: Completion of Foundation. Corequisite: IDES 201

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 222 - Studio 2: Techniques


    This studio assists the student to acquire essential two-dimensional representational skills to support the process of design, including production and presentation. It is taught in a collaborative manner, with the instructors conducting projects individually or as a team in order to provide focused instruction and integrated experiences over a wide range of subjects, including the tools, processes, and languages of conceptual drawing, rendering, and detailing using both the computer and traditional media as means to assist design and control production. Principles of technical specification and machine control are introduced as are concepts such as rapid photocopying, computer-integrated manufacturing, parts reduction through integration, and other techniques for efficient production. Students learn to apply these techniques to design problems addressed in IDES 201: Projects Studio.  Formerly ID 220B

    Prerequisites & Notes
    Prerequisite: IDES 221 Corequisite: IDES 202

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 231 - Design Issues Seminar


    This course is designed to assist the student to develop an understanding of the major issues for design in modern society. Discussions range from issues such as the ecological responsibility of designers to the contributions of individual designers and design organizations throughout the history of the discipline. Assignments include research and demonstration projects that explore ideas and illuminate ethical, practical, and moral issues with which designers should be concerned. Students prepare information and present their views on issues through written, oral, and visual means. Formerly ID 290

    Prerequisites & Notes
    Prerequisite: Completion of Foundation

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 232 - Materials & Processes Seminar


    A writing-intensive course introducing the student to the nature of materials used in industrial products and the various processes by which they are formed. Films, lectures, and field trips familiarize students with wood, metal, and plastic materials as well as processes such as injection molding, laser cutting, and stereolithography. Emphasis is placed on the study of material characteristics and the appropriate use of forming methods. Introduction to technical information, specification writing, and professional communications. Graduate students may register for this course under GRID 614. Formerly ID 214

    Prerequisites & Notes
    Prerequisite: Completion of Foundation

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 301 - Studio 3: Projects Studio


    Following a year of basic design process, methods, and vocabulary introduction, the Junior Studio sequence focuses on solving more advanced design process and project opportunities through applied integration with Human Factors, Design Semantics, and Design Communication skills. The first semester offers more advanced design projects exploring user-centered design and creative exploration of industrial materials usage. The second semester continues with a focus on collaboration with various community groups and/or industry-sponsored projects. Formerly ID 300A

    Prerequisites & Notes
    Prerequisites: IDES 202, IDES 222, IDES 231 Corequisites: IDES 321, IDES 331, IDES 332

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 302 - Studio 3: Projects Studio


    Following a year of basic design process, methods, and vocabulary introduction, the Junior Studio sequence focuses on solving more advanced design process and project opportunities through applied integration with Human Factors, Design Semantics, and Design Communication skills. The first semester offers more advanced design projects exploring user-centered design and creative exploration of industrial materials usage. The second semester continues with a focus on collaboration with various community groups and/or industry-sponsored projects. Formerly ID 300B

    Prerequisites & Notes
    Prerequisites: IDES 301 

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 321 - Studio 4: Techniques


    Assists the student in developing graphic communication skills using computational media and applying these skills to both two- and three-dimensional images and presentations. The student is taught to conceptualize, develop, detail, present, and communicate design ideas through graphic design, computer imaging, three-dimensional computer modeling, basic animation, and interactive design presentation. The first semester focuses on integrating graphic software and the development of printed presentations. The second semester focuses on the development of interactive digital presentations. Formerly ID 320A

    Prerequisites & Notes
    Prerequisites: IDES 202, IDES 222, IDES 231 Corequisite: IDES 301

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 322 - Studio 4: Techniques


    Assists the student in developing graphic communication skills using computational media and applying these skills to both two- and three-dimensional images and presentations. The student is taught to conceptualize, develop, detail, present, and communicate design ideas through graphic design, computer imaging, three-dimensional computer modeling, basic animation, and interactive design presentation. The first semester focuses on integrating graphic software and the development of printed presentations. The second semester focuses on the development of interactive digital presentations. Formerly ID 320B

    Prerequisites & Notes
    Prerequisites: IDES 321 Corequisite: IDES 302

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 331 - Human Factors Seminar


    The object of this research-intensive course is to develop an ability to apply technology effectively to meet human needs through the study of human engineering principles for the design of products and equipment. Human anatomy, anthropometrics and motion, and strength of body components are considered as are sensory systems, human perception, and sensitivities. Lectures are complemented by laboratory experiments designed to teach students methods of testing and evaluating their own product design concepts in human terms. Concepts of scientific writing and reporting are demonstrated through the documentation of coursework. Formerly ID 326

    Prerequisites & Notes
    Prerequisites: IDES 301, IDES 232, IDES 321, IDES 332

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 332 - Design Semantics Seminar


    This seminar addresses design as a languaging process of social interaction. Semantic principles and design vocabulary are introduced through lectures, weekly readings, discussions, and exercises. Students work on individual as well as team-based projects to increase their competence in translating these ideas, concepts, and principles into design practices, applying replicable design methods towards proposing particular products whose meanings matter and whose use is dominated by facets of human understanding. Formerly ID 327

    Prerequisites & Notes
    Prerequisites: IDES 202 IDES 222 IDES 231

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 371 - Architectonics


    An elective course intended as a multidisciplinary forum for the investigation, appreciation, and design of architectural space, structures, and systems. Using in-class exercises as a laboratory for creative and collaborative exchange, students learn alternative design processes, design vocabulary, user-centered experience and design. This course develops concepts and analytical studies of objects/spaces through various 2D and 3D drawing/modeling techniques and culminates in an actual built/altered environment. Graduate students may register for this course under GRID 624. Formerly ID 312

    Credits: 3 cr, 6 hrs
  
  • IDES 401 - Studio 5: Projects Studio


    These studio courses focus on decisive and responsible positions in formulating new design directions. Building upon past learning, projects sharpen fundamental skills of sketching (2D & 3D), design drawing, computer modeling, prototyping and conceptual diagramming. Students are encouraged through critical discourse and research on historical and contemporary material of cultural shifts to formulate their own ideology. Project proposals forward questions such as social context, ergonomics, and ecological consequences. Students are expected to identify local stakeholders (industry, users, designers, etc.) and ask them to be topic advisors as appropriate. First semester projects are dedicated to three fast-paced, highly theoretical, predefined topics. The next semester is devoted to further development of one of these projects. This final semester-long project works toward project closure and pragmatic articulation, ready to be shown both inside and outside an academic context. Formerly ID 400A

    Prerequisites & Notes
    Prerequisites: IDES 302, IDES 322, IDES 331, IDES 332

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 402 - Studio 5: Projects Studio


    These studio courses focus on decisive and responsible positions in formulating new design directions. Building upon past learning, projects sharpen fundamental skills of sketching (2D & 3D), design drawing, computer modeling, prototyping and conceptual diagramming. Students are encouraged through critical discourse and research on historical and contemporary material of cultural shifts to formulate their own ideology. Project proposals forward questions such as social context, ergonomics, and ecological consequences. Students are expected to identify local stakeholders (industry, users, designers, etc.) and ask them to be topic advisors as appropriate. First semester projects are dedicated to three fast-paced, highly theoretical, predefined topics. The next semester is devoted to further development of one of these projects. This final semester-long project works toward project closure and pragmatic articulation, ready to be shown both inside and outside an academic context. Formerly ID 400B

    Prerequisites & Notes
    Prerequisites: IDES 401 Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs
  
  • IDES 421 - Studio 6: Professional Communication


    Refines the students’ written, verbal, and visual presentation skills and assists them in developing communication materials for their senior theses and industry-sponsored projects. Intensive group critique of individual presentations prepared outside of class. Students develop self-promotion, presentation, and correspondence materials utilizing service bureaus and contemporary technologies such as digital files, fax, and the World Wide Web to prepare and transmit this information. Formerly ID 420A

    Prerequisites & Notes
    Prerequisites: IDES 302, IDES 322, IDES 331, IDES 332 Corequisite: IDES 401

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 422 - Studio 6: Professional Communication


    Refines the students’ written, verbal, and visual presentation skills and assists them in developing communication materials for their senior theses and industry-sponsored projects. Intensive group critique of individual presentations prepared outside of class. Students develop self-promotion, presentation, and correspondence materials utilizing service bureaus and contemporary technologies such as digital files, fax, and the World Wide Web to prepare and transmit this information. Formerly ID 420B

    Prerequisites & Notes
    Prerequisites: IDES 421 Corequisite: IDES 402

    Open to Industrial Design majors only.

    Credits: 3 cr, 6 hrs

  
  • IDES 431 - Design Theory Seminar


    In this industrial design seminar, students investigate design philosophies, issues, and pedagogy, from a historic as well as contemporary international design context. Students study various definitions of design, explore design theories and issues, and consider theoretical relationships with other applied arts. Formerly ID 490A

    Prerequisites & Notes
    Prerequisites: IDES 302, IDES 322, IDES 331, IDES 332 Corequisites: IDES 401, IDES 421, IDES 432

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • IDES 432 - Design Practice Seminar


    Exposes the student to industrial design professional practice through discussion, lectures, and research. The following subjects are addressed: 1.)Running a practice 2.) Legalities and contracts 3.) Publications/exhibitions 4.)Client interaction 5.) Job search, recruiters and directories 6.) Networking (etiquette and strategy) 7.) Work structure (internship, freelance, in-house etc.). Visitors and field trips represent a broad spectrum of the design community including design shop owners, design curators from galleries or museums, industrial design entrepreneurs, and copyright lawyers. Formerly ID 490B

    Prerequisites & Notes
    Prerequisite: IDES 431

    Open to Industrial Design majors only.

    Credits: 3 cr, 3 hrs

  
  • ILUS 101 - Foundation Illustration


    Within the context of illustration assignments, students are introduced to a variety of media, methods, styles, and techniques used to create both black-and-white and color illustrations. The course includes conceptual, perceptual, and technical problems. The development of narrative skills, logical steps to problem solving, research, and creative thinking is also covered. Numerous presentations are made by guest illustrators. Formerly IL 100

    Prerequisites & Notes
    Priority enrollment to Foundation majors.

    Credits: 1.5 cr, 3 hrs
  
  • ILUS 201 - Pictorial Foundation


    Introduction to drawing and painting skills as they relate to illustration. Objective visual perception, clarity in drawing, and technical facility are stressed. Students are exposed to visual communications, strategies, and design concepts through exposure to art history and the field of contemporary illustration. Formerly IL 200A

    Prerequisites & Notes
    Prerequisites: FNDP 111, FNDP 121

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 202 - Pictorial Foundation


    Introduction to drawing and painting skills as they relate to illustration. Objective visual perception, clarity in drawing, and technical facility are stressed. Students are exposed to visual communications, strategies, and design concepts through exposure to art history and the field of contemporary illustration. Formerly IL 200B

    Prerequisites & Notes
    Prerequisites: ILUS 201

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 211 - Figure Anatomy


    Focus on the investigation and application of line, plane, mass, light and shade, shadow, perspective, anatomy, and proportion as they relate to figure drawing. Weekly sessions include a lecture, demonstrations from the skeleton, and drawing from life. Formerly IL 202A

    Prerequisites & Notes
    Prerequisite: FNDP 111

    Priority enrollment to Illustration majors and Figurative Illustration minors. May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 212 - Figure Anatomy


    Focus on the investigation and application of line, plane, mass, light and shade, shadow, perspective, anatomy, and proportion as they relate to figure drawing. Weekly sessions include a lecture, demonstrations from the skeleton, and drawing from life. Formerly IL 202B

    Prerequisites & Notes
    Prerequisite: ILUS 211

    Priority enrollment to Illustration majors and Figurative Illustration minors. May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 220 - Typography


    Beginning studies in the form, use, nomenclature, and history of typography. Individual letters, word formations, text arrangements, and the application of type to simple communication exercises. Use of Macintosh computer for generating type and industry-accepted software is used. Formerly IL 204

    Prerequisites & Notes
    Prerequisites: FNDP 111, FNDP 121

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 280 - Anatomy Elective


    Focus on the investigation and application of line, plane, mass, light and shade, shadow, perspective, anatomy, and proportion as they relate to figure drawing. Weekly sessions include a lecture, demonstrations from the skeleton, and drawing from life. Formerly IL 208

    Prerequisites & Notes
    Prerequisite: FNDP 111

    Priority enrollment to Illustration majors. May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 285 - Drawing for Animators


    Focuses on introducing and developing the skills and disciplines needed for good figurative animation drawing. The primary issues of anatomical figure drawing with a strong emphasis on the structure and solidity of the figure, good proportions, and specific movement and gesture as they relate to the model. Topics also covered: two-dimensional versus three-dimensional ways of translating form; how perspective and viewpoint are used with the figure and their effect on scale; exaggerated foreshortening techniques; diagrammatic and expressive line quality; facial expressions; hand and foot studies; capturing movement through gesture; and introduction to animal drawing for animation. Formerly IL 205

    Prerequisites & Notes
    Prerequisite: FNDP 111

    Priority enrollment to Animation and Film/Animation majors.  May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 286 - Drawing for Animators II


    This course is the sequel to ILUS 285 Drawing for Animators.  Students are introduced to and develop the skills and knowledge necessary to create competently rendered, dynamic, 3-dimensional space and convincingly place volumetrically rendered characters into such space with attention to acting and storytelling needs.  Topics covered include: figures in space; creating the illusion of space; linear and aerial perspectives; how space creates mood and supports theme; the importance of viewpoint; composition, lighting and color; how detail creates character, and figure drawing as it relates to weight, balance, gesture, action, and volumetric representation.

    Prerequisites & Notes
    Prerequisite: ILUS 285

    Priority enrollment to Animation and Film/Animation majors.  May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 301 - Illustration Methods


    The development of narrative imagery, pictorial illusion, and space, and their combined potential for communication. Procedures focus on developing visual awareness, personal imagery, and conceptual directions. Direct drawing situations and photographic reference (existing or student-produced) also serve as source material for pictorial development. Various media and technical procedures are explored. Assignments and lectures focus on the requirements of applied illustration. Formerly IL 300A

    Prerequisites & Notes
    Prerequisite: ILUS 202 Corequisite: ILUS 321

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 302 - Illustration Methods


    The development of narrative imagery, pictorial illusion, and space, and their combined potential for communication. Procedures focus on developing visual awareness, personal imagery, and conceptual directions. Direct drawing situations and photographic reference (existing or student-produced) also serve as source material for pictorial development. Various media and technical procedures are explored. Assignments and lectures focus on the requirements of applied illustration. Formerly IL 300B

    Prerequisites & Notes
    Prerequisite: ILUS 301 Corequisite: ILUS 321

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 312 - Figure Utilization


    Studies of the figure in narrative contexts are explored, as is work from single and grouped models, nude and costumed. Concentration is on developing compositions and concepts from different and often combined resources. Drawing and painting techniques are utilized. Formerly IL 303

    Prerequisites & Notes
    Prerequisite: ILUS 321

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 320 - Design Methods


    Within the context of design/illustration projects, a basic understanding of how artwork is reproduced in commercial print media. Emphasis is on the relationship between electronic media and production techniques. Specific programs utilized include: Adobe InDesign, Adobe Illustrator and Adobe Photoshop. Formerly IL 301

    Prerequisites & Notes
    Prerequisite: ILUS 220

    Priority enrollment to Illustration majors. Junior/Senior preferred.

    Credits: 3 cr, 6 hrs

  
  • ILUS 321 - Figurative Communication


    Emphasis on working from life. The course focuses on the use of the figure and or still life objects to communicate concepts in the figurative context. Drawing and painting media are explored. Formerly IL 302

    Prerequisites & Notes
    Prerequisite: ILUS 212 Corequisite: ILUS 301

    Priority enrollment to Illustration majors and Figurative Illustration minors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 322 - Sequential Format


    Course focuses on sequential formats as they relate to illustration and graphic design. Potential areas of inquiry: brochures, storyboards, simple animations, slide presentations, websites, multipage spreads, and identity programs. Formerly IL 304

    Prerequisites & Notes
    Prerequisite: ILUS 320

    Priority enrollment to Illustration majors.

    Credits: 3 cr, 6 hrs

  
  • ILUS 380 - Children’s Book Illustration


    The design and illustration of children’s books. Emphasis on the stages of development of a book from manuscript through dummy design to finished art. Professional practice and working with editors and art directors are discussed. Students become familiar with the work of past and present book illustration and design. Formerly IL 310

    Prerequisites & Notes
    Prerequisite: FNDP 112 

    Priority enrollment to Illustration majors. May be taken twice for credit. Junior/Senior preferred.

    Credits: 3 cr, 6 hrs

  
  • ILUS 401 - Illustration


    Assignments revolve around specific areas of illustration–advertising, book, documentary, editorial, and institutional. Emphasis is on communication, personal viewpoint, and focused technique that are practical and relevant, to professional needs and demands. A senior thesis project, the William H. Ely Illustration Exhibition, is incorporated into the late fall and early spring semesters. Formerly IL 400A

    Prerequisites & Notes
    Prerequisite: ILUS 302 Corequisite: ILUS 441

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 402 - Illustration


    Assignments revolve around specific areas of illustration–advertising, book, documentary, editorial, and institutional. Emphasis is on communication, personal viewpoint, and focused technique that are practical and relevant, to professional needs and demands. A senior thesis project, the William H. Ely Illustration Exhibition, is incorporated into the late fall and early spring semesters. Formerly IL 400B

    Prerequisites & Notes
    Prerequisite: ILUS 401 Corequisite: ILUS 441

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 441 - Senior Portfolio


    Development of a portfolio based on the student’s personal interests, abilities and target markets. Students focus on a traditional, digital or design illustration orientation and develop, over the year, a working portfolio for presentation at the end of the spring term. In addition, the course offers instruction in marketing and promotion, business practices and procedures, resume writing, taxes, and small business requirements as they relate to artists. The course culminates in The University of the Arts’ Portfolio Day in New York City at the end of the semester. Formerly IL 403A

    Prerequisites & Notes
    Prerequisite: ILUS 302 Corequisite: ILUS 401

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 442 - Senior Portfolio


    Development of a portfolio based on the student’s personal interests, abilities and target markets. Students focus on a traditional, digital or design illustration orientation and develop, over the year, a working portfolio for presentation at the end of the spring term. In addition, the course offers instruction in marketing and promotion, business practices and procedures, resume writing, taxes, and small business requirements as they relate to artists. The course culminates in The University of the Arts’ Portfolio Day in New York  City at the end of the semester. Formerly IL 403B

    Prerequisites & Notes
    Prerequisite: ILUS 441 Corequisite: ILUS 402

    Open to Illustration majors only.

    Credits: 3 cr, 6 hrs

  
  • ILUS 480 - Communication Workshop


    Structured as a design studio, the workshop brings Graphic Design and Illustration majors and their respective faculty together to produce posters for the School of Theater Arts productions. Students are challenged with real-life, professional design studio experiences: working with a client on deadline from concept, illustration, and design through publication in the University’s Borowsky Center for Publication Arts. Junior and Senior Graphic Design and Illustration majors only, approved by faculty advisors. Formerly IL 402

    Prerequisites & Notes
    Prerequisite: GDES 202 or ILUS 202

    Student must have completed the first semester of their Sophomore year (45 credits). May be taken twice for credit.

    Credits: 1.5 cr, 3 hrs

  
  • ILUS 482 - Illustration Workshop: Personal Viewpoint


    A special elective course for qualified Junior and Senior Illustration majors. The Department invites three of America’s most accomplished illustrators to share their talent, insights, and expertise by finding and emphasizing the personal conceptual viewpoint of each student. The goal is to meld that identity with each student’s developing technique to create the greater vision of the artist through illustration as a self-expressive art form. Each of the three faculty presents their work and answers questions in an open forum and then teaches an intensive four-week long segment of the course. The artists give lectures, technical demonstrations, and studio assignments, and students work through a demanding process to produce finished illustrations. This flexible curriculum also allows for timely illustration issues to be covered as they develop in the field. Formerly IL 404

    Prerequisites & Notes
    Instructor permission required. Prerequisite: ILUS 301

    May be taken twice for credit.

    Credits: 3 cr, 6 hrs

  
  • ILUS 690 - Independent Study


    Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum, with limited supervision. Independent Study is available to Junior and Senior undergraduate students who have a minimum 2.5 GPA and to graduate students in good standing. Each Independent Study may be taken for one to three credits in Liberal Arts, 1.5 to six credits in CAD, and one to six credits in CPA and CMAC. Independent Study cannot fulfill major requirements. Independent Study may serve as free, studio, and liberal arts electives, depending on the topic of investigation. Students cannot apply more than 12 total credits of independent study towards their degree requirements. 

    Credits: 1.5 - 6 cr
  
  • LAAH 111 - Art History Survey I


    A survey of Western visual arts and architecture from the earliest extant examples, cave painting and sculpture from Austrian and southern Europe to the arts of the Renaissance in Europe in the 14th-15th centuries. Students will be asked to visit and do research on the art in local museums and galleries in order to gain a foundation for the work from their textbook, and asked to place, evaluate, and comprehend the history of the world in which many of them make their art. Formerly HU 140A.

    By the end of this course, successful students will:

    1. Evaluate the formal qualities of works of art.
    2. Contextualize works of art within an art-historical style/time period.
    3. Articulate the relationships between cultures and periods in the work of particular artists and styles.
    4. Illustrate their understanding of art as it has been defined in human experience and as it may relate to their lives as artists.
    5. Demonstrate their understanding of how even the most ancient examples of art may be sources for contemporary art.
    6. Demonstrate their descriptive and critical writing skills with respect to works of art observed in museum settings.
    7. Learn to use the appropriate vocabulary for discussing works of art in an Art Historical context.


    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 008 or LACR 009 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LAAH 112 - Art History Survey II


    Following the first half of the Survey of Western Art, this course will consider Western visual arts and architecture from the Renaissance in Europe in the 14th-15th centuries to the present. As in the first semester, students will be asked to visit and do research on the art in local museums and galleries, and consider this more modern world as it relates to their own art and thought. They will be tested regularly and expected to write short essays about the work they have studied firsthand.

    By the end of this course, successful students will:

    1. Evaluate the formal qualities of works of art.
    2.  Contextualize works of art within an art-historical style/time period.
    3. Articulate the relationship between cultures and periods in the work of particular artists and styles.
    4. Illustrate their understanding of art as it has been defined in human experience and as it may relate to their lives as artists.
    5. Demonstrate their understanding of how even the most ancient examples of art may be sources for contemporary art.
    6. Demonstrate their descriptive and critical writing skills with respect to works of art observed in museum settings.
    7. Learn to use the appropriate vocabulary for discussing works of art in an Art Historical context.

     

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 008 or LACR 009 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs

  
  • LAAH 811 - Ancient Art


    A consideration of art and myth in Western Civilization as they are represented in their earliest forms beginning in ca. 3000 BCE in the cultures of the Ancient Middle East, Egypt, and the Aegean. It concludes with the arts of Classical Greece in the 5th-4th centuries BCE in recognition of their seminal influence on the arts of the West.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 813 - Medieval Art


    This course examines the sculpture, architecture, painting and decorative arts of Europe from the early Christian period in the 3rd century C.E. to the proto-Renaissance in Italy in the 14th century. The course focuses on the emergence and flowering of a European mystical Christian vision as distinct from the earlier monumental classical vision Greece and Rome.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 815 - Art in Renaissance Europe


    The painting, sculpture, architecture, and decorative arts of the 14th and 15th centuries in the major artistic centers of Northern Europe and in Italy are studied. The course compares and contrasts the works of painters such as Jan Van Eyck and Masaccio; and sculptors such as Claus Sluter and Donatello, who enriched both the habitations and churches of their secular and religious patrons and the proud and expanding mercantile cities in which they lived. Formerly HU 242

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 817 - Baroque Art


    This course studies the work of the major European painters and sculptors of the 17th century; Bernini, Rubens, Velasquez, Rembrandt, Poussin and Vermeer. More specialized artists - painters of landscape, still life genre, and the portrait - will also be considered.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 819 - 19th Century Art


    An investigation of change and diversity as represented by the major painters, sculptors and architects of Europe and America in this emerging Modernist century. Style categories under consideration include Neo-classicism, Romanticism, Realism, Impressionism and Post-Impressionism.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 821 - American Art to 1945


    A survey of American art, architecture, and design, emphasizing the 19th and early 20th centuries. The material covered is divided into a series of sections or themes and is considered in relation to tradition. Each section or theme is studied through the work of the major artists who best represent it. Formerly HU 348

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 830 - Modern Art


    At the beginning of the 20th century, artists responded to new technological forces and the pressures of mass culture in styles such as cubism, constructivism, and surrealism – styles that are still being explored by our contemporaries. The course surveys the period 1880-1980, emphasizing the continuity of the modern artist’s situation and role. Formerly HU 357

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 831 - American Art Since 1945


    In 1945, World War II ended and the focus of modern art shifted from Paris to New York City. The course begins with Abstract Expressionism; studies other major American styles, such as pop art and minimalism; and concludes with post-modernist development such as performance and decoration by artists. Graduate students may register for this course under GRLA 631. Formerly HU 448A

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 832 - European Art Since 1945


    Art since World War II has been dominated by the New York market and by the issue of abstraction; in Europe, however, artists continued to use the human figure as a vehicle for social and ethical concerns, and, more recently, their engagement has become a model for younger artists in both Europe and America. The course will look at crafts and book arts as well as fine arts; it will also make use of plays and films. Formerly HU 448B

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 851 - History of Industrial Design


    A survey of industrial design in the West, paying particular attention to developments in the 20th century. Formerly HU 251

    Prerequisites & Notes
    Prerequisite: LACR 102 Priority enrollment to Industrial Design majors.

    Credits: 3 cr, 3 hrs
  
  • LAAH 853 - History of Crafts


    A survey of the principal movements and tendencies in Western crafts since the middle of the 19th century. Main topics include the arts and crafts movement, art nouveau, the Bauhaus, the interrelationships among fine arts, crafts, and design, and postmodernism. Formerly HU 253

    Prerequisites & Notes
    Prerequisite: LACR 102

    Priority enrollment to Crafts majors.

    Credits: 3 cr, 3 hrs

  
  • LAAH 854 - History of Communication Design


    A survey of two-dimensional design in the West, with particular attention to developments in the 20th century. Formerly HU 254

    Prerequisites & Notes
    Prerequisite: LACR 102 Priority enrollment to Graphic Design majors.

    Credits: 3 cr, 3 hrs
  
  • LAAH 855 - History of Photography


    An introduction to the significant photographers and their work in the history of the medium, including technical developments and their impact, the major visual and aesthetic trends in the development of photography and their relationship to art in general, and the larger social context in which photography has developed. Formerly HU 255

    Prerequisites & Notes
    Prerequisite: LACR 102 Priority enrollment to Photography majors.

    Credits: 3 cr, 3 hrs
  
  • LAAH 861 - Arts of China


    This course covers ceramics, sculpture, painting, and other arts of China from the Neolithic through the last Chinese dynasty, that is from roughly 10,000 BCE to 1911. (If time permits some comments may be made about 20th century Chinese art.) A brief introduction to the historical and social background of each period will be presented as the outstanding arts and art styles of each period are examined. Particular attention will be paid to what, if any, uniquely Chinese characteristics are evident in the arts of China. Art recovered from major archaeological discoveries in China including the “terra cotta” warriors found near the tomb of China’s first emperor will be introduced and reviewed. Important masterworks of Chinese art in all media will also be analyzed and discussed. The influence of religion on Chinese art, particularly Buddhism, will be addressed, and we will also look at Chinese painting in some detail, especially at how figure painting came to be eclipsed by landscape painting. One quiz, mid-term and final examinations and one short paper. Formerly HU 342

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 862 - Arts of Africa


    Artistic, religious, sociological, and geographic aspects of societies in sub-Saharan Africa are studied in order to establish continuity as well as distinction between their art forms. Black American folk art, an extension and transformation of African art, is analyzed. Formerly HU 347

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 863 - Arts of India


    Painting, sculpture, and architecture from the Indus Valley civilization of the second millennium B.C.E. through the different periods of the Buddhist, Hindu, and Islamic dominance to the Raiput painting of the 18th century C.E. The different art styles are related to their historical, religious, and social background. Formerly HU 450

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 864 - Art of Islam


    The course covers architecture, architectural decoration, calligraphy, book illustration, textile and ceramic art of the Middle Eastern countries from the beginning of the Islamic era (7th century C.E.-8th century C.E.). It studies the impact of Islamic religion on the character of Islamic art and architecture. It also studies the various regional styles within this unified visual mode of expression. From time to time Islamic and Christian cultures will be compared so as to understand better the similarities and differences of the two. Formerly HU 451

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 865 - Arts of Japan


    This course covers the architecture, ceramics, painting, and sculpture of Japan from 11,000 BCE to the 19th century CE, and if time permits into the 20th, and 21st centuries. It considers and examines the special characteristics of Japanese art, and analyzes the influence of Chinese art and culture on Japanese art and culture. Particular attention will be paid Buddhist art, especially that influenced by Zen Buddhism. In addition, Japan’s unique achievements in illustrated narrative hand-scrolls of the 12th and 13th centuries and decorative screens of the 16th-18th centuries will be highlighted. One quiz, one paper, a mid-term, and final examination.

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 931 - History and Aesthetics of 20th Century Performance Art


    This course traces the evolution of Performance Art including its roots in Futurism, Constructivism, the Bauhaus, Dada, Surrealism, Fluxus movement, parallel movements in Japanese Butoh dance, European Figuren theater, developments of media in performance, autobiographical performance, and spectacle. Video slides are shown to portray the visual impact of the genre. Formerly HU 256

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 933 - Modern Architecture


    The course investigates modern architecture, its theoretical premises, and the social context that generated it. Students will also inquire into modern architecture’s legacy: postmodern architecture. Formerly HU 345

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 935 - Dada and Surrealism


    The history of the post-World War I antirational movements Dada and Surrealism. Since these were literary and political as well as artistic movements, attention is given to texts by such authors as Artaud, Breton, Freud, Jarry, Rimbaud, and Tzara, as well as to works of art. Formerly HU 355

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 937 - Abstract Expressionism


    Abstract Expressionism was the most important movement in post-WWII American art. This course surveys its origins, accomplishments, and decline. Formerly HU 442

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 970 - Major Artists


    The course concentrates on a single artist or a group of related artists. Among the artists who have come under this intense investigation have been Donatello, Michelangelo, Rembrandt, and Picasso. The course has been designed to give students an in-depth knowledge of one artist’s life and art or the artists of a single school. Formerly HU 456

    Prerequisites & Notes
    Prerequisite: LACR 102 Repeatable for credit.

    Credits: 3 cr, 3 hrs
  
  • LAAH 973 - Women Artists


    A chronological survey of professional female painters and sculptors active in Western Europe and the United States, from the 16th century to the present. The role played by women artists in earlier ages, other nations, and different media is also examined. Three written assignments. Formerly HU 354

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 974 - Topics in Design


    A seminar in the history of design. Each semester the course is taught, a different aspect of design history is studied. Individual designers under consideration have been Wright, Le Corbusier, and Aalto; other topics have been particular design histories: crafts history, graphic design history, industrial design history; and particular styles of design: The Arts and Crafts movement, Art Nouveau, Bauhaus, de Stijl and Constructivism, Art Deco, and Post-Modernism. Formerly HU 452

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs
  
  • LAAH 975 - “Dirty Pictures” A History of Art Censorship


    There has been some form of art censorship, virtually everywhere in the world, as long as there has been art. For centuries visual artworks deemed offensive have been altered or destroyed, their audiences restricted and their creators fined, imprisoned, harassed, and/or physically harmed. The purpose of this course is to examine important cases of art censorship, to try and understand why this phenomenon has been so widespread and long-lasting and to consider its implications within, and beyond, the art community today and for the future. 

    After briefly surveying the history of art censorship in the Western world from antiquity through the mid-20th century, this course will focus on five recent case studies - [particularly notorious instances of art censorship that occurred in the U.S. between 1982 and 2004.  We will examine the basic facts of each case, then review and discuss the principal responses it has generated and its subsequent implications, from several points of view. Some of the complex questions to be explored will include: Exactly what constitutes “censorship”? Under what circumstances might censorship be justified? Should different criteria be applied to potentially controversial public art, vs. the art displayed in art galleries and museums?

    Prerequisites & Notes
    Prerequisite: LACR 102

    Credits: 3 cr, 3 hrs

  
  • LACR 008 - English as a Second Language II


    LACR 008 prepares students for whom English is a second language to produce the kinds of writing and presentations expected of them on the college level, and to improve their reading and critical thinking skills. This course focuses on prose techniques.  Students will learn to respond in writing and speaking to readings and to the work of other students.  The workshop format engages students in collaborative learning activities.  A student who successfully completes this course usually enters the LACR 100 section tailored for ESL students. 




    Prerequisites & Notes
    Credits for LACR 008 do not count toward graduation.

    Credits: 3 cr, 6 hrs
  
  • LACR 009 - Fundamentals of Composition I


    LACR 009 develops students’ critical reading and writing skills so that they may employ the writing processes expected at the college level.  The emphasis is on reading comprehension and writing processes (analyzing, applying, and evaluating), as well as on the technical aspects of writing, specifically essay structure, paragraph construction, grammar, punctuation and spelling. As this course is six hours per week, one-to-one time with the instructor is built into the class, so students can work on individual reading and writing issues.

    By the end of this course, successful students will:

    1. Develop critical reading and writing skills: describing, summarizing, evaluating, and interpreting.
    2. Compose a thesis and support it in the body of the essay in well-structured paragraphs.
    3. Analyze sources (locate the author’s thesis and evidence).
    4. Apply source material through quotation, paraphrase, and summary.
    5. Understand how to avoid intentional or unintentional plagiarism.
    6. Access source material in the stacks of the library.
    7. Recognize and edit patterns of grammatical error (sentence fragments, run-on sentences, subject-verb agreement, verb tense, punctuation, and spelling) to write clear sentences.

     

    Prerequisites & Notes
    This course does not count for credit toward graduation. LACR 009 is graded on a pass/no grade basis. Students who pass LACR 009 enter LACR 100. On rare occasions, a student may pass, with the instructor’s recommendation, from 009 to LACR 102. Such a student must meet with the Dean of Liberal Arts to decide on a suitable writing intensive course that will make up for the 3 LACR 101 credits.  The student must make up these credits to fulfill the 42 credit requirement in Liberal Arts.  Placement in LACR 009 is based on performance on a diagnostic test.

    Credits: 3 cr, 6 hrs

  
  • LACR 22X - Scientific Inquiry Foundation Track (SIFT)


    The Scientific Inquiry Foundation Track (SIFT) serves as a foundation for future studies in the natural and social sciences, in mathematics, and for life-long learning. Scholarship in these scientific disciplines has influenced our culture in significant ways - both directly as a result of ongoing research and indirectly as new scientific ideas and theories are developed and applied within the context of important issues and concerns in the larger society.



    By the end of this course, successful students will:

    1. Demonstrate understanding of the nature of science and how scientific research is conducted.
    2. Demonstrate understanding of the ethical considerations associated with scientific inquiry.
    3. Demonstrate ability to approach questions or problems using a scientific perspective.
    4. Demonstrate ability to analyze information and present conclusions.

     

     

    Prerequisites & Notes
    For all SIFT courses, student must have first matriculated at UArts after Fall 2005.  Enrollment in BS, BFA, or BM degree program required.

    This is a description of the SIFT course category. Any course numbered LACR 22- will meet this requirement.  For example:

    • LACR 221 SIFT: Problem Solving

     

    Credits: 3 cr, 3 hrs

  
  • LACR 100 - Fundamentals of Composition II


    In LACR 100 the emphasis is on the reading and writing processes that lead to argumentation, as well as on the technical aspects of writing, specifically essay structure, paragraph construction, grammar, punctuation, and spelling. Students practice critical reading and writing skills in order to develop academic essays: describing, summarizing,analyzing, applying, and synthesizing. They are introduced to the library’s holdings and taught to access and assess source material. As this course is six hours per week, one-to-one time with the instructor is built into the class, so students can work on individual reading and writing issues.

    By the end of this course, successful students will:

    1. Demonstrate the critical reading and writing skills needed to construct academic essays describing, summarizing, analyzing, applying, and synthesizing.
    2. Compose a question-based research paper (about four pages in length) and support a thesis in the body of the essay in properly structured paragraphs.
      • Apply source material avoiding intentional or unintentional plagiarism through direct quotation and paraphrase, and cite in MLA format (in-text citations and bibliography)
      • Synthesize source material to support a deductive argument
    3. Assess scholarly sources (locate the author’s thesis, evaluate evidence, and weigh credibility).
    4. Access source material through the library holdings: reference section, on-line databases, stacks, and in-library periodicals.
    5. Recognize and edit patterns of grammatical error (sentence fragments, run-on senteces, subject-verb agreement, verb tense, punctuation, and spelling) to write clear sentences.

    This course is a continuation of LACR 009. Successful completion of this course counts for credit toward graduation and permits the student to enter LACR 102 in the following semester.

    Credits: 3 cr, 6 hrs

  
  • LACR 101 - First-year Writing I


    LACR 101 is the first part of a year-long writing, reading and research course that teaches the fundamental aspects of the responsible student-scholar. The emphasis is on the reading and writing processes that lead to argumentation, as well as on the technical aspects of writing, specifically essay structure, paragraph construction, grammar, punctuation and spelling. Students practice critical reading and writing skills to develop academic essays: describing, summarizing, analyzing, applying and synthesizing. They are introduced to the library’s holdings and taught to access and assess source material.

    By the end of this course, successful students will:

    1. Demonstrate the critical reading and writing skills needed to construct academic essays – describing, summarizing, analyzing, applying, and synthesizing.
    2. Compose a question-based research paper (about four pages in length) and support a thesis in the body of the essay in properly structured paragraphs.
      • Apply source material avoiding intentional or unintentional plagiarism through direct quotation and paraphrase and cite in MLA format (in-text citations and bibliography)
      • Synthesize source material to support a deductive argument
    3. Assess scholarly sources (locate the author’s thesis, evaluate evidence, and weigh credibility).
    4. Access source material through the library holdings: reference section, on-line databases, stacks, and in-library periodicals.
    5. Recognize and edit patterns of grammatical error (sentence fragments, run-on sentences, subject-verb agreement, verb tense, punctuation, and spelling) to write clear sentences.

     

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs

  
  • LACR 102 - First-year Writing II


    A continuation of LACR 101, LACR 102 is the second part of a year-long course that builds on and develops the writing and reading processes that lead to argumentation. During this term an inquiry-based research paper is the focus, as well as grammatical and structural elements of writing college-level essays. The independent research project allows students to utilize the critical reading and writing skills introduced in 101-describing summarizing, analyzing. applying, and synthesizing-to develop a scholarly argument. To illustrate the importance of context in the process of research, a curriculum that is focused around a chosen historical period is examined. Students continue to access and assess the source material available from the library.

    By the end of this course successful students will:

    1. Employ and further develop the critical reading and writing skills introduced in 101-describing, summarizing, analyzing, and synthesizing-to compose a major research essay (about seven pages in length) and build an argument based on previous scholarship, elaborating upon an author’s argument orally and in writing.
      • Conduct  independent research through book, periodicals, reference works, on-line databases, interviews, etc.
      • Synthesize primary and secondary source material to develop a scholarly argument
      • Apply source material avoiding intentional or unintentional plagiarism through direct quotation and paraphrase and cite in MLA format (in-text citations and bibliography)
      • Create an annotated bibliography with five to seven sources that illustrates the ability to access and assess various types of source material.
    2. Assess primary and secondary sources (locate author’s thesis evaluate evidence, weigh credibility)
    3. Access source material through the library holdings: reference section, on-line databases, stacks, and in-library periodicals.
    4. Recognize and edit patterns of grammatical error (sentence fragments, run-on sentences, subject-verb agreement, verb tense, punctuation, and spelling)to write clear sentences.

     

    Prerequisites & Notes
    Prerequisite: LACR 101 or LACR 009

    Credits: 3 cr, 3 hrs

  
  • LACR 103 - Fundamentals of Composition III


    A continuation of LACR 100, LACR 103 is the second part of a year-long course that builds on and develops the writing and reading processes that lead to argumentation.  During this term an inquiry-based research paper is the focus, as well as the grammatical and structural elements of writing college-level essays.  The independent research project allows students to utilize the critical reading and writing skills introduced in 100 or 101 – describing, summarizing, analyzing, applying and synthesizing – to develop a scholarly argument.  To illustrate the importance of context in the process of research, a curriculum that is focused around a chosen period is examined.  Students continue to access and assess the source material available from the library.  As this course is six hours per week, one-to-one time with the instructor is built into the class, so students can work on individual reading and writing issues.

    Prerequisites & Notes
    Prerequisite: LACR 100

    Credits: 3 cr, 6 hrs
  
  • LACR 210 - Texts & Contexts: Perspectives on the Humanities


    Perspectives on the Humanities addresses significant works from the ancient world, the Renaissance, the Enlightenment and Romantic periods, and the present day. The course serves five functions: to help students develop their skills in critical reading and writing; to introduce study of traditionally defined periods in the history of culture; to introduce a thematic approach to Humanities topics; to examine key primary texts from various periods and consider them alongside comparable art works; to explore the possibility that conventional ideas of period studies are open to challenge and reinterpretation.

    By the end of this course, successful students will:
     

    1. Read and interpret college level texts, demonstrating competence in these critical reading skills:
         a. Summarizing and paraphrasing;
         b. Recognizing and outlining main ideas and themes, rhetorical strategies, chains of evidence;
         c. Drawing relevant connections between and among texts;
         d. Evaluating the effectiveness of an argument, the strategy of its presentation, and the evidence produced;
         e. Describing, analyzing, and evaluating the effectiveness of artistic writing.
    2. Demonstrate their competence in reading assigned texts through progressively sophisticated writing assignments, including summarizing, paraphrasing, interpretation, analysis, and evaluation.
    3. Demonstrate competence in assessing and using secondary sources including proper MLA citations and bibliography.
    4. Outline the broad development of Western Civilization and discuss key components of Classical, Renaissance, and Romantic/Modern culture.
    5. Express both subjective and objective evaluations of cultural artifacts and movements in reasoned and persuasive argument in both personal and scholarly writing.

     

    Prerequisites & Notes
    Prerequisite: LACR 102 Enrollment in BS, BFA, or BM degree program required.

    Credits: 3 cr, 3 hrs

  
  • LACR 220 - SIFT: Observing Children


    Observing Children is a multidisciplinary social science class that is centered on fieldwork with children. Utilizing ethnographic methods, students will observe, record, and analyze children’s behavior and compare their observations to course readings. Classics in psychology, sociology, and anthropology shed light on the student’s chosen field site, whether it is a day center, museum, city stoop, or playground.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LACR 221 - SIFT: Problem Solving


    This course is one of the options in the Scientific Inquiry Foundation Track (SIFT). It serves as a foundation for future studies in the natural and social sciences, mathematics and life-long learning. Students will explore the basics of scientific method and research. They will learn how to frame questions that can be investigated empirically. The results of these “pilot studies” will be written up as papers and discussed in class presentations. The idea of intimate engagement will be introduced to enhanced the student’s ability to problem solve more effectively.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LACR 222 - SIFT: Human Adaptability


    A examination of the relationships between environmental resources, technology and power in production systems ranging from hunter-gatherer to industrial. Jared Diamond’s GUNS, GERMS and STEEL forms the core of the course with his discussion of the geographical context of domestication of plants and animals and how they might have ultimately affected the world distribution of power. Various ecosystems (deserts, grasslands, arctic, tropical and temperate forest and high altitude) are considered along with their advantages and disadvantages for domestication and human adaptation. The scientific questions underlying these geographic and ecological investigations are considered throughout the term.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

     

    Credits: 3 cr, 3 hrs

  
  • LACR 223 - SIFT: Life Science Concepts


    This course introduces learners to issues of critical and contemporary significance in the life sciences. In this context, students will learn about the scientific method, experimental design, data analysis, ethical considerations and critical thinking, particularly in the framework of environment and human health. In addition, the course encourages research and dialogue regarding the role of society in these issues. Several key environmental issues are highlighted in the course, and students are encouraged to research additional topics in more detail through their assignments. Students will keep a journal of relevant articles in recent news as well as learn about aspects of biological sciences that impact their lives. The final two weeks of the course will be dedicated to student led presentations on these topics. Topics covered in the course include: a) historical and ethical perspectives of the environment, b) ecological principles, c) biodiversity and endangered species, d) renewable and nonrenewable environment resources, e) resource management and quality, f) environmental law, g) human health and toxicology, h) waste management, i) air and water pollution, j) and environmental sustainability.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam. 
     

    Credits: 3 cr, 3 hrs
  
  • LACR 224 - SIFT: Death and Ritual


    This course examines death with the tools of physical and cultural anthropology. Students will learn the scientific process of forensics and the utilization of evidence. They will also engage in analytical methods of examining cultural and social practices. The course will be project-based: In the realm of physical anthropology, projects will include analyses of mummified and other human remains, as well as funerary structures; in the cultural anthropological field, projects will focus on critical looks at beliefs about death, burial, reincarnation, eternal recurrence, and other socio-cultural phenomena.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
  
  • LACR 225 - SIFT: Observing Humans


    This course presents several different social science frameworks and seeks to uncover what can be learned about human behavior by people watching. Students choose places for brief weekly observation and use their own art skills to document what they see.

    Prerequisites & Notes
    Enrollment in BS, BFA, or BM degree program required. Successful completion of LACR 009 or LACR 100 where required as a result of English placement exam.

    Credits: 3 cr, 3 hrs
 

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