May 10, 2024  
2022-2023 University Catalog 
    
2022-2023 University Catalog [Archived Catalogue]

Courses


The University Catalogue includes a listing of all active courses; course sections are not offered every term.

 

Course Renumbering

A complete list of all courses renumbered during this past academic year can be found below.

Courses Renumbered 2022-2023   

Course Search

 
  
  • MMED 675 Percussion for the Non-Percussionist



    3 credits 45.0 hours
    600 level graduate course

    Specifically designed for the band director or music teacher who is not a percussionist, this course will review basic skill sets in each of the primary instrument families, present a variety of teaching strategies and offer new insights into passing this knowledge onto your student drummers. Writing for these instruments at the elementary and intermediate level will be explored. What to bring: Bring a pair of concert snare drum sticks (Vic Firth SD1 or equivalent), a practice pad with stand, a set of 4 matched marimba mallets and a pair of general purpose timpani mallets.

    This course is not repeatable for credit.
  
  • MMED 678 Brass Instrument Technique Lab



    3 credits 45.0 hours
    600 level graduate course

    The Brass Instrument Technique Lab is designed for band directors to hone their technical and pedagogical skills on brass instruments. Students will learn elements of proper embouchure, breathing, and articulation as well as use, technical facility, and details specific to instruments in the brass family. This course will allow for students to deepen their skills and knowledge beyond their primary instruments to benefit their teaching and instruction in their classroom, lessons, and ensembles. Students will be involved in direct instruction on specific instruments daily, in rehearsal lab settings for jazz band and concert band, small brass ensemble playing, and whole group lecture. All students in the class, regardless of their primary instrument, will be playing instruments from the brass family. Trumpet, horn, trombone, and tuba will be covered. Instruments will be provided.

    This course is not repeatable for credit.
  
  • MMED 681 Rehearsal Strategies and Repertoire for Jazz Band



    3 credits 42.0 hours
    600 level graduate course

    Rehearsal Strategies and Repertoire for Jazz Band will provide students with an in-depth analysis,
    study and ensemble approach to jazz band rehearsal strategies and diverse repertoire for
    varying ages and in diverse styles. Students will gain an understanding of effective rehearsal
    strategies for jazz ensembles of all levels, implementation of methodology to support student
    musical growth, and the opportunity within a jazz ensemble setting to apply design methods and
    instructional pedagogy to the ensemble setting. Students will be required to play their primary
    and perhaps a secondary instrument during this course to balance instrumentation.

    This course is not repeatable for credit.
  
  • MMED 682 Teaching Music Improvisation with the iPad



    3 credits 42.0 hours
    600 level graduate course

    This course is designed for elementary and secondary general music teachers and ensemble directors (vocal, strings, band and jazz ensemble) who want to enhance improvisation skills in their students and who have access to an iPad (iPad 2 or later, iPad Air, iPad Mini or iPad Pro) for use in the classroom/rehearsal as well as teachers who are working in a 1:1 iPad classroom. Participants will use GarageBand for iOS, iReal Pro and SmartMusic to create custom improvisation materials and discover existing resources, as well as how to share these materials with students via YouTube, Dropbox and/or Google Drive. Participants will learn the basic mechanics of improvising and the essential music theory elements needed to teach improvisation, including modal improvisation, the blues and simplifying chord progressions. No previous experience with improvisation is required.

    This course is not repeatable for credit.
  
  • MMED 685 Choral Conducting Techniques



    3 credits 45.0 hours
    600 level graduate course

    Conductors will explore new ways of communicating musical ideas through conducting gestures. Participants will read through new choral literature from various publishers, appropriate for Middle School and Senior High choirs. Students will also re-think score preparation, and explore ways to rehearse with the goal of developing expressive singers. Students will have considerable podium time.

    This course is not repeatable for credit.
  
  • MMED 686 Choral Conducting for Music Educators



    3 credits 42.0 hours
    600 level graduate course

    This course will focus on the primary elements and components of advancing conducting skills for directors of choral ensembles at all levels. Students will be immersed in score study, analysis, and application of conducting techniques during the class. Students will be expected to apply understandings to real time ensemble conducting and coaching experiences, observation, reflection and critique throughout the course.

    This course is not repeatable for credit.
  
  • MMED 689 Printing Music by Computer Using Sibelius



    3 credits 45.0 hours
    600 level graduate course

    This course is designed for the experienced computer user. Participants will learn to use the music notation program, Sibelius, to print scores and parts. The course will train instrumental, choral and classroom music specialists to use Sibelius for notating and printing music. Participants will learn to input music using an electronic keyboard and computer and to print scores and parts. Topics include: transposing band and orchestra parts; printing a choral score; music notation problem solving; incorporation of notation examples into word processing documents; composing and arranging music; and using notation software with students. The course will also cover how to use the Scorch plug-in to publish notation files on the Web. The course will be taught in a hands-on environment, one person per station. What to bring:Participants should bring several examples of music notation to be entered during the course. This course fulfills one-third of the requirements for TI:ME Level 2 Certification. Class limited to 16 students. Recommended: completed a minimum of 2 courses in music technology, or comparable experience using music notation software with a Mac or Windows PC.

    Computer Literacy Required
    This course is not repeatable for credit.
  
  • MMED 690 Printing Music by Computer Using Finale



    3 credits 45.0 hours
    600 level graduate course

    This hands-on course is designed to train instrumental, choral, and classroom music specialists to use computers for notating and printing music. The notation program Finale will be used. Participants will learn how to input music using a MIDI keyboard and computer to print out scores and parts. Topics include: transposing band and orchestra parts; printing a choral score; composing and arranging music; and using notation software with students. Many features of Finale will be included: scanning, saving as SmartMusic accompaniments, and using Finale Assessment. Enrollment is restricted to one person per computer. Macs are used in the class, however, Finale is available for PCs running Windows. What to bring: Participants should bring several printed parts and/or scores to be entered during the course. This course fulfills one-third of the requirements for TI:ME Level 2 Certification. Class limited to 16 students. Recommended: Completed a minimum of 2 courses in music technology, or comparable experience using music notation software with a Mac or Windows PC.

    Computer Literacy Required
    This course is not repeatable for credit.
  
  • MMED 701 The Art of Teaching Songwriting for the Music Educator



    3 credits 42.0 hours
    700 level graduate course

    This course provides music educators at all levels the opportunity to learn about the art of songwriting and how to teach songwriting to students. Students will gain an understanding of the basic elements of a well-crafted song, and the essential elements of melody and lyrics. Strategies for writing and teaching songwriting through traditional methods, current methods in the use of technology, and creating through beats will be explored. Music educators will experience an in-depth understanding of the many facets of songwriting and how to bring this art form into the classroom.

    This course is not repeatable for credit.
  
  • MMED 702 History of Jazz



    3 credits 45.0 hours
    700 level graduate course

    Study of jazz from its African and European roots through its emergence at the turn of the twentieth century as a unique and distinctive American art form. The various styles of jazz are studied (ragtime, New Orleans Dixieland, Chicago style, swing, be-bop, cool, hard-bop, funk, freeform, third stream, fusion, contemporary trends and Afro-Latin inspired jazz), including their effect on the popular music with which jazz has coexisted. The course includes in-depth study of the primary exponents of the various styles. Audio and video materials are used to provide students with a better understanding of jazz and its influences on American culture. In terms of prerequisites, it is assumed that students are acquainted with basic music theory. A grasp of music theory is of particular importance in the analysis of improvised solos that will periodically be distributed. Successful completion of this course will likely have a positive impact on your performance skill, composition/arranging competencies, recognition of various jazz styles and the influences they have had on American culture, your participation and contribution to ensembles, and your understanding of jazz and it’s place in the world. You will also be well equipped to teach jazz history either as a component of other courses or as a stand-alone course.

    This course is not repeatable for credit.
  
  • MMED 703 The Art of Teaching Songwriting for The Music Educator, Level 2



    3 credits 42.0 hours
    700 level graduate course

    The Art of Songwriting for Music Educators Level 2 provides music educators who have taken the
    course, The Art of Songwriting for Music Educators, the opportunity to deepen and refine
    their knowledge and understanding about the art of songwriting and how to teach songwriting to
    students. Students will explore and experience a more sophisticated understanding of the elements
    of a well-crafted song, and the essential elements of melody and lyrics. Advanced
    strategies and skills for writing and teaching songwriting through traditional methods, current
    methods in the use of technology, and creating through beats will be expanded upon. Music
    educators will employ innovative strategies that build upon the foundations established in the
    first course to continue to expand upon their creative capacities and those of their students.

    Prerequisites SWRT*701 or MMED*701

    This course is not repeatable for credit.
  
  • MMED 705 Steel Drum Band in School and Community, Level 1



    3 credits 45.0 hours
    700 level graduate course

    Explore the potential of a Steel Drum Band in your school or community. The participants will play and perform on a full set of state-of-the-art instruments. This course will give the participants an overview of this new and exciting art form. Students will be given the history of ‘pan’ (steel drums) including its pedagogical development. The participants will learn the basic techniques of playing the pan on state-of-the-art instruments. Music that will be addressed will include Calypso, Soca, Cha Cha, Samba, along with other styles from Classics to Jazz. Proper care and maintenance, how to obtain pan music, acquisition of instruments, and the pan in music education and community based programs will also be discussed. At the conclusion of the course, participants will have a working knowledge of what it takes to develop a steel band program in their school and community.

    This course is not repeatable for credit.
  
  • MMED 710 Steel Drum Band in School and Community, Level 2



    3 credits 45.0 hours
    700 level graduate course

    Continue to explore the potential of a Steel Drum Band in your school or community. This course will take basic pan principals and techniques and expand on their complexity and give participants a more in-depth understanding. Students playing skills will be enhanced and challenged with more advanced and complex playing techniques while being given the opportunity to concentrate on individual voices. The participants will play and perform on a full set of state-of-the-art instruments. Playing styles and traditions of Calypso, Soca, Cha Cha, Samba, and other styles of music from Classics to Jazz will be explored and performed. A unit on basic arranging techniques for the pans will be presented. Other areas of discussion will include the history of ‘pan’ including its pedagogical development, proper care and maintenance, how to obtain pan music, acquisition of instruments and the pan in music education. Recommended: Completion of MMED 705: The Steel Band in the School and Community Level I or previous experience with approval of the instructor.

    This course is not repeatable for credit.
  
  • MMED 713 Advocating and Administrating: Inside Job Essentials



    3 credits 45.0 hours
    700 level graduate course

    Aspiring to Excel will address the importance of leadership and excellence in the education of students through music. The intention of this course is to stress the ‘whThis course will address the importance of leadership and excellence in the education of students through music. The intention of this course is to stress the ‘what to’s’ and the ‘how to’s’ of effective leadership. Scheduling, day to day organizational methods, accurate advocacy strategies, faculty cohesiveness, peer relationships, avoiding burnout, image building and departmental balance issues will be the focus of the course. Individual needs and issues of the participants will be analyzed along with the development of strategies to address them. A continuing commitment to excellence will be stressed in order for the music educator to begin focusing on what is right in a given situation, rather than what is wrong.at to’s’ and the ‘how to’s’ of effective leadership. Scheduling, day to day organizational methods, accurate advocacy strategies, faculty cohesiveness, peer relationships, avoiding burnout, image building and departmental balance issues will be the focus of the course. Individual needs and issues of the participants will be analyzed along with the development of strategies to address them. A continuing commitment to excellence will be stressed in order for the music educator to begin focusing on what is right in a given situation, rather than what is wrong.

    This course is not repeatable for credit.
  
  • MMED 714 Wind Band Repertoire for Secondary Ensembles



    3 credits 42.0 hours
    700 level graduate course

    This course will provide students with an in-depth analysis, study and ensemble approach to the vast library of repertoire for band ensembles at the secondary level. Students will gain an understanding historically significant band ensemble repertoire, composers and literature that have emerged as modern classics, and exemplary new pieces. Studies will involve graded music of 3 and above and strategies for repertoire selection. A significant amount of playing of a primary instrument will be required during this course.

    This course is not repeatable for credit.
  
  • MMED 715 The Complete Band Program



    3 credits 42.0 hours
    700 level graduate course

    This course will focus on the essential elements of a successful concert band school program. Effective ensemble rehearsal strategies, pedagogical foundations, repertoire selection, assessment methods, and how to commission works will comprise the musicianship/musical aspects of the course. Recruitment and retention, staffing, scheduling, budgeting, inventory, and ensemble rehearsal and performance space will comprise the organizational understandings of the course. How to build relationships with music vendors and the selection of high quality instruments for student musicians of all ages will be addressed. Additionally, entrepreneurial strategies, networking, and advocacy resources will complete the awareness-building component of the course to support band directors in visioning, creating, and ultimately deploying the complete band program. Students will be expected to play a band instrument during this course.

    This course is not repeatable for credit.
  
  • MMED 716 Rehearsal Strategies and Repertoire for Young Band



    3 credits 42.0 hours
    700 level graduate course

    This intensive course includes topics of interest and vital importance to music educators working with elementary and middle school concert band ensembles. Topics covered include leading effective small group lessons and large ensemble rehearsals; evaluating, choosing, and using methods; concert planning and selecting repertoire; recruitment, retention, and switching instruments; assessment; and managing student records. In-service teachers are encouraged to share their successful techniques as well. Participants should bring a primary and secondary instrument to use to try techniques presented and to play during ensemble repertoire reading sessions.

    This course is not repeatable for credit.
  
  • MMED 720 Designing and Implementing Alternative Rehearsal Techniques



    3 credits 42.0 hours
    700 level graduate course

    This course is rooted in the Alternative Rehearsal Techniques methodology for concert band founded by Edward S. Lisk. Students will experience and learn about the methodology through a concert band ensemble setting while gaining an understanding of the major components of the Alternative Rehearsal Techniques method. Students will learn how to design for the application of the methodology with bands of all levels, and how to transfer the methodology into repertoire rehearsal.

    This course is not repeatable for credit.
  
  • MMED 725 Lights, Camera, Learning! Video Projects in Music Education



    3 credits 42.0 hours
    700 level graduate course

    Lights, Camera, Learning! Video Projects in Music Education. Let’s face it: from YouTube to Netflix
    to a host of other services, today’s learners are immersed in and respond to video! This timely
    course for music educators of all levels/areas will be divided between two significant uses for
    video in music education today: 1) Producing compelling videos for students such as video
    lecturettes, tutorials, and performances, etc. Maybe you want to make clear for students the
    motions to a classroom song, the choreography to a concert selection, or the recorder fingerings
    used in class. Perhaps you want to explain how to assemble a clarinet mouthpiece, oil one’s trumpet
    valves, or illustrate several key marching band fundamentals. Maybe you want to show students the
    basic features of an app, how to build major and minor scales, or the steps for a class project.
    All these and much more can be accomplished with today’s simple, intuitive video tools. 2) Using
    engaging video scoring activities with students to teach many important musical concepts. The
    lessons that can be conveyed through both simple and more sophisticated video scoring projects are
    myriad. Students of all levels can explore musical creativity and the interaction of drama
    and music/sound when they begin with a short video clip and add/edit either pre-recorded music
    and sound effects, loop-based multi-track arrangements, or more traditional notation-based
    underscoring. All of the above and much more can be accomplished with just a few accessible,
    intuitive apps/websites and some fairly ubiquitous hardware (i.e. computer/laptop,
    smartphone, iPad). The educational value of video projects in music education is so high and the
    tools to do so have never been more within the reach of even a novice.

    This course is not repeatable for credit.
  
  • MMED 728 Garageband Does It All



    3 credits 45.0 hours
    700 level graduate course

    GarageBand is an easy-to-learn musical workhorse with dozens of great uses for teachers and students. What’s more…it’s lots of fun! Want your students to enjoy composing original music or making arrangements? How about getting them excited about music history as they make podcasts rather than boring traditional reports? Wouldn’t it be great to see students have fun improvising, or creating a musical underscoring with sound effects for a video? Want to make quality recordings of individuals or an ensemble without a complicated microphone scheme? Want a great way to demonstrate musical concepts such as form, dynamics, articulation, tempo, and texture so students really understand? Need to prepare sound clips for a PowerPoint presentation or webpage, blog, or wiki? GarageBand does all this and much more! Perhaps that’s why many music teachers name this program as the technology tool they use most. In this course for general, vocal/choral, and instrumental music teachers at all levels, we’ll explore and experience the many uses for Apple’s GarageBand. Each year the program adds more features and functionality; so even if you’ve used GarageBand before there’s bound to be something that’ll make you see the program in a new way. The course will be taught in a Mac lab using GarageBand, but Windows-equivalent software and adaptations will be discussed.

    This course is not repeatable for credit.
  
  • MMED 730 Introduction to Logic Pro X for Music Educators



    3 credits 42.0 hours
    700 level graduate course

    This course is designed to introduce music educators to Logic Pro X, a digital audio workstation and MIDI sequencer software application for the MAC platform. For users of Garage Band, this introduction to Logic will make evident and present understandings about the depth of features and abilities that Logic has above and beyond the capabilities of Garage Band. Students will learn how Logic can be used in various music education classroom settings, and as both a teaching/learning tool and recording production tool for music education programs.

    This course is not repeatable for credit.
  
  • MMED 738 Orff Level I



    3 credits 45.0 hours
    700 level graduate course

    Pedagogy skills for teaching basic Orff Schulwerk will be explored and discussed through the use of Music for Children, Murray Volume I and pentatonic folk song material, movement and recorder. Level I teachers will actively learn to use speech, rhymes, poetry, playing pitched and unpitched percussion as well as singing, playing, and improvising in pentatonic for creating an active music curriculum in the school setting. Soprano Recorder pedagogy and skills, creating student-friendly compositions in an elemental style, and models for improvisation will be developed.

    This course is not repeatable for credit.
    This course is equated with the following courses: MUED*641, MMED*738
  
  • MMED 739 Orff Level II



    3 credits 45.0 hours
    700 level graduate course

    Level II will be a continuation and refinement of Level I content and will explore the aspects of complex rhythms and meter, movement accompaniment, transposed pentatonic, hexatonic, and other modal melodies including: Dorian, Phrygian, Aeolian, Ionian, Lydian and Mixolydian. Movement: form-based choreography and traditional folk dance will be used. The alto recorder will be used throughout and the wider ranges of the soprano recorder will be explored, with an emphasis on modal repertoire and improvisation. Music for Children Murray Volumes II & IV will be the foundation of the course.

    Prerequisites MMED*738

    This course is not repeatable for credit.
    This course is equated with the following courses: MUED*642, MMED*739
  
  • MMED 740 Orff Level III



    3 credits 45.0 hours
    700 level graduate course

    Orff Level III will focus on pedagogy of more complex music from Music for Children Volumes III & V as well as eclectic folk music and more complex musical elements, including syncopation, meter, permutations of l6th notes, melody, theme and variation, chaconne, irregular speech/poetry and iconic notation, with an emphasis on improvisation and drama. Recorder studies will explore a wide range of music, including Schulwerk source materials, traditional folk music, and historical and modern repertoire. Movement classes will include a more detailed study of Laban’s movement efforts, folk dances in complex meter, and more complex choreography synthesizing all dance elements studied thus far.

    Prerequisites MMED*739

    This course is not repeatable for credit.
    This course is equated with the following courses: MUED*643, MMED*740
  
  • MMED 741 Elemental Ensemble: Exploring Repertoire of Orff Schulwerk



    3 credits 45.0 hours
    700 level graduate course

    Through this supplemental course, students will be offered an enhanced understanding of Elemental Music through the Orff Schulwerk repertoire. The course will explore many pieces in the Music for Children Volumes and supplemental material through traditional and non-traditional instrumentation. This experience will enhance your already broad understanding of Orff by adding significant new repertoire to your knowledge base. The pieces will be explored and performed to offer the elemental music educator an opportunity to develop and grow to a more advanced level of Elemental Music. It is an opportunity to deepen and expand upon the skills and understanding of elemental ensemble music. This supplemental course is offered for students who have completed Orff-Schulwerk Levels I and II, and does not lead to Level III certification.

    This course is not repeatable for credit.
  
  • MMED 743 Curriculum Development in Orff Schulwerk



    3 credits 42.0 hours
    700 level graduate course

    Curriculum Development in Orff Schulwerk. The purpose of this course is to support general
    music teachers as they develop an Orff Schulwerk-inspired curriculum for use in their
    unique professional settings. Participants will explore how to bring the playfulness, creativity
    and spontaneity of the Orff process into a structure suitable for the classroom.
    Prerequisite: Orff Levels I and II from any AOSA approved course.

    This course is not repeatable for credit.
  
  • MMED 751 Creative Classroom Musicianship for Elementary General Music Education



    3 credits 45.0 hours
    700 level graduate course

    This course will focus on creative methods of teaching, planning, preparing and implementing effective general music classroom strategies and rehearsal methods in the elementary general music program. Students will be immersed in diverse learning methods and studies to activate new approaches to teaching musicianship and creativity. Students will learn innovative methods of vocal music rehearsal during classroom instruction, and how to evolve a high quality vocal music concert from classroom to stage. Students will also learn about methods to evolve a successful and thriving program supported by school administrators, community and parents. During this course various general music publishers will also provide clinics about their elementary general music materials, and how these methods make connections to our music education standards and common core curriculum.

    This course is not repeatable for credit.
  
  • MMED 752 Rehearsal Strategies and Repertoire for Elementary



    3 credits 42.0 hours
    700 level graduate course

    This course provides students with an in-depth immersion, analysis, and study of vocal music repertoire for young vocal ensembles. Students will be actively engaged in learning, planning and designing, and performing rehearsal strategies for the repertoire through score study. Additionally, students will develop aural, oral, visual, and kinesthetic learning opportunities for their students. Young voices repertoire of varied levels of difficulty, differing vocal settings, and of diverse genre will be presented to provide students with a holistic view of preparing, rehearsing, conducting, and performing with young vocal ensembles. Students will be immersed in singing and rehearsing the repertoire, discussion and analysis, and in differentiating and selecting appropriate repertoire for their ensembles.

    This course is not repeatable for credit.
  
  • MMED 756 From Mash-Ups to Re-Harms for Vocal Ensembles



    3 credits 45.0 hours
    700 level graduate course

    This week-long course is geared towards the choral educator who would like to harness the buzz from programs like ‘Glee’ and ‘The Sing-Off,’ but don’t know exactly where to begin. Among the topics to be covered in this course: arranging for vocal jazz and pop a cappella ensembles, performance practices for vocal jazz and pop a cappella ensembles, stylistic concerns, sound reinforcement, vocal percussion, and working with rhythm sections.

    This course is not repeatable for credit.
  
  • MMED 757 Rehearsal Techniques for Contemporary Choral Ensemble



    3 credits 45.0 hours
    700 level graduate course

    This class will focus on rehearsal techniques for contemporary vocal groups, particularly pop a cappella (both group miking and individual miking) and vocal jazz (both a cappella and with rhythm section). Among the topics covered will be style and technique, belt singing, solo singing in contemporary styles, improvisation, sound reinforcement, improvisation, staging, movement, and programming.

    This course is not repeatable for credit.
  
  • MMED 758 Contemporary Vocal Music Strategies



    3 credits 42.0 hours
    700 level graduate course

    This course is designed to advance the knowledge and skills of the K-12 vocal music educator
    through learning and integrating contemporary vocal music in to the curriculum. Contemporary
    styles will include Jazz, R & B, Rock, and Pop. Teachers will explore and learn strategies that
    can be implemented in one-on-one coaching sessions and in group vocal settings and large
    ensemble rehearsals. Students will gain an understanding of contemporary vocal arranging
    methods, how to work contemporary ideas and repertoire into a traditional choir setting, and
    how to design classroom modules around these concepts. Students will expand their
    contemporary vocal repertoire, and will learn techniques to differentiate and recognize diverse
    contemporary styles. Each student will have the opportunity for one-on-one vocal instruction in a
    variety of styles. Additionally, students will work in group settings, have performance
    opportunities, and participate in a live sound vocal recording session with a band at the end of
    the week. Students will be expected to sing daily as a component of this course.

    This course is not repeatable for credit.
  
  • MMED 760 Digital Recording & Sound Systems for Music Education



    3 credits 45.0 hours
    700 level graduate course

    This course is designed for elementary and secondary music teachers and will focus on everything you need to know to make professional sounding recordings of your ensembles in rehearsal and performance and how to properly set up a sound system for concerts. You will learn how to record, edit, and master your recordings using Mac/Windows software. You will create master recordings that you can publish to CD and to the Internet. Mobile recording devices and apps for your iPad/iPod Touch/iPhone will also be included. This course will be taught in a MAC lab using current applications. No additional hardware or software is needed for participation in this course. You may bring your own iOS device (not required). No previous experience using computer recording software, mobile devices, or sound systems is required.

    This course is not repeatable for credit.
  
  • MMED 761 Music Production Using ProTools



    This course will focus on recording and producing music with ProTools, the industry-standard
    professional music production software. Participants will record audio with microphones,
    MIDI from the electronic keyboard, and make extensive use of software instruments. This
    course is designed for the elementary and secondary music educator interested in making
    professional sounding recordings of his/her ensembles and integrating music production into
    the music curriculum. Basic computer literacy is required for this course.

    This course is not repeatable for credit.
  
  • MMED 766 Integrating the Ipad Into the Music Education Curriculum



    3 credits 45.0 hours
    700 level graduate course

    Learn how to integrate the Apple iPad into the music curriculum. Teacher and student applications will be addressed. You will have time in class to develop your lessons and learning activities integrating the iPad. Applications include using the iPad as a tuner, metronome, decibel reader or DJ app; control external music devices with your iPad; create sound recordings using the iPad GarageBand app; synthesize music; display and compose music notation; use it in live performance; use music instructional apps; control your laptop or desktop computer with your iPad as a keypad or software-specific apps such as the short-cut layout for Finale or Sibelius. Use teacher productivity applications including GoogleDocs and more. If you are looking to integrate one or more iPads into your music teaching either for your personal use and/or your students, this course is for you. You will need to bring an iPad to class.

    This course is not repeatable for credit.
  
  • MMED 770 Introduction to Playing the Drum Set



    3 credits 45.0 hours
    700 level graduate course

    This course is designed for those who have little or no experience or formal training in drum set performance or practice. Teaching is directed towards enabling participants to acquire a facility for themselves, and in turn, to help them teach and coach their student drummers in developing better drumming skills and overall musicianship. You’ll learn about technique, styles (including rock, jazz, Brazilian, and Afro-Cuban), improvisation, reading, repertoire, and drum equipment. No equipment is required; you will be supplied with a pair of sticks, a method book, and a play-along CD. Each student will sit at their own professional drum set that includes all cymbals and hardware.

    This course is not repeatable for credit.
  
  • MMED 773 Playing the Drums: Level 2, Intermediate



    3 credits 40.0 hours
    700 level graduate course

    The course is designed for those who have attained some basic to moderate level of proficiency on the drumset, either as a result of having taken the first level of this course, or having played the drums previously. The teaching is directed towards primarily enabling students to acquire a more advanced level of ability for themselves, and also to improve the skills and knowledge required for group and private instruction and direction of students. Students study intermediate-to-advanced level of technique, styles, improvisation, reading, repertoire, and equipment, including electronic drums. No equipment is required; students will be supplied with a pair of sticks, a method book, and a play-along CD. Each student will sit at their own professional drum set that includes all cymbals and hardware.

    Prerequisites MMED*770

    This course is not repeatable for credit.
  
  • MMED 777 Live Sound Production for Music Educators



    3 credits 42.0 hours
    700 level graduate course

    This course will explore the technology and techniques necessary to produce concerts and live events from the perspective of the music educator. The knowledge students will gain can be applied to the primary venue/auditorium at their school. Students will gain an understanding of the intricacies of audio in regard to live sound production. This includes learning about signal flow, signal processing, live mixing, microphones and live recording. This course will introduce an over-arching set of techniques and principles that students can transfer and utilize in their home schools and with their performance ensembles.

    This course is not repeatable for credit.
  
  • MMED 781 Live Sound Production for Music Educators, Level 2



    3 credits 42.0 hours
    700 level graduate course

    This course will expand upon concepts of foundational technology and techniques necessary
    to produce concerts and live events from the perspective of the music educator. Students will
    explore advanced audio engineering and live sound production strategies to maximize the quality of
    live and recorded student events and performances. A more sophisticated understanding
    of concepts such as signal flow, signal processing, live mixing, microphones and live
    recording will enhance the basics covered in Live Sound Production for Music Educators, Level 1.
    This course will refine the over-arching strategies learned in the first course to
    maximize live sound production in their home schools and with their performance ensembles.

    Prerequisites MMED*777 or PMED*777

    This course is not repeatable for credit.
  
  • MMED 790 Thesis/Project Development: Music Education



    3 credits 45.0 hours
    700 level graduate course

    The Music Education Thesis is the culmination of learning and professional growth established as an outcome of MM studies in Music Education and demonstrates mastery of the course of study through a well-designed and developed thesis. This final product is to be designed and focused to achieve outcomes that are based upon the synthesis of understandings acquired from courses in the content coursework, and through knowledge gained from the Foundational courses. The student’s synthesis of knowledge and skills will be exemplified through the creation of an original, creative, and thoughtful presentation.

    This course is not repeatable for credit.
    This course requires permission by the offering program office.
  
  • MMED 791 Thesis: Music Education



    3 credits 45.0 hours
    600 level graduate course

    The Music Education Thesis is the culmination of learning and professional growth established as an outcome of MM studies in Music Education, and demonstrates mastery of the course of study through a well-designed and developed thesis. This final product is to be designed and focused to achieve outcomes that are based upon the synthesis of understandings acquired from courses in the content coursework, and through knowledge gained from the Foundational courses. The student’s synthesis of knowledge and skills will be exemplified through the creation of an original, creative, and thoughtful presentation.

    Prerequisites MMED*790

    This course is not repeatable for credit.
  
  • MMED 795 Project: Music Education



    3 credits 45.0 hours
    600 level graduate course

    The Music Education Project is the culmination of learning and professional growth established as an outcome of MM studies in Music Education, and demonstrates mastery of the course of study through a well-designed and developed thesis. This final product is to be designed and focused to achieve outcomes that are based upon the synthesis of understandings acquired from courses in the content coursework, and through knowledge gained from the Foundational courses. The student’s synthesis of knowledge and skills will be exemplified through the creation of an original, creative, and thoughtful presentation.

    This course is not repeatable for credit.
    This course requires permission by the offering program office.
  
  • MSEM 518 Prototyping for Community Engagement



    3 credits 90.0 hours
    500 level graduate course

    This elective is open to all grads, juniors and seniors who have a project, product, or program they would like to test with an interdisciplinary team and, ultimately, public audiences. This class covers how prototype and pilot testing concepts with the public can lead to stronger, more creative, complex, and compelling design solutions. This class provides tools to prototype effectively from defining the project’s needs, identifying original ways to meet them, building pilot versions, testing them productively, making changes based on feedback, and communicating the results effectively. Competencies such as research, responsiveness, adaptability, collaboration, and critical thinking beyond one’s self are key in designing for contemporary audiences. This course is essential for any designer, developer, educator, or communicator who wants to be viable in the ever-evolving creative world.

    This course may be completed 2 times for credit.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • MSEM 524 Museum Environmental Graphic Design



    3 credits 67.5 hours
    500 level graduate course

    This course is a concise lesson in graphic design where students will explore the building blocks of design and typography and the application of these principles for an exhibition setting. Focus will be on the specific challenges in a museum environment and avoiding common design pitfalls.

    Priority enrollment for MFA in Museum Exhibition, Planning, and Design.
    Computer Literacy Required
    This course is not repeatable for credit.
  
  • MSEM 600 Museums: History/Theory/Practice



    3 credits 45.0 hours
    600 level graduate course

    Introduction to the social and cultural theory underlying museum practice. The museum is studied as a dynamic institution. Its structure and functions are examined in the context of political, economic, and social change. A seminar/lecture course, students study the writings of the founders of modern museum theory focusing on the development of museums and their service to the public, learning as a central focus of contemporary museums, and the shift from private to public support and responsibility for museums.

    Priority enrollment to Museum Studies majors.
    This course is not repeatable for credit.
  
  • MSEM 602 Museum Seminar: Museums in Society



    3 credits 45.0 hours
    600 level graduate course

    Lecture/seminar course exploring the philosophy and history of museum exhibitions and the development of the museum exhibition discipline. Visiting lecturers bring a wide range of knowledge and practices from their respective professional disciplines and provide insight into museum exhibition practice. Provides students with an overall understanding of the role exhibitions can and do play in public institutions. Offered in the evening.

    Open to Museum Studies majors only.
    This course is not repeatable for credit.
    This course is equated with the following courses: ME*500, MSEM*602, MS*502, MSEM*602
  
  • MSEM 603 Museum Audiences and Evaluation



    3 credits 45 hours
    600 level graduate course

    Lecture into practice focusing on the understanding and development of museum audiences through visitor-centered research. Students learn to conduct audience research in order to identify the characteristics of museum visitors and to use research findings to inform the development of exhibitions and educational programs and enhance the overall visitor experience of cultural institutions.

    Priority enrollment to Museum Studies majors.
    This course is not repeatable for credit.
    This course may not be audited.
    This course is equated with the following courses: AE*508, MSEM*603, MS*508
  
  • MSEM 604 Essentials of Graphic Software



    1.5 credits 45.0 hours
    600 level graduate course

    This course addresses the development of foundational graphic computer skills in image scanning, digital photographic technologies, digital vector graphics and illustration, document layout and basic output procedures. The class focuses on the Adobe Suite; Photoshop, InDesign and Illustrator. Technical understanding and efficient working methodologies are taught through weekly exercises and applied to larger projects established for the Museum Graphics courses. All software is standard to current graphic design industry practices.

    Computer Literacy Required
    This course is not repeatable for credit.
  
  • MSEM 605 Museums: History and Theory



    1.5 credits 22.5 hours
    600 level graduate course

    Examine museums in the context of political, economic, and social change. A seminar/lecture course, students study the foundations of modern museum theories including the development of museums and their service to the public, learning as a focus of museums, museums as a space for community engagement, and the shift from private to public support and responsibility for museums.

    Priority enrollment to Museum Studies majors.
    This course is not repeatable for credit.
  
  • MSEM 606 Community Outreach Research and Program Development



    3 credits 45 hours
    600 level graduate course

    In this workshop-style class, students will learn how to develop strong museum-community relationships and create museum entry points and programming that meet the needs of the communities they serve.

    Prerequisites MSEM*603

    This course is not repeatable for credit.
    This course may not be audited.
  
  • MSEM 609 Museum Exhibition Design Studio: First Semester



    4.5 credits 135.0 hours
    600 level graduate course

    The primary vehicle for exploring and developing museum exhibition planning, design, project organization, and presentation skills/techniques. This studio focuses on the foundations of museum exhibition development and design: space planning, color, light, informal education, communication, content, interaction, and crafting experiences.

    This course is not repeatable for credit.
    This course is equated with the following courses: MSEM*610, ME*610A, MS*610A, MSEM*609
  
  • MSEM 611 Museum Exhibition Design Studio: Second Semester



    6 credits 180.0 hours
    600 level graduate course

    The primary vehicle for exploring and developing museum exhibition planning, design, project organization, and presentation skills/ techniques. This studio focuses on the foundations of museum exhibition development and design: space planning, color, light, informal education, communication, content, interaction, and crafting experiences, with the addition of project management, model making, and group dynamics.

    Prerequisites MSEM*609

    Open to Museum Exhibition Planning and Design majors only.
    This course is not repeatable for credit.
    This course is equated with the following courses: ME*610B, MSEM*611, MS*610B
  
  • MSEM 613 Museum Graphic Principles



    3 credits 45.0 hours
    600 level graduate course

    Graphic Design is defined as the art, profession and creative process of visual communication using words and images. It is a means to dynamically tell a story, convey organized information, or guide someone through an experience. Through a deliberative process of research, assessment, writing, conceptualization and design, this class is an introduction to the methods and principles of Graphic Design as it applies to communications in general, and to museums in particular. Through lectures, case studies, and project-based learning, students engage in six main projects, in-class exercises, and collaborations.

    Priority enrollment for Museum Studies, MA students.
    Computer Literacy Required.
    This course is not repeatable for credit.
  
  • MSEM 614 Museum Environmental Graphic Design



    1.5 credits 45.0 hours
    600 level graduate course

    Writing, voice, and design of museum exhibition/environmental graphic components. Graphic Design is defined as any visual information communicated through word and image.

    Open to Museum Studies majors only.
    Computer Literacy Required
    This course is not repeatable for credit.
  
  • MSEM 615 Museum Lighting



    1.5 credits 45.0 hours
    600 level graduate course

    A lecture/demonstration/workshop course dealing with the manipulation of light and color in the built environment, specifically museums.

    Prerequisites MSEM*616

    Open to Museum Exhibition Planning and Design majors only.
    This course is not repeatable for credit.
  
  • MSEM 616 Exhibition Materials and Methods



    1.5 credits 45.0 hours
    600 level graduate course

    This course gives students an in-depth acquaintance with exhibit fabrication/construction processes, techniques, methods and materials, how to research and specify appropriate materials, and how to use those materials in the best way.

    This course is not repeatable for credit.
  
  • MSEM 617 CAD: Essentials of Vectorworks



    1.5 credits 45.0 hours
    600 level graduate course

    Demonstration/studio course directed at the problems of exhibit production, organization of drawings and packages, clear communication to suppliers of materials and services, and the use of Mac-based CAD (computer aided design), specifically Vectorworks.

    Open to Museum Exhibition Planning and Design majors only.
    This course is not repeatable for credit.
  
  • MSEM 619 Digital Media for Museum Interpretation



    3 credits 45.0 hours
    600 level graduate course

    This course will explore the uses of digital media for interpretation in exhibitions and programs. Students will be introduced to various kinds of interfaces and applications to better understand appropriate uses, for example, blogs, apps, gaming, social media, distance learning/webinars, on-line exhibitions/collections, etc. Emphasis will be on the uses of these media tools for the interpretation of ideas and stories as a means of developing innovative visitor engagement with content and collections. Students will design a sample media piece as part of the deliverables for this class.

    Priority enrollment for MA in Museum Education and MFA in Museum Exhibition, Planning & Design.
    This course is not repeatable for credit.
  
  • MSEM 620 Team Building



    1.5 - 3 credits 45.0 hours
    600 level graduate course

    Through a combination of readings, discussion, and participation in thematic events, as well as the study of their own behavior, students learn about the nature of authority and responsibility, anxiety, communications, the evolution of norms and the underlying assumptions that often govern team development. Students will also learn how a task with a specific deadline and collective responsibility for a product affects team dynamics and is effected by them.

    This course is not repeatable for credit.
    Pass/fail grading only.
  
  • MSEM 630 Exploring Education in Philadelphia Museums



    3 credits 45.0 hours
    600 level graduate course

    This course is designed to develop the practiced insight and skills needed as a professional in a museum environment working with all age groups. It provides opportunities for preliminary observations and experience with professional museum educators and directors led by a professor who conducts the seminar in conjunction with the museum visits and guest speakers. Through this process students develop dynamic teaching techniques that explore and interpret information, concepts, and cultural values that a museum collection communicates. Hands-on techniques and experiences with curriculum development and methodology help students prepare for their research and internship.

    Priority enrollment to Museum Education majors.
    This course is not repeatable for credit.
    This course is equated with the following courses: AE*510, MSEM*630, MS*510
  
  • MSEM 631 Museum Learning: Theory and Practices



    3 credits 45.0 hours
    600 level graduate course

    Prepares museum educators for the development of educational programs and plans for diverse types of museums and alternative learning sites. Exposes students to current issues and trends in museum education such as interdisciplinary and integrated learning, and issues of diversity. Methods of interpreting works of art, artifacts, and collections are studied. Extensive, “theory into practice” component provides students with the opportunity to apply theory to actual permanent collection and temporary exhibition projects at area museums.

    Priority enrollment to Museum Studies majors.
    This course is not repeatable for credit.
    This course is equated with the following courses: AE*615, MSEM*631, MS*615, MSEM*631
  
  • MSEM 640 Museum Administration and Management



    3 credits 45 hours
    600 level graduate course

    This seminar course provides an overview of current administrative practices in museums including human resources management, fiscal and accounting practices, and organizational development. Through reflective work and case studies, students build skills in fundraising and grant writing, budget creation and management, workforce development and conflict resolution, and project management. At the end of the course, students create a self-directed professional development plan for post-graduation.

    Prerequisites MSEM*605 and MSEM*692

    This course is not repeatable for credit.
    This course may not be audited.
  
  • MSEM 641 Museum Governance and Administrative Issues



    3 credits 45.0 hours
    600 level graduate course

    Legal status of the museum and its obligations to the public, governance, staffing, and policy-making as a non-profit organization. Establishing collections policies, laws, regulations, conventions, and codes that affect acquisitions, deaccessions, loans, and collections care. The case study method is used to examine the issues, the law, and the decisions that affect today’s museums. State, federal, and international legislation, common law, and the applications of administrative law in museums are examined. Examines the complex relations of museums and museum professionals with trustees, collectors, donors, dealers, outside interest groups, and artists.

    Priority enrollment to Museum Communication majors.
    This course is not repeatable for credit.
  
  • MSEM 642 Principles of Development and Grant-writing



    3 credits 45.0 hours
    600 level graduate course

    This course addresses the changing nature of fundraising and the ever-evolving landscape of sources of funding for museums today. In a lecture/workshop setting, students explore a variety of strategies for securing funding for museums and museum programs under the guidance of instructors and visiting experts in the museum field. Students acquire professional knowledge of museum practices in development and revenue generation as well as develop skills in creating a strategic fundraising plan and preliminary campaign case statement.

    This course is not repeatable for credit.
  
  • MSEM 646 Branding and Marketing Principles



    3 credits 45.0 hours
    600 level graduate course

    In this workshop-style course, students learn to apply the principles of branding and marketing within the museum context. Topics include public relations, communications and publications, advertising, brand identity, audience development, and marketing. Working together with the course instructors and experts in the field, students create marketing campaigns, communications plans, and promotional materials to support membership development and outreach.

    Prerequisites MSEM*613 or MSEM*614

    This course is not repeatable for credit.
    This course may not be audited.
  
  • MSEM 650 Selected Topics in Museum Studies



    1 - 6 credits undefined hours
    600 level graduate course

    Courses falling under Selected Topics focus on special areas of museum life. Topics will vary according to faculty expertise.

    This course may be repeated for credit.
  
  • MSEM 656 Graduate Seminar: Topics in Cultural Issues



    3 credits 45.0 hours
    600 level graduate course

    This seminar addresses interdisciplinary topics in response to the diverse range of Museum Studies graduate programs.

    This course may be completed 2 times for credit.
  
  • MSEM 687 Selected Topics in Museum Studies



    1 - 6 credits undefined hours
    600 level graduate course

    Courses falling under Special Topics focus on special areas of museum life. Topics will vary according to faculty expertise.

    This course may be repeated for credit.
    This course may not be audited.
  
  • MSEM 690 Collaborative Exhibition-Museum Education



    3 credits 45.0 hours
    600 level graduate course

    A culminating research project concerning museum studies, management, and education. The project is completed in one semester and includes the study of research in the field, a team project with the Museum Exhibition Planning and Design, and Museum Communication programs, and an individual project related to the student’s main area of interest within the museum education profession. This course provides preparatory research for the culminating museum internship.

    Open to Museum Education majors only.
    This course is not repeatable for credit.
    This course is equated with the following courses: AE*648, MSEM*690, MS*648
  
  • MSEM 692 Collaborative Exhibition Project - Museum Studies



    3 credits 90.0 hours
    600 level graduate course

    A culminating research project concerning museum studies, management, and exhibition. The project is completed in one semester and includes the study of research in the field. A team project with the Museum Exhibition Planning and Design, and Museum Education programs, and an individual project related to the student’s main area of interest within the museum communication profession.

    Open to Museum Communication majors Only
    This course is not repeatable for credit.
  
  • MSEM 695 Museum Education Internship



    3 - 6 credits undefined hours
    600 level graduate course

    Taken in a cooperating museum, the internship represents full-time employment equivalency under the mentorship of a professional museum educator. It is intended to provide practical on-site experience in which the intern is integrated into the museum staff, assuming professional-level responsibilities and experience. A University professor also observes, advises, and assesses the student during the internship.

    Priority enrollment to Museum Education majors.
    A maximum of 6.0 internship credits (in CAMD & CCPS) and 12.0 internship credits (in CPA) may be applied toward degree requirements.
    This course requires permission by the offering program office.
    This course cannot be taken pass/fail.
  
  • MSEM 705 Museum Visitor Experience Seminar



    3 credits 45.0 hours
    700 level graduate course

    This seminar explores the value, challenges and approaches in providing consistent, high-quality visitor-centered experiences at all visitor touch points within a museum. The course emphasizes the planning and operational aspects of managing a museum and what resources are needed to provide excellent visitor-centric experiences that deliver on the museum’s brand promise. Themes addressed in class and by visits with local museum experts will include delivering exemplary: visitor services, communications, program, retail, membership, gallery, and related experiences in ways that advance and support the institution’s brand and encourage participation from broad and diverse audiences.

    This course is not repeatable for credit.
  
  • MSEM 712 Museum Exhibition Design Studio: Third Semester



    4.5 credits 135.0 hours
    700 level graduate course

    This advanced professional studio is a combination of seminar/discussion format with a
    major semester-long project. Students will be responsible for subject research, content, and
    interpretive development; schematic design, through design development; and construction
    documentation for an exhibition. Students will be responsible for developing an interpretive
    exhibition based on a Philadelphia subject. “The Philadelphia Project” uses material culture as an
    entry point, and the particular needs of a target audience. Students will formally present their
    work to professionals in the museum field on at least two occasions during the semester, and
    deliver a project book. This course lays the ground work for the fourth semester thesis
    project, and work related to the ongoing studio project.

    Prerequisites MSEM*611

    Corequisite Course(s): MSEM*713 or MSEM*714

    Open to Museum Exhibition Planning & Design majors only.
    This course is not repeatable for credit.
  
  • MSEM 713 CAD: Vectorworks for Exhibit Design



    1.5 credits 45.0 hours
    700 level graduate course

    Demonstration/studio course that aims to build technical proficiency with Vectorworks software
    and hone students’ design documentation strategies. This course encourages students to
    problem solve their way through the myriad of challenges they are likely to face in the field
    as they craft a design package consistent with professional expectations.

    Prerequisites MSEM*617

    Priority enrollment to Museum Exhibition Planning and Design majors.
    This course is not repeatable for credit.
  
  • MSEM 714 Exhibition Content Development



    1.5 credits 45.0 hours
    700 level graduate course

    Lecture/studio course focusing on strategies and best practices for developing interpretive
    content for museum exhibitions. Students will learn and practice how to integrate content
    development with exhibit design, create interpretive strategies for different types of
    exhibitions, and write and revise exhibit scripts.

    Priority enrollment to Museum Exhibition Planning and Design majors.
    This course is not repeatable for credit.
  
  • MSEM 720 Graduate Portfolio Development



    1.5 credits 45.0 hours
    700 level graduate course

    This course is for any graduate students who are interested in developing a smart physical
    portfolio/resume that uniquely highlights not just their projects but also how they best
    organize and communicate their experience, skills and design process to potential employers. The
    cogent marketing piece developed is a companion to the websites and web based portfolios
    previously created. These portfolios help the student stand out from the massive amount of
    digital messaging employers receive daily.

    This course is not repeatable for credit.
    Pass/fail grading only.
  
  • MSEM 779 Museum Studies Research



    3 credits 45.0 hours
    700 level graduate course

    Students work in class on research-based assignments that raise their awareness of museum roles/functions and audience as a field of knowledge and the various techniques and methodologies used by practitioners. Examines topics, issues, and policies directly related to museum studies and approaches to research in museum fields.

    Open to Museum Studies majors only.
    This course is not repeatable for credit.
  
  • MSEM 780 Thesis/Capstone Research



    3 credits 45.0 hours
    700 level graduate course

    Examines the principle approaches to research. The nature of appropriate research methods for selected thesis topics; the approaches and benefits of various methodologies; and the steps in research design. Students identify a research problem, design a study, collect and analyze data, compile, interpret and report results.

    Open to Museum Studies majors only.
    This course is not repeatable for credit.
  
  • MSEM 781 Thesis Development: Museum Exhibition Planning & Design



    3 credits 90.0 hours
    700 level graduate course

    Independent research and design in an area supporting the student’s career objectives and interests.

    Prerequisites MSEM*611 or MSEM*780

    Open to Museum Exhibition Planning and Design majors only.
    This course is not repeatable for credit.
    Pass/fail grading only.
    This course is equated with the following courses: MSEM*781, MSEM*781, MS*749A, ME*749A
  
  • MSEM 782 Thesis Development: Museum Education Planning & Design



    3 credits 90.0 hours
    700 level graduate course

    Independent research and design in an area supporting the student’s career objectives and interests.

    Prerequisites MSEM*781

    Open to Museum Exhibition Planning and Design majors only.
    This course is not repeatable for credit.
    Pass/fail grading only.
    This course is equated with the following courses: ME*749B, MSEM*782, MS*749B, MSEM*782
  
  • MSEM 784 Museum Studies Thesis/Capstone



    3 credits 90.0 hours
    700 level graduate course

    Guided research, writing, faculty and peer review which supports the completion of the student’s thesis/capstone project.

    Prerequisites MSEM*783

    Open to Museum Communication majors Only
    This course is not repeatable for credit.
    Pass/fail grading only.
    This course may not be audited.
  
  • MSEM 785 Thesis Development: Museum Education



    3 credits 90.0 hours
    700 level graduate course

    Independent research and design in an area supporting the student’s career objectives and interests.

    Prerequisites MSEM*780

    This course may be completed 2 times for credit.
  
  • MSEM 790 Museum Independent Study



    1 - 6 credits undefined hours
    700 level graduate course

    Independent Study offers a matriculated student the opportunity to initiate individual research or advanced projects that are beyond the limits of the standard curriculum.

    This course may be repeated for credit.
    This course requires permission by the offering program office.
    This course may not be audited.
    This course cannot be taken pass/fail.
  
  • MSEM 796 Museum Studies Internship



    3 credits 45.0 hours
    600 level graduate course

    A supervised practicum in a cooperating museum, gallery, or museum related firm. The internship represents full-time employment equivalency under the mentorship of a professional. Provides practical on-site experience in which the intern is integrated into the professional staff assuming professional-level responsibilities and experience.

    This course requires permission by the offering program office.
  
  • MSEM 797 Museum Exhibition Planning & Design Internship



    3 credits undefined hours
    700 level graduate course

    A supervised practicum in a cooperating museum, gallery, or design firm. The internship represents full-time employment equivalency under the mentorship of a professional. Provides practical on-site experience in which the intern is integrated into the professional staff assuming professional-level responsibilities and experience.

    This course requires permission by the offering program office.
    Pass/fail grading only.
    This course is equated with the following courses: MSEM*797, MSEM*795, MSEM*795, MS*759, ME*759
  
  • MTEC 100 Applied Instruction Non-Majors



    1.5 credits 7.5 hours
    100 level undergraduate course

    Private instruction in music technology.

    This course requires permission by the offering program office.
    Additional Fee
    This course may be repeated for credit.
  
  • MTEC 101 Applied Major Instruction - Music Technology



    3 credits 15 hours
    100 level undergraduate course

    Private instruction in music technology.

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 102 Applied Major Instruction - Music Technology



    3 credits 15 hours
    100 level undergraduate course

    Private instruction in music technology. Requirements include a year-end graded examination by a jury.

    Prerequisites MTEC*101

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 201 Applied Major Instruction - Music Technology



    3 credits 15 hours
    200 level undergraduate course

    Private instruction in music technology.

    Prerequisites MTEC*102

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 202 Applied Major Instruction - Music Technology



    3 credits 15 hours
    200 level undergraduate course

    Private instruction in music technology. Requirements include a year-end graded examination
    by a jury.

    Prerequisites MTEC*201

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 301 Applied Major Instruction - Music Technology



    3 credits 15 hours
    300 level undergraduate course

    Private instruction in music technology.

    Prerequisites MTEC*202

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 302 Applied Major Instruction - Music Technology



    3 credits 15 hours
    300 level undergraduate course

    Private instruction in music technology. Requirements include a year-end graded examination
    by a jury.

    Prerequisites MTEC*301

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 401 Applied Major Instruction - Music Technology



    3 credits 15 hours
    400 level undergraduate course

    Private instruction in music technology.

    Prerequisites MTEC*302

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 402 Applied Major Instruction - Music Technology



    3 credits 15 hours
    400 level undergraduate course

    Private instruction in music technology. Requirements include a year-end graded examination
    by a jury.

    Prerequisites MTEC*401

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
  
  • MTEC 601 Applied Major Instruction - Music Technology



    3 credits 15 hours
    600 level graduate course

    Private instruction in music technology.

    Open to majors in the School of Music only.
    This course is not repeatable for credit.
    This course may not be audited.
  
  • MTEC 613 Applied Instruction Non-Majors



    1.5 credits 7.5 hours
    600 level graduate course

    Private instruction in music technology.

    This course requires permission by the offering program office.
    Additional Fee
    This course may be repeated for credit.
    This course may not be audited.
  
  • MTEC 614 Applied Instruction Non-Majors



    1.5 credits 7.5 hours
    600 level graduate course

    Private instruction in music technology.

    This course requires permission by the offering program office.
    Additional Fee
    This course may be repeated for credit.
    This course may not be audited.
  
  • MTEC 634 Design, Collaborate, Share: Canva for Music Educators



    3 credits 42 hours
    600 level continuing studies course

    Canva for Education is a powerful yet easy-to-use graphic design tool that allows educators to create beautiful teaching resources of all kinds, from posters, to presentations and documents, to videos, and much, much more! With more than 250,000 thousand templates, graphics, photos, and videos, Canva for Education is useful for both novices and more experienced graphic designers alike. And the best thing about it is, it’s free! Canva is optimized for Chromebooks and app smashes with Google Workspace, allowing teachers to get creative and use the best features of each tool together. This project-based course will take a deep dive into Canva’s feature set, and provide ample opportunity for designing visual resources that will support your teaching and directly integrate into any teaching and learning environment. While Canva for Education will be the primary application for this course, other apps, such as Google Workspace, as well as other online resources will be explored and used throughout the course. This course is designed for music educators at all grade levels and disciplines.

    This course may be completed 2 times for credit.
  
  • MUCP 101 Harmony for Songwriters



    3 credits 45 hours
    100 level undergraduate course

    The purpose of Harmony For Songwriters is to develop a functional understanding of the way chord structures, chord progressions, and melodic components are used in songwriting.  With this understanding, students will have the freedom and knowledge to write songs much more effortlessly and with greater conviction.  For many non-music majors, this will be an introductory course into basic components of music theory.

    This course is not repeatable for credit.
  
  • MUCP 202 Orchestration/MIDI Orchestration Projects



    1 credit undefined hours
    200 level undergraduate course

    This course provides conventional and experimental project experiences in Orchestration and MIDI Orchestration. Students will gain facility in these areas through hands-on creative problem solving through a variety of assignments.

    Prerequisites MUCP*201

    Priority enrollment to majors in the School of Music.
    This course is not repeatable for credit.
  
  • MUCP 203 Songwriting I



    2 credits 30.0 hours
    200 level undergraduate course

    Songwriting I focuses on the ‘birth’ of a song; finding inspiration, understanding the basic elements of a well-crafted song, assembling the pieces of melody and lyrics, and performing the songs for feedback. The class allows for students working alone or in collaboration with others. This course is open to all students.

    This course is not repeatable for credit.
 

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